Cillian Murphy's ROMO: Embracing Artistic Autonomy and Meaningful Storytelling
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Cillian Murphy's ROMO: Embracing Artistic Autonomy and Meaningful Storytelling
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About this listen
The past few days have seen Cillian Murphy confidently straddling an extraordinary chapter in his career, blending creative autonomy with Hollywood acclaim. Hot off his Best Actor Oscar win for Oppenheimer, Murphy has stepped further into producing with his company Big Things Films, launching new projects that stake his claim not as a mainstream superstar but as a discerning auteur. In the British Film Institute’s Sight and Sound, Murphy discussed his prioritization of darker, meaningful stories. He highlighted the recent release of Small Things Like These, a stark film about Ireland’s Magdalene laundries. The film shines as both a critical success and a testament to Murphy’s commitment to stories that probe cultural shadows, drawing generous praise for his understated, inward performance and his willingness to produce such difficult material.
The main headline, though, is the global anticipation for his upcoming projects. At the Toronto International Film Festival, Murphy promoted Steve, his second collaboration with director Tim Mielants and Big Things Films. Steve, adapted by novelist Max Porter, casts Murphy as the troubled headmaster of a last-chance boys’ boarding school, shifting the focus from the troubled youth of the original novel to the equally haunted adult. Early reviews, such as by the New Statesman, note that Murphy’s Steve captures the fragility, guilt, and compassion he’s come to embody so compellingly on screen. Industry insiders are buzzing about the film’s reach, as Netflix prepares both a broad theatrical and digital release for 2025.
Murphy was recently the subject of a light-hearted viral news story as well. According to Indulgexpress and USA Today, when asked at Toronto if he felt FOMO—fear of missing out—over not being cast in Christopher Nolan’s upcoming epic The Odyssey, Murphy wittily coined the term “ROMO,” or relief of missing out. His relaxed confidence about sidestepping another blockbuster in favor of his chosen artistic path resonated on social media. The term ROMO has made the rounds as a meme, cementing Murphy’s reputation for self-assured, dryly funny candor.
Looking forward, Murphy confirmed on record that he is in the new 28 Days Later sequel—28 Years Later: The Bone Temple—directed by Nia DaCosta and executive produced by Danny Boyle, with prospects of a third film if the upcoming installment succeeds. He will also headline the much-anticipated Peaky Blinders movie. No confirmed new business ventures have been reported, and his social media footprint remains scarce, with Murphy famously allergic to online self-promotion. For fans and industry watchers, the real story is his quiet pivot from leading man to thoughtful producer and his newfound willingness to shape the films that define him.
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