A paladin, an assassin, a forger, and a scholar ride out of town. It's not the start of a joke, but rather an espionage mission with deadly serious stakes. T. Kingfisher's new novel begins the tale of a murderous band of criminals (and a scholar), thrown together in an attempt to unravel the secret of the Clockwork Boys, mechanical soldiers from a neighboring kingdom that promise ruin to the Dowager's city.

Halla is a housekeeper who has suddenly inherited her great-uncle's estate...and, unfortunately, his relatives. Sarkis is an immortal swordsman trapped in a prison of enchanted steel. When Halla draws the sword that imprisons him, Sarkis finds himself attempting to defend his new wielder against everything from bandits and roving inquisitors to her own in-laws...and the sword itself may prove to be the greatest threat of all.

Fourteen-year-old Mona isn't like the wizards charged with defending the city. She can't control lightning or speak to water. Her familiar is a sourdough starter, and her magic only works on bread. She has a comfortable life in her aunt's bakery making gingerbread men dance. But Mona's life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona's city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of Mona's worries.

In a mortal world colonized by the gods and ruled over by their cruel offspring, the Descended, Diem Bellator yearns to escape the insular life of her poor village. Her mother's sudden disappearance—and the discovery of a dangerous secret about her past—offer Diem an unexpected opportunity to enter the dark world of Descended royalty and unlock the web of mysteries her mother left behind.

He is the future sultan, a man who wields brutal magic and only knows how to be what they’ve made him. She is a commoner, a woman who champions the vulnerable and treads where she does not belong. Dilay Akar is the daughter of a judge. By day, she trains the wealthy in magic, and by night, she breaks the Sultan’s laws. But even those closest to her do not always appreciate what she is striving for, or believe that she can achieve it.

Young Rhea is a miller's daughter of low birth, so she is understandably surprised when a mysterious nobleman, Lord Crevan, shows up on her doorstep and proposes marriage. Since commoners don't turn down lords - no matter how sinister they may seem - Rhea is forced to agree to the engagement. Lord Crevan demands that Rhea visit his remote manor before their wedding.

An exiled augur who sold her soul to save her brother's life is offered one last job before serving an eternity in hell. When she turns it down, her client sweetens the pot by offering up the one payment she can't resist—the chance to have a future where she grows old with the woman she loves. To succeed, she is given three days to track down the White City Vampire, Chicago's most notorious serial killer. If she fails, only hell and heartbreak await.

It’s been twenty years since Finlay Ashowan, the fabled house witch of Daxaria, first cooked up supernatural hijinks in the castle at Austice. Since then, much has changed: the royal family now resides elsewhere, a tentative peace has been established with Troivack, and the crown princess, Alina, is ready to pick the perfect nobleman to be her husband. But Alina’s quest for her ideal consort is proving rather difficult.

When Finlay Ashowan joins the staff of the King and Queen of Daxaria, he’s an enigma. No one knows where he comes from or how he came to be where he is, which suits Fin just fine. He’s satisfied simply serving as the royal cook, keeping nosy passersby out of his kitchen, and concocting some truly uncanny meals. But Fin’s secret identity doesn’t stay hidden for long. After all, it’s not every day a house witch and his kitten familiar, Kraken, take to meddling in imperial affairs.

A world with no hunger, no disease, no war, no misery: Humanity has conquered all those things and has even conquered death. Now Scythes are the only ones who can end life - and they are commanded to do so in order to keep the size of the population under control. Citra and Rowan are chosen to apprentice to a scythe - a role that neither wants. These teens must master the "art" of taking life, knowing that the consequence of failure could mean losing their own.