We're resuming our analysis of Marillion's singles, starting with the first ten years of the Steve Hogarth era. In the context of the time they were released, were You're Gone, See It Like A Baby etc. the right choices?

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We're back! Or are we...? And where the heck have we been? Plus - catching up on Marillion news.

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We're continuing our analysis of Marillion's singles, starting with the first ten years of the Steve Hogarth era. In the context of the time they were released, were Hooks In You, Beautiful, These Chains etc. the right choices?

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This episode discusses the Marillion Weekends 2025, before we delve into the postbag to get some of your thoughts on Sounds That Can't Be Made. Also, we rank (certain) Marillion songs!

Support Stephen's Marathon run: https://www.justgiving.com/page/stephen-wicks-1712393683925?newPage=true&fbclid=IwZXh0bgNhZW0CMTAAAR1uTCUQbrnEyoFjpz5PwdA_u3l31m4CI0f7EtO4nkZCpFwUZW4hHeX3KHg_aem_ARIn8DdFQqbgr9AhA3d1UYsbbJ8EoyTZ-zLAb-2loFJ1tbMiyGS4rgWiIunjtc79YobDH4nZUExUOG11sgFgfn6_

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At last, we get around to completing our retrospective of Marillion's Sounds That Can't Be Made. And it's a bumper edition... which not only contains our take on Montreal, Invisible Ink, Lucky Man and Sky Above The Rain, but dredges up a few hefty chunks of our souls, while Sanja enjoys an ill-advised flirtation with AI research...

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This ep was inspired by some damning criticism of Marillion. We discuss what it is that set them apart from their early-80s Neo-prog peers... before asking where they belong today. And stay tuned for our new podcast - The Prog Paddock!

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Listen to The Revelation Station: https://www.revelationstationpodcast.com/episodes

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We kick off this ep with talk about next year's Marillion Weekends, before delving into the Fish-era singles. Were they the best choices? Which album tracks might've worked as potential singles? Let the debate begin!

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Also here: www.youtube.com/@DigitiserLevel2

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