Episodes

  • 06 | Lady Pink
    Feb 19 2025

    For the sixth and final episode of Back To Reading Credits, Wes Jackson spoke with legendary artist Lady Pink about getting an education from painting trains, making a name for herself as a woman writer in the 70s and 80s, and straddling the worlds of street art and fine art today. Lady Pink started writing graffiti in 1979 and soon became well known as the only female capable of competing with the boys in the graffiti subculture. Pink painted subway trains from the years 1979-1985 and in 1982 had a starring role in the motion picture "Wild Style". Today, Lady Pink continues to create new paintings on canvas that express her unique personal vision. She also shares her 40 years of experience with teens by holding mural workshops and actively lecturing to college students throughout the world. • Back to Reading Credits is hosted by Wes Jackson and produced by Khyriel Palmer, Emily Boghossian, Chris Torres, Gabrielle Davenport, and Antoine Hardy, with help from Elyse Rodriguez Aleman, Charlie Hoxie, and Kuye Youngblood.

    • BIOS & LINKS:

    Lady Pink was born in Ecuador, raised in NYC, and currently resides in the countryside north of the city. In 1979 she started writing graffiti and soon became well known as the only female capable of competing with the boys in the graffiti subculture. Pink painted subway trains from the years 1979-1985 and in 1982 had a starring role in the motion picture "Wild Style". That role and her other significant contributions to graffiti have made her a cult figure in the hip-hop subculture. Photo by Lauren Thomas Photo by Lauren Thomas She began exhibiting paintings in galleries while still in high school, and at the age of 21 had her first solo show at the Moore College of Art. As a leading participant in the rise of graffiti-based art, Lady Pink's canvases have entered important art collections such as those of the Whitney Museum, the MET in New York City, the Brooklyn Museum, the Museum of Fine Art in Boston and the MoMA. She has not only established herself in the fine arts world, but also the fashion world. Collaborating with Louis Vuitton, Supreme, and Lancôme, her paintings are highly prized by collectors. Today, Lady Pink continues to create new paintings on canvas that express her unique personal vision. She also shares her 40 years of experience with teens by holding mural workshops and actively lecturing to college students throughout the world.

    • TRANSCRIPT:

    ~coming soon~

    • Follow us on Twitter and Instagram @BRICTV, and visit www.bricartsmedia.org/podcasts for more information on BRIC Radio.

