Welcome to 2026. The calendar flipped, but the gears didn’t stop grinding.

Most people think Franz Kafka wrote fantasy. They think he dreamed up giant bugs and invisible judges because he had a colourful imagination. They’re wrong. He wrote the user manual for the meat-grinder of modern life.

He spent his daylight hours at the Workers’ Accident Insurance Institute in Prague, putting a dollar sign on human misery. He was the guy who decided exactly how much a crushed pelvis was worth in the eyes of the law. He was a suit. A corporate drone. A high-performing variable in a bureaucratic equation that never quite balanced.

At night, he performed the surgery. He took the sterile, bloodless prose of the office and used it to describe the smell of the machine that eats us alive.

In our first episode of the new year, we’re tearing the skin off the machinery of modern dread. Consider it a survival guide for the cubicle. We’re diving into the logic of the eternal Trial, where you’re guilty by default and the charges are redacted for your own protection. We’re looking at the Metamorphosis, where the horror isn’t turning into a vermin, but worrying about missing the 5:00 AM train while you’re doing it.

We’re talking about the Castle, that god of Middle Managers, where authority is everywhere and nowhere, and “help” is always one more form away. We’re witnessing the Penal Colony, where the company handbook is carved directly into your nervous system with glass needles until you finally “understand” the policy.

You’ve been standing at the gate for long enough. You’ve been waiting for an acquittal that isn’t coming and a permission slip that was never printed. The machine only has power as long as you believe it has a purpose.

If you’ve ever felt like a glitch in someone else’s software, this episode is for you.

The court is in session. Don’t bother bringing a lawyer.

Much love, David x

Join Project:MAYHEM

This episode is a little different. It’s a work of fiction. A Christmas ghost story for philosophers. A Dickensian horror wrapped in VHS static and existential dread.

In 1983, a philosophy professor named Vernon Pale went on public access television to deliver a Christmas lecture. He argued that every gift we give is violence. That obligation is the real present we’re exchanging. That Christmas is capitalism’s most honest ritual, because it makes that transaction explicit.

For forty three minutes he built his case. Then the station cut the feed. The philosopher disappeared. Never taught another class. Never cashed another paycheck. Just walked out of the studio and off the edge of the world.

This episode explores that broadcast. What was said. What was censored. And why a forgotten tape about the danger of gifts feels more urgent now than it ever did.

We’re drowning in obligation. Every relationship transactional. Pale saw it coming. Tried to find the exit, to love without imposing. Tried to give the only gift that doesn’t create debt…

His absence.

Did it work? Does philosophical disappearance solve anything? Or is presence, with all its weight, all its terrible grace, just what it costs to be human?

What do we owe each other? And what does it cost to find out?

This is a work of fiction. But the philosophy, the discomfort, and the questions are not.

Happy Christmas.

Much love, David x

What if everything around you has a secret life you’ll never access?

Graham Harman’s object-oriented ontology makes a radical claim: objects aren’t just props in the human drama. The hammer in your toolbox, the coffee cup on your desk, the chair holding your weight. They all have withdrawn realities that remain forever hidden from you. They exist in depths you can’t penetrate, no matter how hard you grip them or how much you think you understand them.

This episode explores Harman’s philosophy of withdrawal, where every object, human and nonhuman, hides its true nature in an inaccessible core. We examine how this changes everything: causation, relationships, art, and what it means to live in a world populated by billions of entities that are fundamentally unknowable.

You’ve never actually met anyone. Not really. You’ve only encountered sensual versions, translated surfaces, proxies that stand in for the real person who stays withdrawn in depths even they can’t access. Every conversation is between ambassadors of hidden kingdoms. Every touch is between surfaces while the real entities watch from somewhere you’ll never see.

But maybe that’s not loneliness. Maybe that’s reality. Maybe the unbridgeable gap between objects is what makes relation possible at all. We explore Harman’s democracy of objects, where dust mites and black holes and human consciousness all have equal ontological status. Where nothing is special and everything matters in its own withdrawn way.

This is a philosophy that makes the familiar strange and forces you to see the world differently. From vicarious causation to aesthetic encounters, from the terror of withdrawal to the relief of accepting you’ll never fully know anything, this episode takes Harman’s ideas and makes them visceral, urgent, personally devastating.

The hammer dreams of nails. You dream of being understood. And somehow, in all that mutual withdrawal, reality keeps happening anyway.

Welcome to the secret lives of objects. Welcome to a universe where you’re not special. You’re just here, withdrawn and strange, forever beyond anyone’s grasp. Even your own.

Much love, David x