Episodes

  • Episode 111: Let’s Give the Drummer Some
    Jun 17 2025

    Spring 2025 Season Finale

    Host Ted Asregadoo closes out the spring season by shining a spotlight on the most essential—yet often overlooked—members of any great band: the drummers. Reuniting with John Young (John was a co-host during the first year of Planet LP’s existence in 2021), this episode serves as both a musical celebration and a reminder that creativity and joy persist even in the darkest of times.

    Or, to quote Sting, "When the world is running down, you make the best of what's still around."

    Rhythm Masters Featured:

    🥁 Ringo Starr - John Young champions the Beatles' timekeeper with infectious enthusiasm on “I Feel Fine.” This 1965 classic demonstrates why Ringo Starr is such an inventive drummer, who fashions an R&B rhythm with roots in Ray Charles’ “What’d I Say.”

    🥁 John Bonham - A masterclass breakdown of Led Zeppelin's "Fool in the Rain," exploring how Bonham seamlessly weaves samba rhythms with Bernard Purdie's signature shuffle. Zep gets rightly criticized for ripping off black musicians, and while Bonham does use the Purdie shuffle on this song, he does so in a way that serves the song well.

    🥁 Clyde Stubblefield - The funky foundation of James Brown's "Cold Sweat" and his lasting impact on groove-based music. What makes this rhythm so great is that it’s not only funky as hell, but Stubblefield also pulls the time in the song ever so slightly to make it a unique funk rhythm.

    🥁 Gina Schock - The Go-Go's powerhouse, whose driving beat combines punk energy with pop sensibility, creating the infectious rhythm that made "Head Over Heels" such a fantastic tune and The Go-Go’s a band that has consistently rocked it for over four decades.

    🥁 Neil Peart - Rush's mathematical drummer dissected through the complex patterns of "Subdivisions." Peart was a very much a compositional drummer, whose approach to the instrument was more from the head than the heart. His drum composition on “Subdivisions” is some of the most complex and exciting drumming in Rush’s catalogue. Although most people would point to “Tom Sawyer” as the pinnacle of Peart’s drumming, “Subdivisions” is right up there in terms of compositional ingenuity, rhythmic variety, and just effing awesome chops.

    🥁 Karen Carpenter - Celebrating her overlooked drumming prowess before she became known primarily as a vocalist for The Carpenters. Karen’s mastery of the drums can be seen in this 1976 performance. While the music is kind of cheesy, her abilities behind the kit are not. John Bonham infamously slagged Karen when she won a Playboy magazine survey of best rock drummers (with Bonham as number two), saying that she wouldn’t last two minutes drumming on a Zep song. One look at her soloing on YouTube will disabuse you of that notion.

    A concluding note: this episode isn't about ranking the "best" drummers—it's about appreciating the artists who make our ears perk up and remind us why the beat is essential to a lot of the music we love.

    Episode 111 proves that sometimes the best medicine for troubled times is simply great music and the people who create it.

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    Less than 1 minute
  • Episode 110: Albums People Assume You’ve Heard
    Jun 10 2025

    This episode of the Planet LP Podcast, hosted by Ted Asregadoo, delves into the unexpected musical blind spots of even the most accomplished music journalists. Ted is joined by prolific music writer and co-host of The Record Player podcast, Jeff Giles (Popdose, Ultimate Classic Rock, Diffuser FM, Jefitoblog, and Harmonic.fm).

    The discussion centers on highly-regarded albums that, despite their critical acclaim or widespread popularity, have somehow been overlooked by these experienced listeners. Prepare for candid revelations as Ted and Jeff explore records that often elicit the incredulous response: "Wait, you've NEVER listened to that?!"

    The episode features a diverse selection of genres and eras. It begins with Gang of Four's Entertainment! (1979), examining its groundbreaking sound and lasting influence on popular music. Next, the focus shifts to Jefferson Airplane's Surrealistic Pillow (1967). While acknowledging its iconic status and memorable tracks, the host shares a surprisingly critical perspective on this San Francisco classic.

    Finally, the conversation turns to Donna Summer's Bad Girls (1979). The episode explores its commercial success, Grammy recognition, and even an unexpected link to New Order, while posing the question of how such a significant album could have been a "miss" for a dedicated music aficionado.

    Tune in for an engaging and often surprising exploration of influential albums that, for some, remained undiscovered territory.

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    1 hr
  • Episode 109: From “Heat” to “Nerves”: Pat Benatar’s Essential First Act Explored
    Jun 4 2025

    In this episode of The Planet LP Podcast, host Ted Asregadoo takes listeners on a deep dive into Pat Benatar's groundbreaking early career, examining her first four albums that established her as a pioneering force in hard rock. The episode explores how Benatar shattered the glass ceiling for female artists in a male-dominated genre during the late 1970s and early 1980s, while also revealing the creative challenges that emerged with her fourth release.

