“Switching Places” (October 4, 1993)

If you’re reading this and deciding that Power Rangers is not a sitcom, you’re correct! We’re doing it anyway, and as elder millennials who were just a little too old for MMPR when it originally aired, we’re bringing in a ringer in the form of Sina Grace — artist, writer and bonvivant. whose work in the comics world has included writing for these very teenagers with attitude. In this episode, Billy and Kimberley swap bodies and so David Yost and Amy Jo Johnson have fun imitating each other while also commenting on gender norms… inasmuch as that’s possible in a 20-minute-long TV episode about superheroes who fight giant monsters.

Buy Sina’s latest comic, West Hollywood Monster Squad.

Support Sina’s Kickstarter for his book about dog grief, Life on Paws.

For more on the story of Saban, listen to our Cartoons That Made Us Gay episode about Samurai Pizza Cats.

And here is the This American Life episode that Drew refers to

We have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode’s art was designed by Ian O’Phelan.

“Mama Mork, Papa Mindy” (November 5, 1981)

Thus far, we have not attempted the Happy Days universe of TV shows, and we’re starting with this season four Mork & Mindy that has our interspecies marrieds creating a baby that redefine their gender roles. Essentially, Mork hatches an egg from which comes a child that puts a shocked Mindy in the role of father. It’s silly, but as returning guest Diamond Feit helps us explain, it’s also modelling parenthood outside typical gender conventions.

Listen to Diamond’s previous episode with us about Ranma 1/2!

Listen to our previous adult baby episode (a Patreon exclusive!) with guest Nina Matsumoto!

We have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode’s art was designed by Ian O’Phelan.

This week, in a first-ever solo episode, Drew talks you through not just one episode of the cult series Mary Hartman, Mary Hartman instead the whole of the show’s art for its two gay characters, Ed and Howard. What’s remarkable about this nuanced portrayal of a same-sex couple is that by virtue of airing before the AIDS crisis, the showrunners didn’t need to make these two characters angel gays. They’re as neurotic and complex as any of the straight characters on the show, which means it’s an example of a progressive representation back in 1976.

If you want to see Ed and Howard (and everyone else) in action, check out the supercut of their whole story on Patreon. It’s free for everyone, so even people who aren’t pledging can watch it. There is not another place online where you can easily watch Ed and Howard’s whole story.

But also check out Matt Baume’s 2020 video on why this show’s gay storyline still matters.

We have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode’s art was designed by Ian O’Phelan.