    Show More Show Less
    1 hr and 5 mins
  • 05 | Lachi
    Dec 12 2024
    For the fifth episode of Back To Reading Credits, Wes Jackson spoke with artist and advocate Lachi about how she and her peers are fighting to make the music industry more accessible. Lachi is a globally touring recording artist, award winning social entrepreneur, GRAMMYs Chapter Board Governor, and host of PBS’ American Masters series ‘Renegades’. Born legally blind, Lachi uses her platform in music, storytelling and fashion to amplify identity pride and Disability Culture. Her U.N.-recognized organization RAMPD (Recording Artists and Music Professionals with Disabilities) has collaborated on disability-inclusive solutions with the GRAMMYs, Netflix, Tidal, SONY Pictures Entertainment and more. • Back to Reading Credits is hosted by Wes Jackson and produced by Khyriel Palmer, Emily Boghossian, Chris Torres, Gabrielle Davenport, and Antoine Hardy, with help from Elyse Rodriguez Aleman, Jose Astorga, Jonathan Ortiz, Charlie Hoxie, and Kuye Youngblood. Our audio engineer was Zak Sherzad, and our director was Raynita Vaughn. • Thank you to Arthur Gwynne and Stacie Barker. Ro Johnson, Tadia Toussaint, and everyone who participated in “Dead Rappers Get Better Promotion: The Health Crisis in Hip-Hop, A #BHeard Town Hall” last year. Watch the full Town Hall here: https://www.youtube.com/watch?v=ebgJpmxAR6U• BIOS & LINKS: Lachi is a globally touring recording artist, award winning social entrepreneur, GRAMMYs Chapter Board Governor, and host of PBS’ American Masters series ‘Renegades’. Born legally blind, Lachi uses her platform in music, storytelling and fashion to amplify identity pride and Disability Culture. Her U.N.-recognized organization RAMPD (Recording Artists and Music Professionals with Disabilities) has collaborated on disability-inclusive solutions with the GRAMMYs, Netflix, Live Nation and more. Her recent song Lift Me Up in homage to Judy Heumann peaked at #29 on U.S. Adult Contemporary radio. Named a USA Today Woman of the Year, an ADCOLOR Innovator of the Year, a “new champion in advocacy” by Billboard, and "a foot soldier for Disability Pride'' by Forbes, her cultural activism has landed her spots on national ads and TEDx stages, discussions with the White House, BBC, Good Morning America and the New York Times.RAMPD (Recording Artists and Music Professionals with Disabilities) is a professional platform equipping the music and live entertainment industry with disability inclusive tools, programming and strategy. RAMPD also connects the industry to a global directory of peer-vetted music/sound creators and industry professionals with disabilities, neurodivergence and other chronic or mental health conditions, to find source and hire—bringing competitive opportunities, visibility and community to our Professional Members while offering disability inclusion to Industry/Venue partners. RAMPD's Mission is to amplify Disability Culture, promote equitable inclusion, and advocate for inclusive and accessible spaces in the music and live entertainment industries. Founded in May of 2021 (and established January 2022) by award-winning recording artist and cultural activist Lachi, RAMPD came about after a public talk between the Recording Academy and several disabled artists revealed the serious lack of visibility, access, and representation for music professionals with disabilities. RAMPD has since partnered with the GRAMMY's to make music's biggest night more disability-inclusive, helping push for a visible ramp to the stage, ASL, audio description and more at the ceremony, finding visibility in NYTimes and Billboard. In 2022 RAMPD was named a Zero Project Honoree at the United Nations for its innovative solutions, and in 2023 was named a Music Business Association Agent of Change. RAMPD's member development initiatives are fiscally sponsored by the Stacey Park Milbern Disability Justice Fund. Disability Culture: RAMPD defines Disability Culture as the art, music, words, and creative contributions of people who identify as disabled. It is rooted in creativity, determination and problem solving and is a vibrant counter-response to society's marginalization and oppression, and deserves to be celebrated. Disability: RAMPD's view on disability is big tent, meaning we are inclusive of and advocates for all forms of disabilities, including neurodivergence, chronic and mental health conditions, all physical, sensory, cognitive and intellectual disabilities, d/Deafness and hard of hearing, rare diseases and the immune compromised. We do not define disability by diagnosis, but by identity, as not everyone is able to receive a proper diagnosis. Furthermore disability identity is not limited to the medical model lens, but expands to both the social and cultural models of disability.• TRANSCRIPT: https://shorturl.at/5XbZp• Follow us on Twitter and Instagram @BRICTV, and visit www.bricartsmedia.org/podcasts for more information on BRIC Radio.
    Show More Show Less
    1 hr and 4 mins
  • BONUS | BRIC Master Class: The History of Hip-Hop with Wes Jackson
    Sep 25 2024

    To appreciate The Culture, you need to understand where it all began. This summer, I kicked off BRIC’s new Master Class series with a lecture on the origins of Hip-Hop in New York City and the ripple effect it has had worldwide over the last 5 decades. Today, we’re sharing the audio from my master class with you, our listeners. We hope you enjoy this look back at the origins and evolution of Hip-Hop. • Back to Reading Credits is hosted by Wes Jackson and produced by Khyriel Palmer, Emily Boghossian, Raynita Vaughn, Chris Torres, Gabrielle Davenport, and Antoine Hardy, with help from Elyse Rodriguez Aleman, Jose Astorga, Jamie Martinez, Jonathan Ortiz, Zak Sherzad, Charlie Hoxie, and Kuye Youngblood. • Thank you to BRIC’s Media Education team – Skye MacLeod, Jessica Mason, David Fancois, and everyone who participated – for bringing this series to life. Keep an eye on BRIC’s class schedule for more master classes on everything from history and data science to AI and the music industry. You can watch the full video version of The History of Hip-Hop with BRIC's President, Wes Jacksonon BRIC TV’s YouTube channel.

    • BIOS & LINKS:
    Wes Jackson has over 25 years of experience as a leader, entrepreneur, innovator, creative and executive in entertainment and academia. Wes has been leading BRIC, a pioneering, multi-disciplinary arts and media institution anchored in downtown Brooklyn, as its President since July 2022. BRIC’s programs include the free, summer-long BRIC Celebrate Brooklyn! festival whose 46th season kicks off this summer; the New York Emmy Award-winning BRIC TV, whose programming includes acclaimed original scripted series and hyper-local news stories and documentaries; Brooklyn Free Speech TV, a leading public access television network; a major contemporary art exhibition program; BRIC JazzFest, which brings global legends and emerging artists in jazz to Brooklyn each October; family programs; and more. BRIC’s nationally recognized school-based arts and media education program reaches thousands of NYC public school students each year. Prior to starting at BRIC, Jackson was the Director of the Business of Creative Enterprises (BCE) Program and Senior Executive In Residence at Emerson College. His career began as a concert producer, which led him to his first venture, Seven Heads Entertainment, and later to found and lead the Brooklyn Hip-Hop Festival.

