Geoff heads east to Essex to catch up with an old friend — the award-winning jazz saxophonist, bandleader, arranger, and recording engineer Derek Nash.

What happens when a lifelong love of saxophone meets decades of sound engineering expertise? Derek Nash's musical journey provides the perfect answer.

From the moment 12-year-old Derek heard the Pink Panther theme played by a tenor saxophonist during his father's BBC radio broadcast, his path was set. Though his career would take a 20-year detour through the technical corridors of BBC sound engineering, music remained his true calling. Eventually, Derek left the BBC to establish his own recording studio (the aptly named ‘Clowns Pocket’) and pursue his saxophone career full-time.

The conversation reveals Derek as both a consummate musician and skilled sound engineer with remarkable stories of recording some of Britain's jazz legends. He speaks fondly of producing Jamie Cullum's first album, working with George Melly, Digby Fairweather, and creating multiple albums with Stan Tracey. His technical expertise combined with musical sensitivity made him particularly skilled at working with singers, developing a diplomatic language to guide performances while maintaining creative relationships.

When discussing improvisation, he offers fascinating insights into how jazz vocabulary develops through listening and transcription. His approach to soloing has evolved to become as natural as driving – focused on the musical journey rather than technical mechanics. During a performance of Gerry Mulligan's 1950s standard ‘Walkin' Shoes’ (accompanied by the Quartet app), he demonstrates his creative process, explaining how he thinks about theme and variation, melody contour, and responsive playing.

The conversation concludes with quick-fire questions that reveal Nash's personality beyond music – from favourite sandwiches to performing at the Royal Albert Hall, his preference for flat ninth chords, and his excellent advice for young musicians: "Play any kind of music anywhere…” to discover preferences and build valuable networks.

Join us for this illuminating conversation with one of Britain's most versatile saxophonists, whose musical journey continues to evolve after decades in the jazz world. Whether you're a musician seeking inspiration or simply love the stories behind the music, Derek Nash delivers wisdom, warmth and musical insights in equal measure.

Presenter: Geoff Gascoyne
Series Producer: Paul Sissons
Production Manager: Martin Sissons
The Quartet Jazz Standards Podcast is a UK Music Apps production.

In the tranquil setting of Hertfordshire, England, Geoff sits down with the legendary tenor saxophonist Alan Skidmore, a musical force whose extraordinary career spans nearly seven decades. At 83, Alan's recollections are sharp, his stories captivating, and his legacy in jazz undeniable.

The conversation begins with Alan's reluctant entry into music. After failing his school qualifications and enduring what he describes as "dodgy day jobs", the 15-year-old Skidmore finally turned to the saxophone his father had given him two years earlier. What follows is a fascinating account of his father's strict teaching methods – forcing him to practice scales for hours, developing his sound through “long notes”, and immersing him in the music of Coleman Hawkins and Lester Young. This rigorous foundation launched a lifetime devoted to jazz.

The narrative takes a profound turn when Alan recounts witnessing John Coltrane perform live in 1961. Just 19 years old at the time, he watched in awe as Coltrane played ‘My Favourite Things’ on soprano saxophone for an entire hour. This transformative experience solidified Coltrane's position as "the greatest saxophone player I've ever heard in my life" in Alan's estimation.

Perhaps the most moving segment comes when Alan shares his experience playing with Coltrane's drummer, Elvin Jones, at Ronnie Scott's. His description of Jones as "such a lovely person" and "an unbelievable nice, genuine, decent guy" offers a heartwarming glimpse into the character behind the legendary musician. Equally remarkable is the story of Michael Brecker thanking Alan because it was Skidmore's solo with John Mayall and Eric Clapton on ‘Have You Heard’ (‘The Beano album’) in 1966 that inspired Brecker to play saxophone – a testament to Alan's influence on even the greatest players of subsequent generations. Alan tries out the Quartet app for the first time with a spontaneous Blues in E Flat.

The conversation weaves through Alan's session work, including recording with The Beatles, his fifty-year stint with Georgie Fame, and his critically acclaimed six-CD anthology that was voted box set of the year in New York. Throughout it all, Alan's humility shines, whether discussing his musical weaknesses or sharing wisdom about encouraging fellow musicians.

This episode offers more than just a journey through jazz history – it's a masterclass in musical lineage, the power of influence, and the human connections that define a life in music. Whether you're a jazz aficionado or simply appreciate remarkable life stories, Alan Skidmore's experiences will resonate, educate, and inspire.

Presenter: Geoff Gascoyne
Series Producer: Paul Sissons
Production Manager: Martin Sissons
The Quartet Jazz Standards Podcast is a UK Music Apps production.

Geoff has a visit from an old friend – the wonderful jazz saxophonist, composer and educator Martin Hathaway.

What does it take to forge a path in jazz that spans performing, teaching, and leading one of the UK's most prestigious jazz education programs? In this captivating conversation, Martin opens up about his musical journey from curious child to influential jazz pedagogue.

Martin's story begins with a recorder, an innate ability to play by ear, and an uncle who introduced him to the sounds of West Coast jazz through cherished vinyl records. These early experiences of recording jazz albums onto cassette tapes from the library and learning solos by ear would later form the foundation of his approach to jazz education. There's something wonderfully authentic about his recollection of performing Gerry Mulligan's ‘Walkin’ Shoes’ as a school assembly solo - cobbling together improvisations he'd learned from recordings without truly understanding the theory behind them.

The conversation delves deep into the art of teaching jazz improvisation, with Martin reflecting on his years leading the Guildhall School of Music's jazz program. He thoughtfully explores the tension between academic approaches to jazz education and the more organic, ear-based learning that characterised his own development. His balanced perspective acknowledges multiple pathways to improvisation - from melody-based approaches inspired by Louis Armstrong to vocabulary-building "licks" methods - offering invaluable insight for players at any stage of development.

Martin demonstrates his improvisational approach to the 1930s Irving Berlin standard ‘How Deep is the Ocean?’ (accompanied by the Quartet app of course), revealing how an experienced improviser navigates harmony in real-time while maintaining melodic coherence.

His reflections on career highlights - from debut performances at Ronnie Scott's to sharing stages with heroes like Harry Beckett - remind us that jazz is ultimately about human connection and the passing of a torch from one generation to the next.

Whether you're a jazz student seeking guidance or a seasoned player looking for fresh inspiration, Martin's journey offers both practical wisdom and the reassurance that even the most accomplished musicians continue learning throughout their careers.

Presenter: Geoff Gascoyne
Series Producer: Paul Sissons
Production Manager: Martin Sissons
The Quartet Jazz Standards Podcast is a UK Music Apps production.