Past biographies have always dismissed Pamela Harriman as a socialite who slept her way to the top, in a series of affairs and marriages that boosted her thirst for power.

But Sonia Purnell argues persuasively that Harriman was in fact one of the most significant diplomats of the 20th century and that her motives were always those of ensuring peace and the best possible outcomes for the UK, the US and the world. She deployed her charms and incredible power of seduction on everyone from Randolph Churchill to Gianni Agnelli, the Aga Khan, Ed Murrow, Bill Paley and Averell Harriman, moving from politics to the world of Broadway by marrying producer Leland Heyward and hosting a salon in Washington that became the epicentre of the world of intelligence and refinement. Even the Russians were not immune to her charms.

How did a minor British aristo with no formal education come to be so influential? Purnell’s juicy biography, Kingmaker, is a fascinating and deliciously gossipy but serious portrait of a bygone world of glamour and intrigue, high stakes secrets, scandalous love affairs and strategic partnerships in and out of the bedroom of one of the world’s most intriguing women.

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Past biographies have always dismissed Pamela Harriman as a socialite who slept her way to the top, in a series of affairs and marriages that boosted her thirst for power.

But Sonia Purnell argues persuasively that Harriman was in fact one of the most significant diplomats of the 20th century and that her motives were always those of ensuring peace and the best possible outcomes for the UK, the US and the world. She deployed her charms and incredible power of seduction on everyone from Randolph Churchill to Gianni Agnelli, the Aga Khan, Ed Murrow, Bill Paley and Averell Harriman, moving from politics to the world of Broadway by marrying producer Leland Heyward and hosting a salon in Washington that became the epicentre of the world of intelligence and refinement. Even the Russians were not immune to her charms.

How did a minor British aristo with no formal education come to be so influential? Purnell’s juicy biography, Kingmaker, is a fascinating and deliciously gossipy but serious portrait of a bygone world of glamour and intrigue, high stakes secrets, scandalous love affairs and strategic partnerships in and out of the bedroom of one of the world’s most intriguing women.

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Race Matthews had a distinguished career as a federal politician and Victorian state Minister, but the highlight of his career was his time as Gough Whitlam’s Principle Private Secretary.

A joiner from a very early age, he understood the power of working within an organisation to bring about change but his ambitions for reform and social justice were often thwarted years ago factional in-fighting. He remained a passionate advocate for Fabian values and collectivism.

His second wife, Iola, a journalist with several books to her name, decided to complete her husband’s memoir as a biography when ill health made the task impossible for him. The result is a loving, considered account of Race’s career and her experience of being a political wife.

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Painter Charles Blackman described himself as a guttersnipe when he met and fell in love with partially sighted poet Barbara Patterson.

Together, the couple became part of a bohemian crowd of artists who moved between Sydney and Melbourne, and helped shape Australian art for decades.

Now their daughter Christabel has documented a significant, passionate and fruitful decade of their early years and marriage, thanks to her parents love letters and her mother’s diaries.

The result is a uniquely personal and intimate perspective on a creative partnership.

To see images from Charles and Barbara Blackman a decade of love and art, go to: @carobaumlifesentences on Instagram

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Recorded live as part of Sydney Writers Festival 2024, this is a three way conversation between three biographers - Nadia Wheatley, Brigitta Olubas and Susan Wyndham - about three literary legends: Charmian Clift, Shirley Hazzard, Elizabeth Harrower - three writers who experienced the twentieth century very differently but who overlapped in shared perspectives on their home country, Australia, and its ability to fulfil its potential.

While both Hazzard and Clift spent large parts of their lives overseas, Harrower mostly stayed home, sharing an extensive correspondence with Hazzard. Clift, meanwhile, shared her thoughts on issues both frivolous and serious with her devoted readers in a regular weekly newspaper column, as well as in her books.

While Hazzard achieved literary glory internationally, Clift and Harrower found success, to varying degrees, at home. All three are in print today.

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Anthony Sharwood set out to investigate how Australia’s highest peak comes to be named after an eighteenth century freedom fighter and military engineer, Taddeusz Koszciuscko.

The result is an unorthodox hybrid he describes as a travelography. The result is much more than a portrait of a remarkable figure of enlightenment and progressive ideals, whose influence was felt from his native Poland to America, where his will was a vexed issue for his friend Thomas Jefferson.

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The official history of Australia may have forgotten colourful rogues like Tom Ley, but Mudgee painter Michael Bourke has painted a biographical suite of scenes that tell his life story in almost cartoonish images. He talks to Caroline Baum about how Tom Ley became known as Lemonade Ley and how he rose from abject poverty to become a Minister in the NSW government, before travelling to London and being accused of murder. It sounds like fiction, but it’s all true.

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Caroline Hodgson took the name Madame Brussels to become the ‘flash madam’ of Melbourne in the post Gold Rush era. Her business sense for buying real estate and flair for style and comfort attracted the big end of town, as well as the attention of the press. As well as running a brothel, she was a wife and a mother, a fascinating character who showed care and consideration for her employees. Her biographer Barbara Minchinton uncovers her story through a mix of archaeology, a photo album and the sleuthing skills of a feminist historian.

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