    BRIC education programs reach over 25,000 individuals. Our Media Center offers a variety of free and wallet-friendly, high-quality film, TV, and podcasting courses, serving 6,000 adult students annually. BRIC’s in-school and afterschool programs reach 3,800 students in 35+ public schools, in 19 neighborhoods throughout Brooklyn.

    • Follow us on Twitter and Instagram @BRICTV, and visit www.bricartsmedia.org/podcasts for more information on BRIC Radio.

    Show More Show Less
    1 hr and 5 mins
  • BONUS | Confronting Misogynoir in Hip-Hop, A #BHeard Town Hall
    Aug 7 2024
    Hip-Hop has arguably centered the male gaze since its birth 50 years ago. In this season of Back To Reading Credits, we have chosen to focus on the unsung women of Hip-Hop, sometimes operating in obscurity, often bumping up against misogyny and racism, always innovating, undergirding, and defining the culture. This May, we hosted a BHeard town hall on the subject of Misogynoir in the genre, and today we are sharing the audio from that night with you, our listeners. In this episode, you will hear from a crowded enthusiastic room of community members, and a panel of legendary women including Moderator Nicole Duncan-Smith, Iconic Hip-Hop Pioneer & MC Roxanne Shanté, Culture journalist, Writer, Editor, On-Air Host Ivie Ani, Grammy Award-Winning Songwriter & Artist Stacy Barthe, US Hip-Hop Ambassador & Author/Artist Toni Blackman, and District 45 Council Member & Chair of the Committee on Women and Gender Equity Farah N. Louis. • Back to Reading Credits is hosted by Wes Jackson and produced by Khyriel Palmer, Emily Boghossian, Raynita Vaughn, Chris Torres, Gabrielle Davenport, and Antoine Hardy, with help from Elyse Rodriguez Aleman, Jose Astorga, Jonathan Ortiz, Zak Sherzad, Charlie Hoxie, and Kuye Youngblood. • Thank you to the BHeard Town Hall team – Tadia Toussaint, Ro Johnson, and the entire BRIC TV crew – for programming, producing, engineering, and archiving this powerful and necessary event. You can watch the full video version of Confronting Misogynoir in Hip-Hop: Empowerment v Exploitation, A #BHeard Town Hallon BRIC TV’s YouTube channel. • BIOS & LINKS: Nicole Duncan-Smith is an author, reverend writer, and journalist. Over her career, she has worked as an editor and/or writer for the following publications: AtlantaBlackStar.com, OprahDaily.com, theGrio.com, BET.com, AllHipHop.com, Rap Pages, Vibe Magazine, The Source, The Source.com.Roxanne Shanté is a hip-hop pioneer, becoming the first female rapper to have a hit single. Known for her razor-sharp disses, she was the only female member of the hip-hop collective, the Juice Crew, and was involved in two of the earliest recognized beefs in hip-hop: The Roxanne Wars and The Bridge Wars. You might've heard about a certain beef going on in hip-hop right now - Roxanne Shanté is one of the originators of waxing poetic about a rival.Ivie Ani is an award-winning, internationally recognized journalist, writer, editor, critic, and on-air host covering culture. Ivie is a Nigerian-American Bronx native and New York University alumna with a dual degree in Journalism and Africana Studies. Her writing has been published in The New York Times Women in The World, The Village Voice, NY Mag, GQ, Teen Vogue, Vanity Fair, VIBE Magazine, The Fader, NBC News, BBC, PAPER magazine, Pitchfork, Complex, LEVEL Magazine, OkayAfrica, Grazia UK, NYU’s Social and Cultural Analysis Journal, and more. She is the former Editor In Chief and Editorial Director of AMAKA Studio and the former Music Editor of Okayplayer and has held positions at Instagram & Facebook (META), BET Networks, and Associated Press. Most recently, she hosted her own live radio show “In Full Effect” on Amazon Music’s AMP platform.Songwriting comes easy for the Brooklyn-born, Haiti-raised Grammy Award-winning Stacy Barthe who scored her first professional opportunity while working as an intern for Jive Records when she was a student at St. John’s University. After collaborating with Hit-Boy, Barthe gradually built a discography with credits for Rihanna, Katy Perry, Britney Spears, and Brandy. She began her gradual ascent in the music industry as a songwriter in 2007 when she signed with Universal Music Publishing Group and wrote "Blur" for Britney Spears's "Circus" album. Stacy soon became a frequently spotted name on composer credits for songs by high-profile artists such as Cheryl Cole ("Heaven"), Katy Perry ("Hummingbird Heartbeat"), Rihanna (the number seven hit "Cheers [Drink to That]"), Kelis ("22nd Century"), Estelle ("Speak Ya Mind"), Alicia Keys (two songs on Girl on Fire), and T.I. ("Sorry"). Since then, she has won Grammy Awards for “Brown Skin Girl” by Beyonce, “Lucky” by H.E.R., and Best Song In A Movie for “Collide” in “Queen and Slim”. She also won a Soul Train Award for Songwriter of the Year.The first official U.S. Hip-Hop ambassador, Toni Blackman, has not only traveled to 50 countries around the world but rocked Summerstage events, performed at the UN, Town Hall NYC, Brooklyn Academy of Music (BAM), Carnegie Hall, Kennedy Center, Apollo Theater, 9:30 Club in DC, the Roxy in L.A., the Institute of Contemporary Arts in London, BRIC, and Lincoln Center. This year Toni has hosted and performed at the UN, on Broadway, and the Def Poetry Jam Reunion. Multi-talented, this pioneer in Hip-Hop theater and Hip-Hop education, has worked both behind and in front of the camera. She’s an artist and a visionary. Creator of Rhyme Like a Girl and The Freestyle Union...
    Show More Show Less
    1 hr and 13 mins
  • 04 | April Walker
    Jun 27 2024

