Rock Music Memoirs

Leaving school and starting his career at Decca Records in 1958 at the age of sixteen, Tony King would soon find himself becoming close friends with Elton John, rekindling John Lennon and Yoko Ono's relationship, mediating a quarrelsome Mick Jagger and Keith Richards and spending time with Freddie Mercury in his final days - a far cry from his childhood days in Eastbourne. Living in an era of seismic social, technological and cultural transformation, King experienced these defining moments as a stalwart in London and New York's gay scenes.

'This could be heaven or this could be hell...' So sings Don Henley on their biggest hit, 'Hotel California', yet for The Eagles their story was one where the dividing line between ultimate Hollywood highs and subterranean LA lows was blurred beyond recognition, blinded by white-powdered double-visions and buried beneath greenback mountains.

Greg Graffin is the lead vocalist and songwriter of Bad Religion, recently described as “America's most significant punk band.” Since its inception in Los Angeles in 1980, Bad Religion has produced 18 studio albums, become a long-running global touring powerhouse, and has established a durable legacy as one of the most influential punk rock bands of all time. Punk Paradox is Graffin's life narrative before and during L.A. punk's early years, detailing his observations on the genre's explosive growth and his band's steady rise in importance.

Rebellion always starts somewhere, and in the music world of the transgressive teen whether it be the 1960s of the 2020s, The Velvet Underground represent ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang, around a psychedelic rock and roll band - a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory - The Velvet Underground were the first major American rock group with a mixed gender line-up; they never smiled in photographs, wore sunglasses indoors, and in the process invented the archetype that would be copied by everyone.

Over three decades and more than 150 million albums, AC/DC has established itself as much more than just a great rock band. For millions of fans spanning several generations across the world, they are an ear-bleedingly loud, sweat-soaked religion, courtesy of such classic albums as Highway to Hell and Back in Black. Now, in a book of astonishing breadth and scope, comes, for the very first time, the complete story of AC/DC.

At its heart, Under A Rock is a love story. The codependent bond between Chris Stein and Debbie Harry carried Blondie through their many tribulations: terribly misogynistic music scenes, greasy record execs, bitter band mates, gruelling schedules, and hard drug abuse abound, and Chris lays it all bare with blunt sincerity and humour. Ultimately, Chris and Debbie broke up, but their bond never dissipated; they remain closest of friends, and continue to tour and promote their various projects together to this day.

In this breathtaking cultural history filled with exclusive, never-before-revealed details, celebrated rock journalist Joel Selvin tells the definitive story of the Rolling Stones' infamous Altamont concert in San Francisco, the disastrous historic event that marked the end of the idealistic 1960s.

Earl Slick was barely out of his teens when David Bowie hired him to play guitar on the ground-breaking 1974 Diamond Dogs tour. It marked the beginning of a relationship that would endure through thick and thin for the next forty years. Gracing classic albums like Young Americans, Station to Station and the 2013 comeback, The Next Day, Slick played on the tour that followed Bowie’s smash hit Let’s Dance album and was at his side for the epic Glastonbury show in 2000. But it wasn’t just Bowie

John Corabi recounts his life from the mean streets of Philadelphia to the Sunset Strip. Take a look behind the scenes at Corabi’s time fronting Mötley Crüe, Union, and The Dead Daisies, as well as his time playing rhythm guitar with Ratt and even his stint as a long-haul trucker. Whether it’s detailing his parents' difficult divorce, his family’s dark history of abuse, his run-in with a serial killer, or simply the best way to arrive at a wedding—which maybe is by helicopter and maybe it isn’t—he pulls no punches and outlines the good and bad of it all in this raucous autobiography.

Beer Drinkers and Hell Raisers is the first book to celebrate the classic-era Motörhead lineup of Lemmy Kilmister, "Fast" Eddie Clarke, and Phil "Philthy Animal" Taylor. Through interviews with all of the principal troublemakers, Martin Popoff celebrates the formation of the band and the records that made them legends.

