In episode three, we chat with Rashmi Devadasan, Rakesh Khanna, and R.T. Samuel, the brilliant minds behind The Blaft Book of Anti-Caste SF, which has been making waves in the Indian speculative fiction scene.

Rashmi Devadasan is a writer with over twenty-five years of experience in indie publishing, Tamil feature films, and Indian English theatre. At Blaft, she has been part of the selection, editing, design and production of the company's fiction in translation, comic book anthologies, original fiction, and zines. She is the author of Kumari Loves a Monster, a picture book created with the artist Shyam. Her short stories were part of an anthology titled Strange Worlds! Strange Times! Amazing Sci-Fi Stories, published by Speaking Tiger. She is a fan of fungi, moss, lichen, cephalopods, and jellyfish. Rashmi also draws gentle, mostly cuboidal-shaped sample collector robots that do research on a cacti-covered asteroid. You can find Rashmi Devadasan on Instagram @kaimaurundai.

Rakesh Khanna grew up in Berkeley, California, of mixed Punjabi and Anglo-American heritage. He co-founded Blaft Publications in Chennai with Rashmi Ruth Devadasan, who is also his wife, in 2008. The company publishes translations of Indian fiction, folklore, weird fiction, and graphic novels. Rakesh is the co-author of Ghosts, Monsters, and Demons of India, the editor of Blaft's Tamil Pulp Fiction and Gujarati Pulp Fiction anthologies, and co-editor of The Blaft Book of Anti-Caste SF. Sometimes he edits mathematics textbooks. He is interested in marine invertebrates, demonology, topological graph theory, and banging on things to see what they sound like. You can find Rakesh Khanna on Instagram @blaftpublications.

R.T. Samuel is an editor and independent cultural producer working between London and New Delhi. R is the co-editor of the collection, The Blaft Book of Anti-Caste SF, helmed by a viral fundraiser that made it the second-most successful Indian publishing campaign in Kickstarter history. The book involved working with nearly 30 authors, translators and artists for close to two years, and features stories from more than six different languages and diverse mediums. From 2021-23, R was also the writer and broadcaster behind the hugely popular (20k plays and counting) underground political and cultural education podcast Clear Blue Skies S1. A lapsed investigative and culture journalist, R is currently pursuing an MSc in Anthropology and Professional Practice at University College London and is always happy to talk about 80s SFF, public radio, futures literacy and Indian hip-hop. You can find R.T. Samuel on Instagram @mithran.rt.

In this episode, we discuss the lack of understanding around caste, what’s missing from the Indian SFF scene, the challenges and thrills of putting together an expansive anthology, the importance of translated fiction, Enid Blyton's undeniable influence, and more.

Links to Rashmi Devadasan’s work:

• Kumari Loves A Monster

Links to Rakesh Khanna’s work:

• Ghosts, Monsters, and Demons of India – Blaft Publications

• The Blaft Book of Anti-Caste SF – Blaft Publications

• The Blaft Anthology of Gujarati Pulp Fiction – Blaft Publications

Links to R.T. Samuel’s work:

• I Know My Own Animal Heart on Third Eye (Essay)

• As Long As The Image Lasts: Shaping Memory & Making Imprints At Peers '23 (Essay)

In episode two of season four, lawyer, author, and editor Gautam Bhatia returns!

When we last spoke to Gautam, he had just published The Horizon, the much-anticipated sequel to The Wall. Since then, he’s published a variety of non-fiction books, helped curate and edit a new anthology, Between Worlds, for Westland Books, and published a new sci-fi novel: The Sentence.

The Sentence is genre crossing, with elements of political thrillers, murder mysteries, and old school science fiction. In it, the protagonist, Nila, is faced with an ethical, legal and political conundrum which will change the world as she knows it.

In this episode, we discuss the Indian science fiction landscape, Japanese-style murder mysteries, being fallible humans, the death penalty and carceral justice, and the big fat desi space opera.

You can follow Gautam on X @gautambhatia88

Read Gautam’s Work:

The Sentence (2024)

The Wall (2020)

The Horizon (2022)

Between Worlds (2025)

In the first episode of season four, host Anjali Alappat sits down with Gigi Ganguly, to discuss her debut collection of short stories, Biopeculiar: Stories of an Uncertain World (Westland Books, 2024).

Gigi began her career as a journalist and, after some years of writing for newspapers, she decided to study creative writing at the University of Limerick. Her first novella, One Arm Shorter than the Other, published in 2022, got her nominated for the Subjective Chaos Kind of Award in 2023.