    For the fourth episode of Back To Reading Credits, Wes Jackson sat down with old friend and fashion legend April Walker to talk about her early years at The East and Uhuru Sasa Shule School, originating streetwear silhouettes, and her favorite print of all time. April Walker is a fashion icon, entrepreneur, educator, and author whose work has been featured in Forbes, In Style, Essence, The New York Times, Drink Champs, Vogue, CFDA. April is a pioneer in urban fashion. Her brand, Walker Wear, helped to create a multi-billion dollar industry known today as streetwear, commanded millions in sales, and kicked in distribution doors for other’s working in urban fashion. • Back to Reading Credits is hosted by Wes Jackson and produced by Khyriel Palmer, Emily Boghossian, Raynita Vaughn, Chris Torres, Gabrielle Davenport, and Antoine Hardy, with help from Elyse Rodriguez Aleman, Jose Astorga, Jonathan Ortiz, Zak Sherzad, Charlie Hoxie, and Kuye Youngblood. Our audio engineer was Onel Mulet, and our director was Raynita Vaughn.


    • Thank you to Ro Johnson, Tadia Toussaint, and everyone who participated in “Confronting Misogynoir in Hip-Hop: Empowerment v Exploitation, A #BHeard Town Hall” in May. Watch the full Town Hall here: https://ishortn.ink/14ITkKH

    • BIOS & LINKS:

    April Walker is a fashion icon, entrepreneur, educator, and author whose work has been featured in Forbes, In Style, Essence, The New York Times, Drink Champs, Vogue, CFDA. Walker has also been featured in award winning documentaries such as “The Remix Hip Hop X Fashion” and “Fresh Dressed”. As a Brooklyn native, she followed her creative intuition, pioneering urban fashion, setting the stage for a revolution in fashion industry norms, gender politics and culture shifting. Walker shaped the direction that style would take in the future. As the first woman with an urban fashion brand, Walker Wear helped to create a multi-billion dollar industry known as streetwear today, commanded millions in sales, and kicked in distribution doors for this category. Creating one of the most influential brands in our histories to date, “Walker Wear” is still relevant and sold worldwide, and most recently, has collaborated with the WNBA’s New York Liberty team. As one of the first to identify and implement the power of product placement, Walker was one of the first to start a styling division working with clients like SHAQ, Wu-Tang, Hype Williams, and many more. Icons such as Tupac, BIG, Jay-Z, and Aaliyah have all donned her brand. Walker has also served as the Vice-President for Phat Farm, launched a women’s division for And-1, and has consulted for Dreamworks, Champion, Ron Artest, and MLB Licensed products. When Walker is not sitting at the helm of Walker Wear, she is a book author, an educator, TISCH/NYU adjunct professor, contributor to Parson’s “Streetwear Essentials”, producer, and her work has been featured domestically and internationally by Sotheby’s, Photoville, and at the Kunsthal and Centraal Museum.

