Welcome back to The Worms That Turned - a podcast where we watch old UK TV sitcoms and decide whether they are suitable for our modern, woke world.

In the second part of our deep live into Sorry!, the sitcom that firmly established Ronnie Corbett’s comedy persona, we finally get around to talking about some actual episodes of Sorry!, having spent far too much time debating who is most like Ronnie Corbett’s character in real life*

But most importantly, we decide whether Sorry! belongs in the Comedy Hall of Fame or the Dustbin of Comedy History.

* It’s Will. Obviously.

Warning ⚠️ this episode contains language that some listeners may find offensive... but only because we're quoting old TV shows, not because we enjoy using those words. We're not your father-in-law.

If you liked this episode, please subscribe and rate us on Spotify or iTunes or wherever you get your podcasts.

The Worms That Turned is written, presented, and produced by Will Barrett and Rob Pearmain. Theme tune by Rob.

Hello! And welcome to The Worms That Turned - a podcast where we watch old UK TV sitcoms and decide whether they are suitable for our modern, woke world.

We’re back for another two-parter, in which we take a long, withering stare at the classic Ronnie Corbett sitcom, Sorry!, about a middle-aged librarian still living at home with his domineering mother.

In this episode, we compare our middle-aged lives with Ronnie Corbett’s character, Timothy Lumsden, and feel only slightly better about our own careers, relationships, and lifetime achievements.

In this episode, Will discovers that recording a podcast is far cheaper than actual therapy, and Rob reveals the shocking fact he is slightly taller than average height.

Is Britain’s 77th most popular sitcom* of all time overdue a cultural revival or has it aged as badly as Ronnie Corbet trying to play a man ten years younger than himself? Join us and find out!

* According to the Top 100 Best British Sitcoms (2004).

Warning ⚠️this episode contains language that some listeners may find offensive... but only because we're quoting old TV shows, not because we enjoy using those words. We're not your father-in-law.

If you liked this episode, please subscribe and rate us on Spotify or iTunes or wherever you get your podcasts.

The Worms That Turned is written, presented, and produced by Will Barrett and Rob Pearmain. Theme tune by Rob.

Welcome back to The Worms That Turned, and part two of our deep dive into The Good Life.

In this episode, we decide whether The Good Life belongs in the Comedy Hall of Fame or on the Compost Heap of Comedy History.

Are Tom and Barbara the perfect prototype eco-friendly couple, or insufferably smug, middle-class boomers playing at being poor? You’ll have to listen to the end to find out!

Plus, in a special bonus debate, we judge which was the better time to be alive – 1975 or 2025!

WELL, THANK YOU VERY MUCH..!

Warning ⚠️ this episode contains language that some listeners may find offensive... but only because we're quoting old TV shows, not because we enjoy using those words. We're not your father-in-law.

If you liked this episode, please subscribe and rate us onSpotify or iTunes or wherever you get your podcasts. 

The Worms That Turned is written, presented, and produced by Will Barrett and Rob Pearmain. Theme tune by Rob. 

Welcome to The Worms That Turned!

This week we’ll be planting our own potatoes and making our own fertilizer as we dig down into the rich soil of The Good Life, a much-loved 1970s sitcom about a couple’s attempt to drop out of the corporate rat race and lead an autonomous, self-sufficient lifestyle.

In this episode, we too yearn for a simpler, mortgage-free life of a suburban smallholder, free from commuting and consumerism, with only our root vegetables and fruity wife for company. Or are we also having a belated mid-life crisis?

Join us while we discuss the original eco-warriors, Tom and Barbara Good, and decide whether we love their free-spirited, frivolous nature or hate them for somehow being able to pay off the mortgage on their large, detached London home before Tom’s 40th birthday.

Warning ⚠️ this episode contains language that some listeners may find offensive... but only because we're quoting old TV shows, not because we enjoy using those words. We're not your father-in-law.

If you liked this episode, please subscribe and rate us on Spotify or iTunes or wherever you get your podcasts. 

The Worms That Turned is written, presented, and produced by Will Barrett and Rob Pearmain. Theme tune by Rob. 

Welcome back to LE WURMS WAT TUNED!

You may be wondering why I have a painting of nude lady hidden in a large sausage, why there is so much wet celery lying about the place, and why I have a cuckoo clock shoved down my trousers.

That recap can only mean one thing… we’re still talking about the classic BBC TV sitcom, ‘Allo, ‘Allo!

In this episode, we decide whether ‘Allo, ‘Allo! belongs in the Comedy Hall of Fame or the Dustbin of Comedy History, and more to the point, is René a despicable wartime collaborator or selfless hero of the French Resistance?

Warning ⚠️ this episode contains language that some listeners may find offensive... but only because we're quoting old TV shows, not because we enjoy using those words. We're not your father-in-law.

If you liked this episode, please subscribe and rate us on Spotify or iTunes or wherever you get your podcasts. 

The Worms That Turned is written, presented, and produced by Will Barrett and Rob Pearmain. Theme tune by Rob. 

Good moaning! And well combed to or pood cost, LE WURMS WAT TUNED!

Listen very carefully, I shall say this only once… this week, we are discussing the classic BBC TV sitcom, ‘Allo, ‘Allo!, set during the comedy goldmine that was Nazi occupied France during World War 2.

In this episode, we brush up on World War 2 history and discover we have much in common with a middle-aged café owner / wartime collaborator, share an unrequited love for the same French waitress, and learn that not all Nazis were serious, but all members of the French resistance were gorgeous and chic.

Warning ⚠️ this episode contains language that some listeners may find offensive... but only because we're quoting old TV shows, not because we enjoy using those words. We're not your father-in-law.

If you liked this episode, please subscribe and rate us on Spotify or iTunes or wherever you get your podcasts. 

The Worms That Turned is written, presented, and produced by Will Barrett and Rob Pearmain. Theme tune by Rob. 

We think we've reached our bottom.

In this second part of our in-depth exploration of the BBC TV sitcom Bottom, we decide whether it is comedy genius or puerile playground nonsense.

In this episode, Rob claims to have cultural superiority as an Englishman, while Will has clearly spent too much time "researching" old back copies of Parade magazine.

Warning ⚠️ this episode contains language that some listeners may find offensive... but only because we're quoting old TV shows, not because we enjoy using those words. We're not your father-in-law.

If you liked this episode, please subscribe and rate us on Spotify or iTunes or wherever you get your podcasts.

The Worms That Turned is written, presented, and produced by Will Barrett and Rob Pearmain. Theme tune by Rob.

BOTTOM'S UP!

This week, we delve deep into Bottom to pull out this podcast all about the classic BBC TV sitcom.

In the first of a two-part episode, we discuss the comedy legacy of Rik Mayall and Adrian Edmondson's Bottom... Rob confesses to a schoolboy crime that almost ruined the school disco and Will gets Richie's girl-bait chat-up line wrong... Are these the reasons why they have had no luck with girls, ever?

Warning ⚠️ this episode contains language that some listeners may find offensive... but only because we're quoting old TV shows, not because we enjoy using those words. We're not your father-in-law.

If you liked this episode, please subscribe and rate us on Spotify or iTunes or wherever you get your podcasts.

The Worms That Turned is written, presented, and produced by Will Barrett and Rob Pearmain. Theme tune by Rob.