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Critical Race Theory: An Introduction, Third Edition cover art

Critical Race Theory: An Introduction, Third Edition

By: Richard Delgado, Jean Stefancic, Angela Harris - foreword
Narrated by: Karen Chilton
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Publisher's Summary

Updated to include the Black Lives Matter movement, the presidency of Barack Obama, the rise of hate speech on the Internet, and more. 

Since the publication of the first edition of Critical Race Theory in 2001, the United States has lived through two economic downturns, an outbreak of terrorism, and the onset of an epidemic of hate directed against immigrants, especially undocumented Latinos and Middle Eastern people. On a more hopeful note, the country elected and re-elected its first black president and has witnessed the impressive advance of gay rights. 

As a field, critical race theory has taken note of all these developments, and this primer does so as well. It not only covers a range of emerging new topics and events, it also addresses the rise of a fierce wave of criticism from right-wing websites, think tanks, and foundations, some of which insist that America is now colorblind and has little use for racial analysis and study. 

Critical Race Theory is essential for understanding developments in this burgeoning field, which has spread to other disciplines and countries. The new edition also covers the ways in which other societies and disciplines adapt its teachings and, for listeners wanting to advance a progressive race agenda, includes new questions for discussion, aimed at outlining practical steps to achieve this objective.  

Critical Race Theory is wonderfully read by Karen Chilton, acclaimed narrator of The New Jim Crow.

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

©2017 New York University (P)2019 Echo Point Books & Media, LLC

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Helpful but poor production

I found this a helpful introduction to CRT - exactly what I was after. I remain unconvinced of it but it does offer some helpful insights. This recording was let down by sound engineering - evident corrections were inserted awkwardly into the otherwise good narration - and the ponderous citing of references in full.

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