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FS74 Representation and Lego with Camilla Gordon

FS74 Representation and Lego with Camilla Gordon

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 In this episode Nikki talks to Camilla Gordon, a process facilitator , about representation in Lego and her new “Figiverse” project. They talk about How Camilla uses Lego Serious Play in facilitation The lack of representation within Lego ‘I had people of colour seeing these more representative Lego pieces and had really emotional reactions to it, because people have never seen themselves in these pieces’ ‘It has become so normalised that particular identities don't get represented in different spaces’ Improving representation and access to more diverse Lego pieces ‘recognizing that these forms of representation shouldn't be separated from the more traditional Lego pieces, but actually should be a core part of those packs’ Camilla’s new “Figiverse” project including how it started and future plans A full transcript is below. Links: Today’s guest: www.Camillagordon.co.uk www.Figiverse.co.uk To find out more about Facilitation Stories and the IAF and the England and Wales Chapter: Facilitation Stories website: https://facilitationstories.libsyn.com/ And to email us: podcast@iaf-englandwales.org IAF England and Wales: https://www.iaf-world.org/site/chapters/england-wales The Facilitation Stories Team: Helene Jewell: https://www.linkedin.com/in/helenejewell/ Nikki Wilson: https://www.linkedin.com/in/nicolawilson2/ Transcript N.W Hello and welcome to Facilitation Stories, the community podcast of the England and Wales Chapter of the International Association of Facilitators, also known as IAF. My name's Nikki Wilson, and today I'm going to be speaking to Camilla Gordon. So welcome, Camilla. To get us started would you like to tell us a little bit more about you and what you do. C.G Sure. So I am a freelance facilitator, and I'm a process facilitator. So focused on getting groups from A to B, I am what I would call sector agnostic. So work across a range of different sectors with lots of different clients and groups from unaccompanied children, refugees and asylum seekers all the way through to corporate boards, and part of my approach in doing that work is trying to facilitate processes that are more inclusive, kind of recognizing power dynamics and hierarchies and rooms. I'm really clear that I'm not a D&I facilitator. For me, that's just the core part of how I work, rather than it being a kind of defined piece. And so, yeah, I do lots of kinds of work, lots of different places, lots of different processes. N.W Great. And so the focus of today's conversation is Lego. So how and why do you use Lego in your work? C.G So I'm a Lego Serious Play facilitator, or what I usually like to say, I'm trained in Lego Serious Play. I say that because I use elements of Lego Serious Play in my work. But I'm not wedded to it in a strict way, in relationship to the process and how it works. I like to take bits and pieces of different methods and tools to make it work for the group, and so use Lego in a range of different ways within the different processes that I run from using Lego Serious Play in its most formal sense, but also using Lego as a tool to explore different parts of conversations and in different ways. N.W And so while you like to use some Lego, I believe you noticed there was something that you didn't like about it. So could you tell us a little bit more about that? C.G Yeah, definitely. I started using Lego Serious Play about seven years ago, and one of the first things I noticed was the lack of representation within Lego. I saw lots of yellow faces, I saw lots of yellow hands, but I didn't see any representation of black and brown heads and hands. I didn't see any representation of disabled people. I didn't see representation in many ways, in the Lego that I was using. Following on from that, I spent a lot of time looking for some of those pieces, looking for ways to bring representation into my kit, because the groups that I work with were because the groups that I work with are from a huge range of different backgrounds with a huge range of different identities. And on that journey, I realised part of the reason I didn't have that in my kit to begin with was because very little of it existed in the world. I ended up on Lego resale websites, talking to Lego dealers, and while there were a few representations of black and brown heads, a lot of them were double printed with happy and angry on either side. And I was very aware of the stereotypes and tropes that come along with racial stereotypes, and I didn't want to feature that in my kit. And in the end, I had to get them custom printed, so I bought a whole load of heads with the formal colour being reddish brown or medium Nougat, which is the term the colour definition from LEGO. I had to get them custom printed. And obviously, recognizing representation isn't just about racial representation. I also spent a lot of time looking for other identities that could be represented. ...

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