35. The Pre-Individual (w/ Ramon Amaro) cover art

35. The Pre-Individual (w/ Ramon Amaro)

35. The Pre-Individual (w/ Ramon Amaro)

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About this listen

 We’re joined by Ramon Amaro, Creative Director of Design Academy Eindhoven — an engineer, philosopher, writer, curator, and altogether critical-force-to-be-reckoned-with on the subject of computation as it intersects with concepts like culture, race, and being. We were drawn to his tour-de-force “The Black Technical Object: On Machine Learning and the Aspiration of Black Being” (2023), which is an absolute banger, re-reading Gilbert Simondon’s technical object through the lens of blackness, race, and racialized technologies.

This one is a wild ride, a really deep and incredibly thoughtful episode, and we make an effort to define some initial terms on the podcast — specifically the ‘pre-individuated milieu’ (the space where things or ideas live before they become crystalized into social or racialized relations) and the ‘technical object’ (a way that Simondon helps us think through the autonomies enjoyed by technology, that even though technological objects may be initially bound in some ways to their human partners, they are able to exert influences not just backwards on us, but influences that determine their own design evolution over time). Ramon starts the conversation with a distinction that is critical to the whole episode — that blackness is not a racial category, or moreover, that blackness is distinct from race. Race is something that happens after blackness, that impinges upon blackness as it moves from pre-individuated space and enters into the field of social relations we currently live within. This independence is critical, because it invites alternatives (and suggests, we think very rightly, that this field of social relations we currently live within, while historically situated in imperial or colonial violence, is arbitrary and exchangeable with any other possibility).

A few works that are important to consider here:
  • W.E.B Du Bois, The Souls of Black Folk — total canon
  • Sylvia Wynter’s work is discussed throughout, specifically on the concept of “Man” (particularly Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation—An Argument).
  • Gilbert Simondon, On the Mode of Existence of Technical Objects and Two Lessons on Animal and Man — both places to look for autonomy in Simondon’s work
  • Frantz Fanon, Black Skin, White Masks — implied by discussions of phenomenology/perception under racialization.
  • Stefano Harney and Fred Moten, The Undercommons — no spoilers, but more on this later :)
Thanks soooo much to Dr. Amaro for joining us!
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