New Releases

In this blazing, razor-sharp takedown of popular culture in the twenty-first century, Girl on Girl turns 90s and 00s nostalgia on its head, and shows how the media of that era repackaged the feminist movement as a containable, commodifiable (and hugely successful) product: 'Girl Power'. From the Spice Girls to the Kardashians, to #GirlBoss and OnlyFans, Pulitzer Prize-finalist Sophie Gilbert illustrates how the cultural forces of the last few decades have systematically shaped - and warped - women's relationships with themselves and other women.

In a world where traditional masculinity demands emotional restraint, this book reimagines what it means to be a man. It challenges men to go beyond societal expectations and explore the depth of their emotional strength. Through personal experience and vulnerability, it opens the door to a new way of living—one that embraces emotional honesty, resilience, and connection.

Barrister Charlotte Proudman has represented countless women in cases spanning rape, domestic abuse, child abduction, forced marriage and female genital mutilation. She has seen first-hand how the family court deepens the trauma of vulnerable women, staking their futures on the biases of individual judges and forcing them to endure the torture of a judicial process that stretches over months and sometimes years.

A Physical Education asks why so many of us spend our lives trying to “get healthy” by actively making our bodies weaker. Casey Johnston is a voice for those of us who feel underdeveloped and unfulfilled in our bodies, for all of us looking to come home to ourselves.

As the epidemic of male violence towards women and young girls reaches terrifying new heights through new and expanding technologies, women's rights campaigner Jess Davies will help listeners to question society's understanding - or lack of - when it comes to consent. With a toolkit to understand and tackle online misogyny, No One Wants to See Your D*ck will arm a new wave of internet sleuths to take down the manosphere, one unsolicited pic at a time.

When Wilco's 2007 album Sky Blue Sky was infamously criticized as "dad rock," Niko Stratis was a twenty-five-year-old closeted trans woman working in her dad's glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rock's emotionally open and honest music. Listening to dad rock, Stratis could access worlds beyond her own and imagine a path forward.

Women's accomplishments across history are showcased as aberrations or surprising facts. Little thought is often given to the reasons why most of our lauded scientists, reporters, sports stars, politicians, and businesspeople all seem to be men. Uncredited proves that not only have there been hundreds of ground-breaking women in all professions, but that their accomplishments have been overlooked, denigrated, or downright repressed by their male colleagues or historians.

As the year turns, four women give birth. Four Mothers follows these women over the next twelve months, through their first year of parenting. Each finds wonder and delight in her baby, but each also struggles with the realities of motherhood, personal relationships bumping up against social challenges. Through immersive storytelling and deep reporting, Abigail Leonard brings to life the policies that shape the experiences of both parents and children: access to healthcare and parental leave, community and workplace support. Both intimate and international, we see what is and what could be.

Throughout history, women's pain and health issues have often been dismissed and viewed simply as an innate part of being female. Whether blamed on a wandering womb, witchcraft or still, to this day, being 'all in our heads' – women's health has been consistently misunderstood. As a result women have, and still are, missing out on receiving the healthcare they deserve. In ‘It’s Probably Nothing’, Naga Munchetty explores the difficulties of being heard, diagnosed and treated.

We’re told women are good at listening, but we rarely examine what they’re listening to, what their worlds sound like, or how it feels to be expected to listen in a world of noise made by men. Like so many of us, Alice Vincent had become overwhelmed by the sensory overload punctuating our every moment. And then, a baby’s heartbeat arrived. A rapid, pulsing whoosh of white noise. An undeniable rhythm. Once again, Alice’s life became cacophonous – both with a new child, but also with the societal pressures that motherhood holds.