Biopeculiar: Stories of an Uncertain World focuses on the relationship between the human and more-than-human in a fascinating, speculative way. A man herds clouds, a powerhouse singer conjures rain, a scientist piggybacks on an otter’s consciousness, and much more.

In this episode, we discuss the beauty of Steinbeck’s writing, the peculiar case of Elon Musk, K-dramas, rain songs, dinosaurs and robots.

You can follow Gigi on X @gigiganguly

Read Gigi’s Work:

Biopeculiar: Stories of an Uncertain World

One Arm Shorter than the Other

In this episode of Stories from the Subverse, Nayanika Mathur, Professor of Anthropology and South Asian Studies at the University of Oxford, delves into the conflict between big cats and humans. Nayanika’s book, Crooked Cats: Beastly Encounters in the Anthropocene (2021), was a key source of inspiration for Cataplisms, which examines the intersections of capitalism through a feline lens. In this piece, Nayanika focuses on the governance of nonhuman animals, their entanglements with humans, and what the consequences are.

Mathur talks about the two types of big cats—the seeda saada (straightforward) ones who are scared of humans and keep their distance, and the crooked cats – the adam khor (maneaters) who prey on people. The reasons why some cats become man-eaters, while others avoid humans, are widely debated. Hypotheses include that the cats have come from elsewhere, due to hunting and poaching, or that they’re children of other man-eaters. This uncertainty has consequences. For example, the tiger Ustad, who resided in Ranthambore, was moved out of the sprawling environment of the national park to be confined in a zoo on the suspicion of being a man-eater. This move stirred a national controversy, eliciting an emotional outpouring and contradictory viewpoints. Ustad’s life may have been restricted without cause. How does one govern the unknown?

Given the precarious status of most big cat species, the fact that hunting crooked cats is the standard solution of the Indian state becomes even more fraught. Especially, as Mathur underlines, when it is difficult to identify which cat is the crooked one. Drastic measures are often taken posthumously to ostensibly abide with the laws of the land and justify a kill.

Mathur emphasises the need to think more deeply about our entanglements with the non-human, revise our laws and institutional practices, and give up our crooked ways.

This audio story is part of the Cataplisms project. You can learn more about it here.

This story was produced by Tushar Das. You can find him on Instagram and his work on the Brown Monkey Studio website.

About Nayanika Mathur

Nayanika Mathur is Professor of Anthropology and South Asian Studies as well as Fellow of Wolfson College at the University of Oxford, UK. Educated at the Universities of Delhi and Cambridge she is an anthropologist with an interest in studying the state, ethnographic methods, nonhumans, and the climate crisis. At Oxford Nayanika is co-director of a research network ‘Climate Crisis Thinking in the Humanities and Social Sciences’ which explores the ways through which climate change poses a profound challenge to how the academy – from forms of writing and modes of teaching to disciplinary divisions – operates. Nayanika is the author of two monographs – Paper Tiger: Law, Bureaucracy, and the Developmental State in Himalayan India (Cambridge University Press 2016) and Crooked Cats: Beastly Encounters in the Anthropocene (Chicago University Press, 2021). The first is centred upon the study of bureaucrats and the second on big cats, though they are often confused. In her argument on the governance of big cats this connection - between the paper tiger that is the Indian state and the crooked cats that are entangled with the planetary crisis – becomes, one hopes, clearer.

In this episode of Stories from the Subverse, we present our first Cataplisms audio story. The Cataplisms project examines our multispecies entanglements, critiques capitalism, and acknowledges the cataclysms at our doorstep, all through a feline lens. In this episode, we hear from someone personally and professionally invested in the fate of big cats and the forests they live in. Raza Kazmi is a conservationist, writer and wildlife historian, who focuses on East Central India.

His childhood in Jharkhand’s Palamu region, surrounded by the forest’s flora and fauna, including tigers and leopards, ignited his passion for protecting these cats, and his connection with forest landscapes. Kazmi illustrates how industrialization and capitalism have threatened India’s tigers and other wildlife. A web of mines, dams, and other infrastructure projects within forest areas and critical wildlife corridors pockmark the forests of East Central India. This has fragmented habitats and disrupted migration routes, disorienting animals like elephants and tigers and exacerbating human-wildlife conflict. Kazmi shares that the lack of charismatic wildlife makes it easier to divert forest areas for more mining projects. Both people and animals who depend on these forests are adversely affected.

