What does it mean to be lonely? How do we live, if we're not intimately engaged with another human being? How do we connect with other people? When Olivia Laing moved to New York City in her mid-30s, she found herself inhabiting loneliness on a daily basis. Fascinated by the experience, she began to explore the lonely city by way of art. Humane, provocative and deeply moving, The Lonely City is about the spaces between people and the things that draw them together, about sexuality, mortality and the magical possibilities of art.

Deeply personal and powerfully moving, a short and timely series of essays on the experience of lockdown, by one of the most clear-sighted and essential writers of our time. Crafted with the sharp intelligence, wit and style that have won Zadie Smith millions of fans and suffused with a profound intimacy and tenderness in response to these unprecedented times, Intimations is a vital work of art, a gesture of connection and an act of love - an essential book in extraordinary times.

Funny Weather brings together a career’s worth of Laing’s writing about art and culture, examining its role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O’Keefe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body. 

In The Trip to Echo Spring, Olivia Laing examines the link between creativity and alcohol through the work and lives of six of America's finest writers: F. Scott Fitzgerald, Ernest Hemingway, Tennessee Williams, John Berryman, John Cheever, and Raymond Carver. All six of these men were alcoholics, and the subject of drinking surfaces in some of their finest work, from Cat on a Hot Tin Roof to A Moveable Feast.

A provocative, exuberant novel about time, desire, memory and the imagination, which tells the story of a young Midwestern woman's first year in New York in the late 1970s and her obsession with her mysterious neighbour, Lucy Brite. As she listens to Lucy through the thin walls of her dilapidated building, S. H. transcribes her neighbour's bizarre and increasingly ominous monologues in a notebook, along with sundry other adventures, until one night when Lucy bursts into her apartment to rescue S. H. from a frightening situation.

Why have societies all across the world feared witchcraft? This book delves deeply into its context, beliefs, and origins in Europe's history. The witch came to prominence - and often a painful death - in early modern Europe, yet her origins are much more geographically diverse and historically deep. In this landmark book, Ronald Hutton traces witchcraft from the ancient world to the early modern state.

In The Old Ways, Robert Macfarlane sets off from his Cambridge home to follow the ancient tracks, holloways, drove-roads, and sea paths that form part of a vast network of routes crisscrossing the British landscape and its waters, and connecting them to the continents beyond. The result is an immersive, enthralling exploration of the ghosts and voices that haunt old paths, of the stories our tracks keep and tell, of pilgrimage and ritual, and of song lines and their singers. Above all this is a book about people and place.

The characters in Samanta Schweblin's wildly imaginative new novel, Little Eyes, reveal the beauty of connection between far-flung souls but they also expose the ugly truth of our increasingly linked world. Trusting strangers can lead to unexpected love, playful encounters and marvellous adventures, but what if it can also pave the way for unimaginable terror? Schweblin has created a dark and complex world that is both familiar but also strangely unsettling, because it's our present and we're living it - we just don't know it yet.   

When Singer sewing machine tycoon Edward Clark built a luxury apartment building on Manhattan’s Upper West Side in the late 1800s, it was derisively dubbed “the Dakota” for being as far from the center of the downtown action as its namesake territory on the nation’s western frontier. Despite its remote location, the quirky German Renaissance-style castle, with its intricate façade, peculiar interior design, and gargoyle guardians peering down on Central Park, was an immediate hit, particularly among the city’s well-heeled intellectuals and artists.

First published in 1979, The White Album records indelibly the upheavals and aftermaths of the 1960s. Examining key events, figures, and trends of the era - including Charles Manson, the Black Panthers, and the shopping mall - through the lens of her own spiritual confusion, Joan Didion helped to define mass culture as we now understand it. Written with a commanding sureness of tone and linguistic precision, The White Album is a central example of American reportage and a classic of American autobiography.

Tegan Bennett Daylight has led a life in books - as a writer, a teacher and a critic, but first and foremost as a reader. In this deeply insightful and intimate work, Daylight describes how her reading has nourished her life, and how life has informed her reading. In both, she shows us that it’s the small points of connection - the details - that really matter: what we notice when someone close to us dies, when we give birth, when we make friends. In life’s disasters and delights, the details are what we can share and compare and carry with us.

Thirty-two-year-old Dan Johnson has it all; a nine-digit net worth, a gorgeous fiancé and a luxury riverside brownstone. The only problem is, he doesn’t want any of it. And the endless distractions of digitized society give him no head space to figure out what he does want. So, Dan unplugs. When a case of mistaken identity launches Dan into a series of bizarro relationships and absurd events, it represents an unexpected path to reconnect him with a world he never knew existed.

Anxious about her prospects after leaving a stagnant job, Tambudzai finds herself living in a run-down youth hostel in downtown Harare. For reasons that include her grim financial prospects and her age, she moves to a widow's boarding house and eventually finds work as a biology teacher. But at every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point.

In the dying months of World War I, Spanish flu suddenly overwhelmed the world, killing between 50 and 100 million people. Nowhere escaped this common enemy: in Britain, 250,000 people died, and in the United States it was 750,000, while European deaths reached over two million. The numbers are staggering. And yet at the time, news of the danger was suppressed for fear of impacting wartime morale. Behind the numbers are human lives, stories of those who suffered and fought it - in the hospitals and laboratories. 

They immigrated to America from Germany in the nineteenth century with names like Loeb, Sachs, Seligman, Lehman, Guggenheim, and Goldman. From tenements on the Lower East Side to Park Avenue mansions, this handful of Jewish families turned small businesses into imposing enterprises and amassed spectacular fortunes. But despite possessing breathtaking wealth that rivaled the Astors and Rockefellers, they were barred by the gentile establishment from the lofty realm of "the 400," a register of New York's most elite, because of their religion and humble backgrounds.