In this episode of PhotoWork with Sasha Wolf, Sasha is joined by legendary photo critic, curator, and collector Vince Aletti. Vince reflects on his early days as a music critic for Rolling Stone before joining the Village Voice as an arts editor, where he also began writing about photography. Later, as the photography critic at The New Yorker, Vince became a deeply admired voice in the field. Photographers hoped he would write about their work because his reviews were always perceptive, beautifully written, and profoundly generous of spirit. Sasha and Vince also revisit a personal milestone: Vince was the first critic to review an exhibition at Sasha’s gallery, featuring photographs by the late Paul McDonough—a review that helped launch both Paul’s career and Sasha’s as a gallerist. In addition, they explore Vince’s unparalleled collection of photo ephemera, a lifelong passion that has not only preserved vital archives of lesser-known work but has also inspired acclaimed photobooks and exhibitions.

https://www.newyorker.com/contributors/vince-aletti

https://en.wikipedia.org/wiki/Vince_Aletti

Vince Aletti is a writer and curator based in New York City. His writings on music and photography have been published widely. Between 1973 and 1978 Aletti wrote a highly prescient weekly column on the emerging disco scene for Record World magazine, and between 1987 and 2005 he was the art editor and photography critic for The Village Voice. His writings have also appeared in The New Yorker, Artforum, and Vogue Italia, among many other publications. His book Issues: A History of Photography in Fashion Magazines was published by Phaidon in 2019. The Drawer was published by Self Publish, Be Happy in September 2022 and went on to win the 2023 Aperture/Paris Photo Photobook of the Year award. An exhibition at White Columns inspired by The Drawer in 2024 was Aletti's fifth collaboration with the gallery, following on from his 2008 exhibition Male: Work from the Collection of Vince Aletti; the 2014 exhibition of Robert Kitchen’s work, and the 2019 exhibition of Ed Baynard’s work (both curated by Aletti); and the 2008 White Columns publication of Aletti’s collected writings on disco, Disco File, which was subsequently republished in an expanded edition by DJ History/D.A.P.

Born 1945, Philadelphia

• Rolling Stone contributor (1970–1989); first mainstream writer on disco (1973)
• Record World weekly disco columnist (1974–1979)
• Senior Editor, Photo Critic & Art Editor, The Village Voice (~1987–2005)
• Contributor, The New Yorker (2005–2016): weekly exhibition reviews in Goings on About Town
• Various publications: Artforum, Aperture, Photograph, Vogue Italia, FOAM, System