It’s Reel Kwik time, and this week we’re marching straight into Alex Garland & Ray Mendoza’s Warfare. As huge fans of Garland’s previous work, we were excited to see him team up with Mendoza — a former Navy SEAL whose real-life experiences helped shape the film’s brutally immersive portrait of frontline combat.

Does Warfare carry the same punch as Ex Machina or Annihilation? And, more importantly, where does it sit within the broader canon of war films? We break down how Garland’s cinematic instincts and Mendoza’s lived experience combine on screen, whether the movie earns its place among modern war classics, and how its real-time structure and procedural focus affect the tension and storytelling.

With a stacked cast of young, up-and-coming talent anchored by powerful lead turns, the film pulses with urgency and authenticity. We dissect the performances, the technical craft, the pacing, and the ethical weight of translating trauma to the screen — and finally ask: is this a future classic, a necessary document, or something more complicated?

Tune in for spoiler and non-spoiler takes, scene breakdowns, and a proper debate on where Warfare ranks — both in Garland’s filmography and in war cinema as a whole.

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