None of This Rocks is a memoir by Joe Trohman—lead guitarist and cofounder of Fall Out Boy—that unfolds like a double album full of revealing stories from his youth and his experiences of modern rock and roll stardom. With wit and wisdom, and maybe a little bit of whining, Trohman grapples with depression, his mother's brain cancer, antisemitism, pills, petty larceny, side hustles, and pop punk at the turn of the century.

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career with the Marine Girls had just begun, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by activism and agitprop theatre, lesbian punk bands and rock 'n' roll love affairs. Morrison came to be a kind of mentor to Thorn, a strong female role model in a male dominated industry. They both faced a chauvinist music media wanting them to behave to type.

Lost in Music is about growing up with pop music - about hearing it, buying it, loving it, and attempting to play it in public for money. A brilliant combination of the confessional and the unapologetic, this is a book for anyone who has ever treasured vinyl, or sung into a roll-on deodorant in front of the bedroom mirror and dreamed of playing Wembley.

The greatest popular songs, whether it’s Aretha Franklin singing ‘Respect’ or Bob Dylan performing ‘Blind Willie McTell’, have a way of embedding themselves in our memories. You remember a time and a place and a feeling when you hear that song again. In Holding the Note, David Remnick writes about the lives and work of some of the greatest musicians, songwriters, and performers of the past fifty years.

Electric Wizard have set the bar for heaviness. With their potent VHS-horror aesthetic, lyrics dripping with Lovecraftian horrors, and a monumental sound that provided a template for the myriad bands who followed - not to mention the fights, drugs and sex in the trail of destruction they've left behind them - this is the right time for the band's story to be told. Electric Wizard draw on myriad occult influences to create their own world: menacing, lurid, depraved.

From the Stooges and MC to Grand Funk Railroad and Ted Nugent, to the White Stripes, Eminem, and Kid Rock, and whole casts of other great bands and performers, Detroit has always produced louder, more rumbling, more subversive rock music than any city in the world. In Detroit Rock City, listeners get to hear the stories straight from the participants themselves: the singers, the guitar slingers, the fans, the reporters, the promoters, even the guys who hand-made amps to be louder and crunchier than the competition’s.

With extensive, first-hand reflections from Geddy Lee, Alex Lifeson, and Neil Peart, as well as from family, friends, and fellow musicians, Anthem: Rush in the '70s is a detailed portrait of Canada's greatest rock ambassadors. The first of three volumes, Anthem puts the band's catalog, from their self-titled debut to 1978's Hemispheres (the next volume resumes with the release of Permanent Waves) into both Canadian and general pop culture context.

Lisa Robinson has interviewed the biggest names in music--including Led Zeppelin, the Rolling Stones, John Lennon, Patti Smith, U2, Eminem, Lady Gaga, Jay Z and Kanye West. She visited the teenage Michael Jackson many times at his Encino home. She spent hours talking to John Lennon at his Dakota apartment - and in recording studios just weeks before his murder.

As an only child reeling from the demolition of her parents’ toxic marriage, the New York City underground music scene offers a young Ali a different family of misfits and talented outsiders to belong to. She becomes the bass player for edgy band Speedball Baby, a decision that will take her around the world—from onstage at the legendary CBGBs to the red-light district of Amsterdam. She’s often the only girl in a broken-down tour van, being strip-searched at the Croatian border, chased by lunatics, and navigating the seedy underbelly of a male-dominated music scene.

In the follow-up to Anthem: Rush in the '70s, Martin Popoff brings together canon analysis, cultural context, and extensive firsthand interviews to celebrate Geddy Lee, Alex Lifeson, and Neil Peart at the peak of their persuasive power. Rush was one of the most celebrated hard rock acts of the '80s, and the second book of Popoff's staggeringly comprehensive three-part series takes listeners from Permanent Waves to Presto, while bringing new insight to Moving Pictures, their crowning glory.