This week on Crack the Book, we take a big leap forward—from Augustine’s Confessions in the ancient world to 14th-century England—with selections from Geoffrey Chaucer’s The Canterbury Tales and Thomas Malory’s Le Morte D’Arthur. No translation was needed, technically, but the Middle English still felt like a new language.

Both were new to me, which now feels shocking—how did I miss even a snippet of Chaucer or Arthur in school? Ted’s excerpts kept our reading manageable at about 250 pages total, but I’m glad I didn’t have to choose between them. The shift from Greece and Rome to medieval England was disorienting: the worldview feels earthier, even more “pagan” in spirit, with a Christian overlay steeped in legend.

In The Canterbury Tales (Prologue, Knight’s Tale, Miller’s Tale, Wife of Bath’s Tale), Chaucer’s mastery of distinct voices shone. The Knight’s romantic chivalry contrasted with the Miller’s bawdy humor and the Wife of Bath’s abrasive self-portrait—the first woman narrator we’ve met so far. These tales, rich in character and social observation, left me curious about the medieval English church, its distance from Rome, and the lived faith of ordinary people.

Le Morte D’Arthur surprised me by being harder to read than Chaucer’s verse. Malory’s prison-penned prose follows the Holy Grail quests of Galahad, Perceval, and Launcelot, where success hinges on chastity, humility, and freedom from sin. The Christian themes were far stronger than I expected, yet still tangled in a world of knightly pride and mortal failings. Galahad’s virtue is his power; Launcelot’s moral struggles bring defeat.

This week left me wanting more—more Chaucer, more Arthur, and much more medieval English history. The period feels misty, almost secretive, and I’d like to learn what was happening between Rome’s fall and England’s flowering. Ted’s pick, Beethoven’s late string quartets, proved a thoughtful companion, deserving focused listening in its own right.

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Ted Gioia/The Honest Broker’s 12-Month Immersive Humanities Course (paywalled!)

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