    • TRANSCRIPT:

    ~coming soon~

    • Follow us on Twitter and Instagram @BRICTV, and visit www.bricartsmedia.org/podcasts for more information on BRIC Radio.

    Show More Show Less
    57 mins
  • 03 | Nadirah Simmons
    Apr 24 2024

    ** You’re Invited to a #BHeard Town Hall on Thursday, May 23rd! Be part of the audience for a town hall at BRIC House in Downtown Brooklyn about confronting misogynoir in Hip-Hop. Doors at 6:30PM, Show at 7:00PM.**

    For the third episode of Back To Reading Credits, Wes Jackson and Nadhirah Simmons met up at BRIC House to talk about the state of Hip-Hop journalism, archiving your old magazines, and firsts. Nadirah Simmons is a digital content creator committed to preserving Black history, Hip-Hop history, and pop culture. In 2018, Nadirah created The Gumbo. Through content, events and the dissemination of vital information on developments in the culture, The Gumbo aims to support, reframe and re-energize women and their relationship with Hip-Hop. In January 2024, Nadirah released her first book: First Things First: Hip-Hop Ladies Who Changed the Game. • Back to Reading Credits is hosted by Wes Jackson and produced by Khyriel Palmer, Emily Boghossian, Raynita Vaughn, Chris Torres, Gabrielle Davenport, and Antoine Hardy, with help from Elyse Rodriguez Aleman, Jamie Martinez, Jose Astorga, Jonathan Ortiz, Zak Sherzad, Charlie Hoxie, and Kuye Youngblood. Our audio engineer was Onel Mulet, and our videographer was Leslie Hayes.

    • Thank you to everyone who participated in our person-on-the-street interviews.

    • BIOS & LINKS:

    Nadirah Simmons is a digital content creator committed to preserving Black history, Hip-Hop history, and pop culture. Nadirah’s career in television began as an intern at VH1 and The Daily Show with Trevor Noah. In 2016, Nadirah joined the digital team at The Late Show with Stephen Colbert where worked for six years and produced bits with celebrities like Issa Rae, Method Man, Cedric The Entertainer, H.E.R., and Robert DeNiro. In 2018, Nadirah created The Gumbo. Through content, events and the dissemination of vital information on developments in the culture, The Gumbo aims to support, reframe and re-energize women and their relationship with Hip-Hop. In January 2024, Nadirah released her first book: First Things First: Hip-Hop Ladies Who Changed the Game. First Things First (available now!) is a celebration of the achievements of women in Hip-Hop who broke down barriers and broke the mold. Follow @hinadirah on IG for more!

    • TRANSCRIPT: https://shorturl.at/msiJm


    • Follow us on Twitter and Instagram @BRICTV, and visit www.bricartsmedia.org/podcasts for more information on BRIC Radio.

    Show More Show Less
    53 mins
  • 02 | Sophia Chang
    Feb 28 2024

    For our second episode, Wes Jackson sat down with Sophia Chang live, onstage at BRIC House in Downtown Brooklyn as part of BRIC’s Hip-Hop Weekend in February. Sophia is a public speaker, mentor, screenwriter, and author of “The Baddest Bitch in the Room: A Memoir”. Sophia calls herself a “matriarchitect”. Over the course of her career in the music business, she managed Ol’ Dirty Bastard, RZA, GZA, D’Angelo, Raphael Saadiq, Q Tip, and A Tribe Called Quest. Together, she and Wes discussed mentorship, aging, and the physical and spiritual practice of Kung Fu. • Back to Reading Credits is hosted by Wes Jackson and produced by Khyriel Palmer, Emily Boghossian, Raynita Vaughn, Chris Torres, Gabrielle Davenport, and Antoine Hardy, with help from Michael Carroll, Morgan Smith, Leslie Hayes, Jose Astorga, Antonio Rosario, KerriAnn Eng, Raeshon Roberson, Morgan Hammel, Wayne Hassell, Kevin Tinsley, Naim Vann, Harris Awan, Elyse Rodriguez Aleman, Charlie Hoxie, and Kuye Youngblood.

