From a Gold Star polycotton shirt to a pack of Wrigley's Extra, from his teenage attempts to write songs to the Sexy Laughs Fantastic Dirty Joke Book, this is the hard evidence of Jarvis's unique life, Pulp, 20th-century pop culture, the good times and the mistakes he'd rather forget. And this accumulated debris of a lifetime reveals his creative process—writing and musicianship, performance and ambition, style and stagecraft.

It was an uphill struggle to carve their name in the history of Liverpool music, but Echo and the Bunnymen became iconic, with songs like 'Lips Like Sugar', 'The Cutter' and 'The Killing Moon'. By turns wry, explicit and profound, Bunnyman reveals what it was really like to be part of one of the most important British bands of the 1980s. 

As lead singer of Happy Mondays and Black Grape, Shaun Ryder was the Keith Richards and Mick Jagger of his generation - one of the last real rock 'n' roll stars. A true rebel, who formed and led not one but two seminal bands, he's had number-one albums, headlined Glastonbury, toured the world numerous times, taken every drug under the sun, been through rehab - and come out the other side as a national treasure. 

When Mark Lanegan first arrived in Seattle in the mid-1980s, he was just 'an arrogant, self-loathing redneck waster seeking transformation through rock 'n' roll'. Little did he know that within less than a decade, he would rise to fame as the front man of the Screaming Trees, then fall from grace as a low-level crack dealer and a homeless heroin addict, all the while watching some of his closest friends rocket to the forefront of popular music.

Peter Doherty's is the last of the great rock 'n' roll stories—bad boy and public enemy. To his devoted fans, he is a cult hero, a modern-day Rimbaud. Musically, he has defined the past twenty years of indie rock with his sound, lyrics, lifestyle and aesthetic. Since The Libertines rose to international fame, Doherty has proved endlessly fascinating. A whirlwind of controversy and scandal has tailed him ever since the early 2000s, so much so that all too often his talents as a songwriter and performer have been overlooked; for every award and accolade, there is a scathing review. 

To write about Tony Wilson, a.k.a. Anthony H. Wilson, is to write about a number of public and private characters and personalities, a clique of unreliable narrators, constantly changing shape and form. At the helm of Factory Records and the Haçienda, Wilson unleashed landmark acts such as Joy Division and New Order into the world as he pursued myriad other creative endeavours, appointing himself a custodian of Manchester's legacy of innovation and change.

Fintan O'Toole was born in 1958. His life covers Ireland's journey out of underdevelopment and domination by the Church, to the country's transformation into the relatively prosperous and tolerant society that it is today. But, along the way, there was a sectarian civil war in the North, which cast a dark shadow over the whole island, and bitter struggles for intellectual, civil and sexual freedoms. This is a very personal history by a writer who is considered by many to be the country's leading public intellectual.

Two acclaimed albums and an upcoming US tour - Joy Division had the world at their feet. Then, on the eve of that tour, the band’s troubled lead singer, Ian Curtis, killed himself. The next time they got together, they were a new band. That band was New Order - their label was Factory Records; their club, The Haçienda. Their distinctive sound paved the way for the dance music explosion that followed, earning them the reputation as one of the most influential bands of their generation and changing the course of popular music.

In 1984, at the age of 20, Duff McKagan left his native Seattle - partly to pursue music, but mainly to get away from a host of heroin overdoses then-decimating his closest group of friends in the local punk scene. In LA only a few weeks and still living in his car, he answered a want ad for a bass player placed by someone who identified himself only as "Slash." Soon after, the most dangerous band in the world was born. Guns N' Roses went on to sell more than 100 million albums worldwide.

Coming of age in Thatcher's Britain in the late '70s and early '80s was really tough, especially if you lived in Crawley. But against the grinding austerity, social unrest and suburban boredom, the spark of rebellion that was punk set alight three young men who would become one of the most revered and successful bands of their generation: The Cure. Cured is a memoir by Lol Tolhurst, one of the founding imaginary boys, who met Robert Smith when they were six.

Bob Mortimer’s life was trundling along happily until suddenly in 2015 he was diagnosed with a heart condition that required immediate surgery and forced him to cancel an upcoming tour. The episode unnerved him but forced him to reflect on his life so far. This is the framework for his hilarious and moving memoir, And Away....

In the tornado that was downtown New York in the 1980s, John Lurie stood at the vortex. After founding the band The Lounge Lizards with his brother, Evan, in 1979, Lurie quickly became a centrifugal figure in the world of outsider artists, cutting-edge filmmakers, and cultural rebels. Now Lurie vibrantly brings to life the whole wash of 1980s New York as he developed his artistic soul over the course of the decade and came into orbit with all the prominent artists of that time and place.

Total F*cking Godhead is the complete story of the complex and enigmatic artist, Chris Cornell. It's the riveting account of a blue collar, high-school dropout emerging from Seattle, Washington, to become one of the greatest singer-songwriters and voices of his generation. With input from people who knew and worked with him - together with Cornell's own words - the book recounts in great detail the rise of his immortal band Soundgarden as they emerged from the 1980s post-punk underground to dominate popular culture in the '90s alongside other Seattle bands like Pearl Jam.

John Cooper Clarke is a phenomenon: Poet Laureate of Punk, rock star, fashion icon, TV and radio presenter, social and cultural commentator, reluctant national treasure. At 5 feet 11 inches (116lb, 32in chest, 27in waist), in trademark suit jacket, skin-tight drainpipes and dark glasses, with jet-black back-combed hair and mouth full of gold teeth, he is instantly recognisable. As a writer his voice is equally unmistakable and his inimitable dry Salford drawl shines through the prose.

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career with the Marine Girls had just begun, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by activism and agitprop theatre, lesbian punk bands and rock 'n' roll love affairs. Morrison came to be a kind of mentor to Thorn, a strong female role model in a male dominated industry. They both faced a chauvinist music media wanting them to behave to type.