    The journey begins with Patricia Mae Andrzejewski's transformation from a military wife to rock icon, following her path from New York City through various singing gigs to her breakthrough 1979 debut "In the Heat of the Night." Ted analyzes the album's standout tracks, including the chart-topping "Heartbreaker," the new wave-influenced "We Live For Love," and her cover of Johnny Cougar's (later known as John Mellencamp) "I Need a Lover."

    The episode highlights "Crimes of Passion" (1980) as Benatar's commercial and artistic peak, featuring the iconic "Hit Me with Your Best Shot" and reaching 4x platinum status. Ted shares personal anecdotes about discovering the album during high school and addresses the controversy surrounding the song "Hell Is for Children," clarifying its powerful message about child abuse rather than satanic themes.

    Moving through "Precious Time" (1981), the discussion covers Grammy-winning track "Fire and Ice" and the explosive "Promises in the Dark," while examining Benatar's creative partnership with guitarist Neil Giraldo. However, the episode takes a bit of a critical turn when analyzing "Get Nervous" (1982), revealing how, despite producing solid singles, the album as a whole felt uneven and suggested that the signature "Pat Benatar Sound" had begun to lose its edge. Ted discusses how the formula that had worked so well across three albums was showing signs of creative fatigue, setting the stage for the dramatic reinvention that would come with "Love is a Battlefield" – a song that would refresh her sound and prove she could evolve beyond her established hard rock persona.

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    Less than 1 minute
  • Episode 108: It’s a Cruel, Cruel, Cruel World
    May 27 2025

    In this Spring 2025 episode of the Planet LP Podcast, host Ted Asregadoo shares his first-hand experience at the Cruel World Music Festival in Pasadena, California, held on May 17, 2025. Attending his very first music festival to celebrate a milestone birthday, Ted is joined by longtime friend and fellow music superfan John Maschino for a lively recap of the day's highlights.

    Together, they dive into performances from a stellar lineup of 1980s new wave, post-punk, and synthpop icons, including:

    • Midge Ure (Ultravox)
    • Alison Moyet (Yaz)
    • A long-awaited Til Tuesday reunion
    • Nation of Language
    • She Wants Revenge
    • Devo
    • Nick Cave and the Bad Seeds
    • The Go-Go’s
    • New Order

    Whether you love ’80s alternative bands, live music experiences, or just want the inside scoop on the 2025 Cruel World Festival, this episode is packed with nostalgia, highlights, and passionate commentary.

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    55 mins
  • Episode 107: Remembering Midnight Movies
    Jan 27 2025

    In this episode of "The Planet LP Podcast," host Ted Asregadoo welcomes back guest Scott Malchus for a nostalgic dive into the world of midnight movies.

    Remember those late-night screenings of cult classics like "The Rocky Horror Picture Show" and "Pink Floyd: The Wall"?

    Scott and Ted share their favorite music-related films, including Ted's picks like "This is Spinal Tap," "Stop Making Sense," and "Rush: Beyond the Lighted Stage." Scott's selections include "Almost Famous," "A Hard Day's Night," "Tom Petty and the Heartbreakers: Runnin' Down a Dream," and more. The guys also discuss how groundbreaking and weird David Lynch's "Eraserhead" was and the pros and cons of the Bob Dylan biopic, "A Complete Unknown."

    Get ready for a lively discussion on the magic of cinema and the enduring power of music in film!