    • Thank you to everyone who participated in our person-on-the-street interviews at BRIC’s Hip-Hop Weekend in February.

    • BIOS & LINKS:

    Sophia Chang is a public speaker, life/career guide, screenwriter and author who is developing numerous TV properties, including a scripted series based on her Audible memoir “The Baddest Bitch In The Room.” She founded Unlock Her Potential, a program that provides free mentorship for women of color which brags such mentors as Pamela Adlon, Sarah Harden/CEO of Hello Sunshine, Jim Jarmusch, Michael Mann, and several CEOs. She is the Executive Director of ImpactMENtorship, a program that provides free mentorship for men of color founded by actor, Hip-Hop artist, and philanthropist Joey Bada$$. As the first Asian woman in Hip-Hop, the music business matriarchitect managed Ol’ Dirty Bastard (RIP), RZA, GZA, D’Angelo, Raphael Saadiq, Q Tip, and A Tribe Called Quest as well as working with Paul Simon. Her work at record labels included marketing at Atlantic, A&R at Jive, A&R Administration and Operations at Universal Music Group, as well as serving as General Manager of RZA’s Razor Sharp Records, Cinematic Music Group, and Joey Bada$$’ Pro Era Records. She trained with and managed a Shaolin Monk, who became her partner and father of her children. She produced major runway shows for Vivienne Tam and "Project Runway All Stars," was an account executive at a digital agency, and did business development at a cannabis company. Sophia appeared in Showtime’s documentary “Wu-Tang: Of Mics and Men,” Netflix documentary series “Hip Hop Evolution,” and was the subject of an episode of Hulu’s “Defining Moments.” Follow @SophChangNYC for more!

    Join Sophia and Unlock Her Potential for their second annual sUPosium on April 6th, 2024. Get your tickets here.

    • TRANSCRIPT: https://rb.gy/fzeqdc

    • Follow us on Twitter and Instagram @BRICTV, and visit www.bricartsmedia.org/podcasts for more information on BRIC Radio.

    Show More Show Less
    54 mins
  • 01 | Kathy Iandoli
    Jan 31 2024

    On August 11 1973, 15-year-old Cindy Campbell threw a back-to-school party in the Bronx that forever shaped music history. 50 years later, August 11th is commonly celebrated as the birth of Hip-Hop. Women have always been there, influencing, promoting, and creating Hip-Hop culture. For our first-ever episode, Wes Jackson spoke with Kathy Iandoli live, onstage at BRIC House in Downtown Brooklyn as part of BRIC’s 50th anniversary Hip-Hop Block Party. Kathy is a journalist, educator, media coach and the author of God Save The Queens: The Essential History of Women in Hip-Hop. Together, they discussed Cindy’s party, the unsung heroines of Hip-Hop history, and the future of women in the genre. • Back to Reading Credits is hosted by Wes Jackson and produced by Khyriel Palmer, Emily Boghossian, Raynita Vaughn, Chris Torres, Gabrielle Davenport, and Antoine Hardy, with help from Michael Carroll, Leslie Hayes, Jose Astorga, Zak Sherzad, Duane Ferguson, Christopher Bye, Mano Alexandre, Raeshon Roberson, Onel Mulet, Franklin T. Grant Jr., Kenneth John, Samantha Ramai, Elyse Rodriguez Aleman, Charlie Hoxie, and Kuye Youngblood. Matthew de Leon made our logo artwork.

    • Thank you to everyone who participated in our person-on-the-street interviews at BRIC’s 50th anniversary Hip-Hop Block Party!

    • BIOS & LINKS:

    Kathy Iandoli is a critically acclaimed hip-hop journalist, documentarian, podcaster, and author of God Save the Queens: The Essential History of Women in Hip-Hop, Baby Girl: Better Known As Aaliyah, and the forthcoming memoir The Queen Bee with Lil' Kim. Kathy has written for numerous publications including Billboard, XXL, Teen Vogue, Vibe, PAPER, The Village Voice, Rolling Stone, and many more. Kathy is also the premier career/media coach for some of the top artists in the music industry. A Professor of Music Business at New York University, Kathy routinely serves as a TV and radio panelist for discussions on hip-hop and gender. She lives in the New York metropolitan area. Follow @Kath3000 on Twitter.

    • TRANSCRIPT:

    https://shorturl.at/iP258

    • Follow us on Twitter and Instagram @BRICTV, and visit www.bricartsmedia.org/podcasts for more information on BRIC Radio.

    Show More Show Less
    40 mins