He delves into the drastic decline of animals, including tigers and leopards, in Palamu due to hunting coupled with the expansion of industries, which has pushed these animals to the brink, crossing an ecological Rubicon, and making urgent conservation intervention critical. Kazmi also talks about the lack of charismatic wildlife, or animals with mass appeal like tigers and elephants, in the area and how that can make it easier to divert forests for more mining or urbanisation projects.

The destruction of these ecosystems thanks to expansion and hunting, has led to desperate circumstances. Raza shares the story of a male tiger’s five-year trek across multiple states in search of a mate. The tiger’s struggle underscores how capitalistic development has fragmented natural corridors, forcing wildlife to navigate human-dominated spaces rather than the jungles they belong in.

But not all hope is lost. Kazmi emphasizes the pivotal role that local communities play in conservation. They are essential for saving tigers and other wildlife from the destructive forces of industrialization. He believes that, “if the forests are there, there will always be the hope of the wildlife returning.”

About Raza Kazmi

Raza Kazmi is a conservationist, writer, wildlife historian, storyteller and researcher. His fields of expertise include India’s wildlife and forest administration history, conservation policy and conservation issues afflicting the insurgency-ridden east-central Indian landscape. His writings appear in national newspapers (The Hindu, The Indian Express), online media houses (The Wire, FiftyTwodotin, RoundGlass Sustain) as well as various magazines and journals (Frontline, Seminar, The India Forum, Journal of Bombay Natural History Society, Sanctuary Asia, Cheetal, etc.). He has also contributed essays to edited anthologies. A recipient of the New India Foundation Fellowship for 2021, he is currently writing a book tentatively titled To Whom Does the Forest Belong? The Fate of Green in the Land of Red. He works as a Conservation Communicator with the Wildlife Conservation Trust, and also teaches as a Guest Faculty for Wildlife Management at the Forest Guard Training Schools in Chaibasa and Ranchi in Jharkhand.

In this episode, we're discussing plants, their exuberant multispecies sexualities and what we can learn from them, how botany is always interlinked with its cultural and historic context including colonialism, and an interdisciplinary approach can make one a better scientist.

Host Susan Mathews is in conversation with Professor Banu Subramaniam, the Luella LaMer Professor of Women’s and Gender Studies at Wellesley College. Trained as a plant evolutionary biologist, Banu engages the feminist studies of science in the practices of experimental biology and is most recently the author of Botany of Empire: Plant Worlds and the Scientific Legacies of Colonialism. The book is about plant worlds and the legacies of colonialism. It focuses on three subfields: plant taxonomy, plant reproductive biology, and plant biogeography. Plant taxonomy is a critical node of colonial botany and its enduring afterlives. Plant reproductive biology chronicles how the imaginaries of gender and race under colonial sexuality were imposed on plants. Finally, understanding plant biogeography through invasion biology centres questions of what belongs, or doesn’t, when and where.

In the eighth episode of the season, host Susan Mathews talks to Pranay Lal, a
natural history writer and climate change advocate about the dearth of interest in publishing books on natural history, the climate crises, the need for natural history museums, how the story of climate is intertwined with all other histories, and more.

Pranay Lal is a natural history writer, public health expert, and climate change advocate. He is the author of two books on natural history. Indica: A Deep Natural History of the Indian Subcontinent (2016), his debut book, won the Tata Lit Fest Award and Delhi World Book Fair Award 2017. It was listed among Mint’s 50 most significant books about India since Independence. His second book, Invisible Empire: The Natural History of Viruses (2021), also received multiple awards and was named among the 20 Best Non-fiction Books of 2021 by GQ and won the Green Lit Fest Award 2023. Both books have been translated into several languages.

In this episode host Susan Mathews talks to Heather Davis, the author of Plastic Matter (2022) about plastic and how it has completely permeated our world. They cover a wide range of topics from synthetic universality, technocapitalism, chemical legacies, queer kin, reproductive questions raised by plastic, and hauntings created by the aftermath of slavery and settler colonialism.

Davis is a member of the Synthetic Collective, an interdisciplinary team of scientists, humanities scholars, and artists, who investigate and make visible plastic pollution in the Great Lakes. She is the author of Plastic Matter, Desire Change: Contemporary Feminist Art in Canada, and Art in the Anthropocene: Encounters Among Politics, Aesthetics, Environments, and Epistemologies. You can find Heather Davis on social media at Instagram: @theoryxdaddy and on X @heather_davish1.