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    Less than 1 minute
  • Episode 106: The 2024 Roundup Of Music You Need to Hear
    Dec 23 2024
    IT’S THE FINAL EPISODE OF 2024! Join Planet LP host Ted Asregadoo and Popdose's Keith Creighton as they wrap up an incredible year of music! In this jam-packed episode, Ted and Keith dive into their favorite songs and albums of 2024—not with a ranked list, but with thematic categories that make for a thoughtful and entertaining retrospective. In the first segment, Keith and Ted talk about bigger music trends like: -- The deluge of streaming content. -- The impact of AI on music creation -- and how Spotify reaps the profits from these non-human-created songs. -- The importance of human creativity in cultural expressions like music. Breakthroughs and Debuts Keith talks up the music by and film about Kneecap -- a hip-hop trio whose raps are entirely in Galic. Their current album Fine Art is available now. Fat Dog also tops Keith's breakthroughs and debuts this year. If you're into the early Ministry and that whole industrial genre, you'll love Woof by Fat Dog. Finally, The Waeve, a UK duo featuring singer-songwriters Graham Coxon and Rose Elinor Dougall. Keith said that if he did rank his albums this year, City Lights by The Waeve would top his list. Ted's Single Play picks are: "The Flood" by Allie Sandt. If you're a fan of Fleetwood Mac, Steely Dan, Paul Simon, or Madison Cunningham, Allie's music is a must-listen. With songwriting that reflects the depth and wisdom of an old soul, Allie weaves timeless influences into a sound that's uniquely her own. Her heartfelt lyrics and melodic craftsmanship show incredible promise, and Ted is rooting for her career to take off— because she truly deserves it. The second song is As For The Future's track "The Mob" -- a sly, samba-infused commentary on populism that's as counter-cultural as it is catchy. If you're a fan of Sergio Mendes and Brazil '66 or were hooked on Swing Out Sister back in 1987, this song will strike a chord. With its smooth grooves and clever lyrics, "The Mob" blends nostalgia with a fresh, modern edge—proof that As For The Future knows how to make a bold musical statement. Another UK Invasion The Last Dinner Party is a UK band that formed during COVID-19. Surprisingly, before they had a single out, they opened for The Rolling Stones. The Last Dinner Party is what Keith called a total "buzz band" that entertained the public and press with their live shows, fashion, and visual style. Their album, Prelude To Ecstasy did deliver the goods -- as it were -- and lived up to its hype. Irish shoegaze band NewDad, which Keith describes as "very sweet, tender, dark, shoegazing music," reminds him of Lush -- which made him spin the album many times since its release. And while Brigitte Calls Me Baby are not from the UK (they are from Chicago), Keith connected with their music because their style reminds him of The Smiths crossed with Elvis Presley. Their debut album is The Future Is Our Way Out. Ted's sort of Single Play picks for this segment are: A Planet LP favorite! Ward White's "Continuity" is a masterclass in wit, quirky storytelling, and exceptional musicianship. The opening line is irresistibly catchy—it sneaks into your head and stays there, a sure sign the song is working its magic. Ward's sharp sense of humor shines throughout, making "Continuity" both clever and captivating. It's a standout track that showcases his unique charm and talent. Though Ward is not from the UK, he sure sounds like he could be -- kind of like the band Brigitte Calls Me Baby. It Leads to This by The Pineapple Thief has been Ted's most-listened-to album of 2024—and for good reason. He was hooked after seeing them live in San Francisco on December 9th. While he admits to unfamiliarity with their older work, It Leads to This completely won him over. It balances heavy guitar riffs with a meditative, Pink Floyd-like, immersive, and introspective vibe. It might not be for everyone, but if atmospheric, thoughtful rock is your thing, It Leads to This is absolutely worth a listen. New Power Pop When it comes to power pop, think The Knack's "My Sharona," or Rick Springfield, and Cheap Trick. But what's when it comes to power pop in 2024 sometimes what's old is new again. Keith recommends a band that opened for The Beatles during the final tour and shared the same manager. That band is The Cyrkle -- whose unusual spelling was suggested by John Lennon. Their 2024 release on Big Stir Records is called Revival, and it's among Keith's most-played albums this year. Fun fact: Band member Tom Dawes (alas, he died in 2007) was a successful jingle writer after The Cyrkle disbanded. He wrote "Plop, Plop, Fizz, Fizz" for Alka-Seltzer, which ran in their ads from 1975-1980. Another power pop gem is The Half-Cubes, whose album Pop Treasures is a carefully curated album of cover songs that mine some tracks from 10cc, OMD, Del Amitri, and Trashcan Sinatras. Ted's Single Play picks are: Kula Shaker's "Indian Record Player" is a catchy pop anthem that seamlessly blends Western pop ...
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    Less than 1 minute
  • Episode 105: Books That Rock
    Nov 8 2024

    On this episode of the Planet LP podcast, host Ted Asregadoo meets up with novelist, pop culture writer, and podcast host Jeff Giles to recommend some essential reads for music lovers. Ted and Jeff dive into a curated selection of rock biographies, behind-the-scenes histories, and critical perspectives on some of music’s biggest names.

    Get ready for some deep talk about My Effin' Life by Geddy Lee, Nothing But A Good Time: The Uncensored History of the '80s Hard Rock Explosion by Tom Beaujour and Richard Bienstock, Surrender by Bono, All Over The Place: The Rise of The BANGLES From The L.A. Underground by Eric M. Shade, A Few Words in Defense of Our Country: The Biography of Randy Newman by Robert Hilburn, Rememberings by Sinéad O'Connor, and more.

    Whether you’re a die-hard fan or just discovering these artists, Ted and Jeff's recommendations are sure to add some rock & roll to your reading list!

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    42 mins
  • Episode 104: Ameican Idiot at 20
    Sep 28 2024

    American Idiot: A 20th Anniversary Retrospective

    Planet LP host Ted Asregadoo and guest pop culture and sports writer Beau Dure commemorate the 20th anniversary of Green Day's iconic album, "American Idiot." In this in-depth discussion, Ted and Beau delve into the political and social climate that shaped "American Idiot," exploring themes of generational alienation, disillusionment, and the impact of significant events like the 2000 presidential election, the 9/11 attacks, and the Iraq War.

    The album's central character, St. Jimmy/Jesus of Suburbia, is at the heart of the conversation -- which Beau wrote about in 2017 in an article published on Popdose. Ted and Beau explore the complexities of St. Jimmy/Jesus and how he/they embody the frustrations and anxieties of a generation coming of age in a tumultuous time. From the album's iconic tracks to its enduring legacy, this episode offers an in-depth look at "American Idiot" and its continued relevance in today's world.

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    30 mins