
Lorde's Triumphant Return: Glastonbury Surprise, New Album, and World Tour
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About this listen
Lorde has stormed back into the public eye over the past few days, seizing attention with a flurry of major announcements and memorable appearances that signal a bold new chapter in her already storied career. Late last week, the alt-pop powerhouse shocked and delighted fans by staging a secret set at Glastonbury, timed to celebrate the release of her fourth studio album, Virgin. According to Variety, the Saturday morning set was a full-fledged event: cryptically teased via Instagram, Lorde drew hundreds of fans to the Woodsies Stage, where she performed Virgin in its entirety—including the singles Hammer and What Was That—while dressed in an all-white ensemble backed by a new four-piece band. The moment was as emotional as it was electric, with Lorde herself pausing mid-set to reflect on her time away from music and her uncertainty about ever making another album. She told the crowd, “I didn’t know if I’d make another record, but I’m back here completely free. And I’m so grateful to you for waiting.” Not content to stick to new material, she capped the performance by launching into fan favorites Ribs and Green Light, sending the crowd into a frenzy.
Alongside her Glastonbury triumph, Lorde has launched her 2025 International Ultrasound Tour, a globe-spanning arena trek beginning September in Austin and hitting New York’s Madison Square Garden, Montreal’s Bell Centre, London’s O2 Arena, and dozens more high-profile stops before wrapping in Copenhagen according to XS Rock and the official tour site. Openers will include Blood Orange and The Japanese House, according to Montreal tourism’s official concert roundup, marking a high-profile return for Lorde as a live force.
Virgin itself has been generating critical and cultural buzz, widely seen as both a return to her early, synth-driven sound and an intensely personal statement. Cryptic Rock and student papers like The Lanthorn praise the album for its blend of dancefloor bangers and intimate lyrical exploration. Songs such as Hammer and GRWM reportedly chronicle her recent experiences of identity, health struggles, and finding freedom after a difficult period. The press is also spotlighting new single Man of the Year, released alongside a candid video that has fans and media discussing both its sonic flair and Lorde’s striking new look, according to IMDB and fashion sites.
Recent social media activity reflects this renaissance, with Lorde’s posts about Virgin, her Glastonbury set, and tour selling out pre-sale tickets in minutes and drawing enthusiastic responses across Instagram, Twitter, and TikTok. No major controversies or unverified rumors have emerged; rather, coverage has focused on her creative resurgence, honest interviews, and magnetic stage presence. The next few months look to be a victory lap for Lorde, who has returned with her most ambitious work—and boldest sense of self—yet.
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