In 1991, Drivin N Cryin took a bold step towards the mainstream with their album Fly Me Courageous. While the title track became an anthemic staple of early ’90s rock radio thanks to Gulf War pilots, the album failed to connect beyond the band's regional fanbase. To help us dig into this record, we're joined by James Barber, former manager to the band, to dig into what works, what left us scratching our heads, and much much more.

Songs In This Episode

Intro - Fly Me Courageous

25:51 - Rush Hour

34:44 - Let's Go Dancing

41:24 - Chain Reaction

Outro - Look What You've Done To Your Brother

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Jagged, urgent, experimental - the 1998 album Sand On Seven by Not From There is an inventive debut that effectively blends post-punk, slowcore, and noise rock. The Australian trio incorporate German-language vocals on several tracks, giving the album an otherworldly edge to pair with angular guitars, throbbing basslines, and restless rhythms giving 90s indie rock a uniquely disorienting twist. Songs move between abrasive noise and moody atmosphere, reflecting both tension and restraint. Though it didn’t reach massive commercial heights, Sand On Seven became a cult favorite in alternative circles and won the ARIA Award for Best Alternative Release in 1999.

Songs In This Episode

Intro - Sich Öffnen

10:57 - Hurricane Charlie

14:57 - Neurons

16:57 - Juanita's Cocktail Party

19:52 - The Orb of Discomfort

26:18 - Abgedroschen

Outro - What Is Better Now

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From the same Champaign-Urbana, IL music scene as Hum, Poster Children, National Skyline, and others, Love Cup is a name you might not be familiar with. Their lone 90s release, ..Grefus Gronks and Sheet, is a snapshot of mid-’90s alternative rock, tinged with grunge and post-hardcore, as well as shoegaze and space rock. Tracks like "Even When I Sleep" and "Nothing in Particular" showcase the band's knack for crafting big, straightforward yet infectious riffs, while the eight-minute closer "Green Machine / Scientifically Yours" allows for more sprawling, immersive exploration. Though not as complex instrumentally or melodically as some of their peers, the album begs to be cranked at high volume.

Songs In This Episode

Intro - Entirely Made of Wood

12:54 - Billfershort

15:46 - Heroine

26:50 - Nothing in Particular

32:34 - Even When I Sleep

Outro - Green Machine / Scientifically Yours

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Sky Cries Mary’s 1993 album A Return to the Inner Experience is a sprawling, psychedelic journey unlike almost anything else out of Seattle in the 90s. Formed in the late 1980s, Sky Cries Mary blends elements of trance, space rock, ambient textures, and spoken word, and this album marked their first major label release, giving them wider exposure. Across 17 tracks, the record flows like a hallucinatory dream, shifting between hypnotic rhythms, swirling guitar effects, and ethereal male-female vocal interplay from Roderick Wolgamott and Anisa Romero. At once atmospheric and tribal, the record reflects the early ’90s fascination with both electronic textures and post-psychedelic exploration, balancing cosmic ambition and underground sensibility.

Songs In This Episode

Intro - Lay Down Your Head

17:53 - 2000 Light Years From Home

22:03 - Gone

25:39 - Walla Walla

34:17 - Broken Down

Outro - Moving Like Water

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Mogwai’s 1999 album Come On Die Young trades some of the explosive catharsis of their debut for a slower, more deliberate exploration of mood and texture. Opening with Iggy Pop’s laconic musings on punk ethos, the record unfolds in hushed tones, with fragile guitar lines and patient rhythms evoking a late-night, half-lit world. Songs like “Cody” favor aching melancholy over the band’s trademark crescendos, making the few bursts of volume feel seismic. The production by Dave Fridmann is spacious and shadowy - it broods like an atmospheric statement that rewards deep, uninterrupted listening.

Songs In This Episode

Intro - Helps Both Ways

12:31 - Chocky

20:26 - Cody

25:20 - Christmas Steps

39:22 - Oh! How the Dogs Stack Up

Outro - Kappa

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In a Priest Driven Ambulance marks a pivotal moment for The Flaming Lips with the addition of Jonathan Donahue as a member of the band (and later Mercury Rev), along with Dave Fridmann behind the board for the first time. The blend of lo-fi psychedelic rock retains the melodic chaos while exploring new experimental territory. Wayne Coyne finds his voice, and tracks like “Shine on Sweet Jesus” showcase his spiritual fixation, filtered through fuzz pedals and existential yearning. It’s an ambitious, unpolished gem that foreshadows the band’s later sonic evolutions.

Songs In This Episode

Intro - Sweet Jesus (Jesus Song No. 1)

23:20 - Raining Babies

32:42 - Take Meta Mars

37:30 - Five Stop Mother Superior Rain

Outro - Unconsciously Screaming

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The 1993 debut album No Biting by Los Angeles-based band Greta blends post-grunge aggression with quirky, off-kilter alternative rock. Led by Paul Plagens’ distinctive vocals and lyrics, the album features tracks like “Revolver” and “School On Fire” showcase a mix of heaviness and melody. The willingness to veer into funk, noise, and pseudo-progressive territory adds a level of chaotic charm to the record that fans of Faith No More or Jane's Addiction might enjoy.

Songs In This Episode

Intro - School on Fire

14:28 - Is It What You Wanted

20:33 - Revolver

23:08 - Love Is Dead

30:44 - Insomnia

Outro - Sleepyhead

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Legendary guitarist and songwriter Richard Thompson's 1999 album Mock Tudor explores the dark corners of suburban England with sharp wit and rich storytelling. Produced by Tom Rothrock and Rob Schnapf, the album steers away from Thompson's signature folk-rock sound towards a leaner, more contemporary approach. While still rooted in traditional genres with touches of rockabilly and reggae, the album feels urgent and modern, capturing a sense of unease beneath its melodic surface.

Songs In This Episode

Intro - Sibella

9:42 - Hard On Me

11:44 - Bathsheba Smiles

22:24 - Dry My Tears and Move On

33:39 - Cooksferry Queen

Outro - Sights And Sounds of London Town

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