Madeline Charlemagne is In The Frame!

Madeline recently had a big career chapter with Hadestown (Lyric Theatre). She was part of the original West End cast as a Fate and understudy for Eurydice. A few months into the run Madeline took over the role of Eurydice full-time. At the end of her contract, she returned to playing a Fate alongside the original cast for the special filmed performances for the Hadestown live capture.

After training at Central School of Speech and Drama, Madeline's early theatre credits include Carousel (Regent’s Park Open Air Theatre), Hex (National Theatre), Kick (Lyric Hammersmith), 42 Balloons (Vaudeville Theatre) and The Secret Life of Beas (Almeida Theatre). Next up Madeline is playing Elsa in The Harder They Come (Theatre Royal Stratford East).

In this episode Madeline discusses her Hadestown journey, from why she wanted to do a big West End contract, the challenge of taking over as Eurydice and what it was like to film the show. She also talks about her path into theatre, her time training and what she learnt from her first jobs.

You can follow Madeline on Instagram: @madcharlemagne

This podcast is hosted by Andrew Tomlins

@AndrewTomlins32

Thanks for listening!

Email: andrew@westendframe.co.uk

Visit westendframe.co.uk for more info about our podcasts.

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Courtney Stapleton is In The Frame!

After training at ArtsEd Courtney made her West End debut in the ensemble of Mamma Mia!, as a cover for Ali. She went on to cover Éponine in Les Misérables and was dance captain for Bat Out of Hell.

Courtney joined the original West End cast of Six as the alternate for Seymour and Parr before being cast in the original West End cast of Dear Evan Hansen as standby Zoe and Alana.

Courtney starred as Belle in Beauty and the Beast (London Palladium & UK Tour), played Meg in Love Never Dies In Concert (Theatre Royal Drury Lane), Blast in SuperYou (Leicester Curve) and most recently starred as Kelly in The Mad Ones (The Other Palace). Additionally, Courtney has done various short films, workshops and concerts.

In this episode Courtney discusses the path of her career, including some of the tougher times and why she’s falling back in love with singing and musical theatre. Courtney also reminisces about lots of the shows she has done (including lots of chat about Six) and more pops up along the way.

Follow Courtney on Instagram: @courtneyjstapes

This podcast is hosted by Andrew Tomlins

@AndrewTomlins32

Thanks for listening!

Email: andrew@westendframe.co.uk

Visit westendframe.co.uk for more info about our podcasts.

Hosted on Acast. See acast.com/privacy for more information.

Rebecca Lock is starring as Caz in Here And Now: The Steps Musical.

The show about to kick off a tour, with Rebecca reprising her performance from the show's premiere run last year in Birmingham. Featuring the music of Steps, Here And Now is written by Shaun Kitchener and is produced by Steps and ROYO with Pete Waterman. The show is directed by Rachel Kavanaugh, with choreography by Matt Cole and Matt Spencer-Smith as musical supervisor, orchestrator and arranger.

Rebecca's West End credits include: Emily Hobbs in Elf The Musical (Dominion Theatre), Carmen in Curtains (Wyndhams Theatre & Tour), Ms Fleming/Veronica’s Mom in Heathers (Theatre Royal Haymarket & The Other Palace), Cheryl Gillan MP in Committee (Donmar Warehouse), Rosie in Mamma Mia! (Novello Theatre), Carlotta Giudicelli in The Phantom of the Opera (Her Majesty’s Theatre), Kate Monster/Lucy the S**t in Avenue Q (Noel Coward Theatre), alternate Mary Poppins in Mary Poppins (Prince Edward Theatre), Jellylorum in Cats (New London), Oh! What A Lovely War (The National Theatre), Bertrande De Rols in Martin Guerre (Prince Edward Theatre) and Guest Soloist in the 30th anniversary of Sondheim's Side by Side (Novello Theatre).

Some of Rebecca's other theatre credits include: Rosalie Mullins in School of Rock (UK Tour), Mrs Banks in Mary Poppins (International tour), Lilli Vanessi/Kate in Kiss Me Kate (Sheffield Crucible), Isabelle in Moonfleet (Salisbury Playhouse), Mrs Cratchitt in A Christmas Carol (LMTO), Widow Corney in Oliver! (Sheffield Crucible), Gabrielle in Dear World (Charing Cross Theatre), Baroness Schraeder in The Sound of Music (JY Productions/Jordan), Guest Soloist in Sondheim Women (St James), Iris in The Tempest (Theatre Royal Bath), Mary in Merrily We Roll Along (Theatr Clwyd), Svetlana Sergievsky in Chess (Princess of Wales, Toronto), Joan Aldrin in Moon Landing (Derby Playhouse), Gilda in Alfie (Watford Palace), Dorothy Fields Forever (King’s Head), Anna in After the Fair (Kings Head) and Nora in The Pirates of Penzance (West Yorkshire Playhouse).

Rebecca starred as Mary Critchard in both workshop productions of Redcliffe by Jordan Luke Gage at The Turbine Theatre and The Other Palace. She was also one of seven actors to share the role of Mama Rose in Gypsy In Concert at Alexandra Palace.

In this episode Rebecca reveals how she fell in love with Here And Now and why Caz is the hardest role she has played so far. She also reflects on working on Redcliffe, shares memories of performing Gypsy In Concert and discusses learning to say no and the path of her career... and lots more.

Here And Now: The Steps Musical kicks off its tour on 29th August. Rebecca is playing Caz until November and the tour continues through to May 2026. Visit www.thestepsmusical.com for info, tour dates and tickets.

This podcast is hosted by Andrew Tomlins

@AndrewTomlins32

Thanks for listening!

Email: andrew@westendframe.co.uk

Visit westendframe.co.uk for more info about our podcasts.

Hosted on Acast. See acast.com/privacy for more information.