Welcome to the fifth episode of our new and ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.

On this episode of Fascism On Film, the Holmes Brothers reunite with the legendary Richard Bruno to discuss the classic western The Ox-Bow Incident. A favourite western of the Holmes Brothers. The film stars Henry Fonda, Harry Morgan, Harry Davenport, Leigh Whipper, Anthony Quinn and Dana Andrews. It was directed by William A. Wellman and based off the novel by Walter Van Tilburg Clark. The film is about two Cowboys (Fonda & Morgan) who ride into the town of Bridger's Wells just when news breaks of a terrible crime. A well known rancher who is beloved by the male townsfolk is found to be murdered and his cattle is stolen. It doesn't take long for a bloodthirsty posse to form. They ride out along with our two protagonists to find the culprits they believe are responsible. On their ride, the posse comes across three men who appear to have the stolen cattle. The men are then interrogated and captured. Though they say they're innocent of the crime and with little evidence to prove it, the posse debates on sentencing them to death by hanging. A dark and bleak psychological western that Clint Eastwood called one of his favourites.

We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.

Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.

Chris Geier, who was on our last episode of our other series The Movies And Me, is an author and his book Silt is available here.

Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.

Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.

Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:

Check out our blog and read Anders's recent reviews on James Gunn's Superman.

Also check us out on Letterboxd too!

Anders

Adam

Hosted on Acast. See acast.com/privacy for more information.

Welcome to the fourth episode of our new and ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.

On this episode of Fascism On Film, the Holmes Brothers discuss the Jean-Luc Godard film Le Petit Soldat. After helping start the French New Wave with his influential film Breathless (À bout de souffle), Godard was set to make this his second film in 1960. But due to censorship and its provocative look at the French-Algerian War plus scenes of torture, it was not released in cinemas until 1963. The film is set in Geneva, Switzerland and it has the Algerian War happening in the background. Actress Anna Karina worked with Jean-Luc Godard for the first time on this project. They had a bit of tumultuous relationship and were together for four years. The two of them made a bunch of films together. Pierrot Le Fou being their most memorable project amongst film fans and critics.

We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.

Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.

Chris Geier, who was on our last episode of our other series The Movies And Me, is an author and his book Silt is available here.

Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.

Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.

Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:

Check out our blog and read Anders's recent reviews on James Gunn's Superman.

Also check us out on Letterboxd too!

Anders

Adam

Hosted on Acast. See acast.com/privacy for more information.

Welcome to the third episode of our new and ongoing series: Fascism On Film. Each episode of this series, the Holmes Brothers look and review a film that has to do with fascism. During the episodes, the brothers look and see how the aspects and portrayal of fascism shown in the film relate to current and/or past events.

On this episode of Fascism On Film, the Holmes Brothers discuss the Larisa Shepitko film from 1977, The Ascent. The film is set in battle torn, and cold, Belorussia during the Second World War. Two partisan soldiers venture out into the cold and desolate world of the film to find food for their group. Along the way, they battle the Germans, the harsh and freezing landscape and their own psyches. Larisa Shepitko was awarded the Golden Bear at the Berlin Film Festival, the second female filmmaker to win that award. It proved sadly to be her final film. In 1979, Larisa died in a car accident while working on what would have been her next film Farewell. Her husband and filmmaker Elem Klimov finished the film. As we do go into spoiler territory, we advise you to see the film first before listening to the episode. You can find it available on the Criterion Channel for example.

We hope you enjoy this episode and stay tuned for more episodes of this Fascism On Film series.

Be sure to check out our Monument Valley Film on our YouTube Channel, the famous location is featured briefly in one of the films.

Chris Geier, who was on our last episode of our series The Movies And Me, is an author and his book Silt is available here.

Anders's screenwriter work can also be seen in the western The Outlaws, The films is a available to watch in America , parts of Scandinavia (e.g. Denmark, Finland) & the United Kingdom on Amazon and also Apple TV. You can read a review about the film here on Collider.

Follow us on our Instagram page. For obvious reasons, we are no longer on Twitter. You won't find us there. Perhaps we will make a BlueSky account, so keep an eye out for that.

Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:

Check out our blog and read Anders's recent reviews on Mission Impossible: A Final Reckoning and Ryan Coogler's Sinners.

Also check us out on Letterboxd too!

Anders

Adam

Hosted on Acast. See acast.com/privacy for more information.