In this episode of Citizen One: Exploring Our Urban Future, an urbanNext original podcast series, host Douglas Stuart McDaniel sits down with independent researcher Evelyn Meynard to uncover the forgotten legacy of Chilean modernist Emilio Duhart. From his early years in remote Cañete to working under Walter Gropius and Le Corbusier, Duhart’s journey defies the canon of modern architecture—and reveals a rich, symbolically charged Latin American modernism rooted in myth, memory, and political rupture.

There are names you expect to find in the story of modern architecture—Le Corbusier, Walter Gropius, Oscar Niemeyer. And then there are the names you have to go looking for. Emilio Duhart is one of those names.

Born in remote Cañete Chile, Duhart studied at Harvard, worked under both Gropius and Le Corbusier, and went on to design one of the most symbolically charged buildings in Latin America: the United Nations ECLAC building: the Economic Commission for Latin America and the Caribbean headquarters in Santiago. And yet—outside Chile, his name barely registers.

This week, I’m joined by Evelyn Meynard—independent researcher and author of Re-Imagining Modern Architecture: Emilio Duhart 1940–1970. Her book, published by Actar, is part biography, part excavation, part act of repair. And it arrives at a time when the Global South is being reframed not as architectural periphery—but as a site of poetic, ecological, and political intelligence.

What Evelyn brings forward isn’t just a forgotten architect. She traces a deeper story—about memory, materiality, silence, and design as a cultural language. Through Duhart’s eyes and journals, she takes us inside Le Corbusier’s atelier in Paris where he worked side by side with the likes of Iannis Xenakis, Balkrishna Doshi, and others.

We talk about modernist adobe–not concrete–houses for the Santiago elite in the 1940s. We explore how Duhart was thinking about sustainability and accessibility long before those terms became mainstream—designing passive water systems, integrating landscape and climate into his buildings, and proposing electric transit for the elderly and disabled—decades ahead of his time. We’ll also examine the haunting what-if of his master plan for Santiago: a pedestrian-first, ecologically attuned greenbelt capital that was never built. And yes—we’re going to talk about how Evelyn’s earliest memory of modernism came not from a textbook, but from a school she attended as a child, unknowingly designed by Duhart himself.

According to Meynard, When Brasilia was inaugurated, many Europeans came to the inauguration, even Sartre and Simone de Beauvoir. But soon, a series of negative articles from architectural magazines in Europe and North American quickly undercut the achievements of Latin American modernism. She contends that, until the 21st century, few talked again about Latin American architecture.

This episode is about more than buildings. It’s about the work of remembering—of rebuilding the archive—and of asking who gets written into the story of our cities, and who gets left out.