Literary Memoir

Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers' experience, The Art of Memoir lays bare Karr's own process. (Plus all those inside stories about how she dealt with family and friends get told - and the dark spaces in her own skull probed in depth.)

Machado de Assis’ classic novel, the precursor of Latin American fiction, is finally rendered as a stunningly relevant work for 21st-century audiences. In eloquent, contemporary prose, Costa and Patterson breathe new life into the dynamic character of Brás Cubas and reveal the vivid, tempestuous Rio de Janeiro of his time. The recently deceased Cubas narrates his life story, admitting glibly: “I am not so much a writer who has died, as a dead man who has decided to write.” 

In The Trip to Echo Spring, Olivia Laing examines the link between creativity and alcohol through the work and lives of six of America's finest writers: F. Scott Fitzgerald, Ernest Hemingway, Tennessee Williams, John Berryman, John Cheever, and Raymond Carver. All six of these men were alcoholics, and the subject of drinking surfaces in some of their finest work, from Cat on a Hot Tin Roof to A Moveable Feast.

Through extensive research and interviews with those closest to Iverson, acclaimed Washington Post sportswriter Kent Babb gets behind the familiar, sanitized, and heroic version of the hard-changing, hard-partying athlete who played every game as if it were his last.

In Arthur Golden's poised and beautifully written debut novel, Sayuri tells the extraordinary tale of her life, evoking a quarter of a century of Japan's dramatic history, 1929 through to the post-war years.

They are icons of the literary world whose soaring works have been discussed and analyzed in countless classrooms, homes, and pubs. Yet for most listeners, the living, breathing human beings behind the classics have remained unknown - until now. In this utterly captivating audiobook, Dr. Elliot Engel, a leading authority on the lives of great authors, illuminates the fascinating and flawed members of literature's elite. In lieu of stuffy biographical sketches, Engel provides fascinating anecdotes.

First published in 1875, General William T. Sherman's memoir was one of the first from the Civil War and was offered to the public because, as Sherman wrote in his dedication, "no satisfactory history" of the war was yet available. Although Memoirs has been revised and corrected many times over the years, Sherman famously never changed the original text of his recollections.

Trying to Save Piggy Sneed contains a dozen short works by John Irving, beginning with three memoirs, including an account of Mr. Irving’s dinner with President Ronald Reagan at the White House. The longest of the memoirs, The Imaginary Girlfriend,” is the core of this collection.

In this autobiography, woven from personal pieces composed over the course of a celebrated writing life of more than 50 years, you'll meet William Buckley the boy, growing up in a family of 10 children; Buckley the daring young political enfant terrible, whose debut book, God and Man at Yale, was a shocking New York Times best seller; Buckley the editor of National Review, widely hailed as the founder of the modern conservative movement; and Buckley the husband and father.

"Sono in questa vita da cinquant'anni, ne scruto l'enigma da quarantadue, e da trentacinque tengo un diario pieno di idee su come risolverlo. Appunti su successi e fallimenti, gioie e dolori, cose che mi hanno stupito o che mi hanno fatto ridere di cuore. Appunti su come essere sereno. Come stressarmi di meno. Come godermela. Come fare meno male agli altri. Come fare meno male a me stesso. Come diventare un brav'uomo. Come dare un significato alla mia vita. Come essere più io."

Inspired by a true story. In 1825, in a remote Irish valley lying between the mountains and Flesk River of Killarney, three women are brought together by strange and troubling events. Nora Leahy, a widow, has lost her daughter and her husband in the same year and is now burdened with the care of her grandson, Michael. The boy cannot walk or speak, and Nora has kept him hidden from neighbours, who might see in his deformity evidence of supernatural interference.

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake". Activating multiple registers of "wake" - the path behind a ship, keeping watch with the dead, coming to consciousness - Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. 

Clay's life has reached a standstill. Recently divorced, he spends his days drifting from his drab apartment to his equally lackluster job as an editor for a small Boston press and back again. His dreary routine has left him mired in a seemingly meaningless existence, until the night he meets Lucian - a demon - and everything changes. With the simple words, "I'm going to tell you my story, and you're going to write it down and publish it", Lucian catapults Clay's mundane life into turmoil.

Dostoevsky's life was marked by brilliance and brutality. Sentenced to death as a young revolutionary, he survived mock execution and Siberian exile to live through a time of seismic change in Russia, eventually being accepted into the Tsar's inner circle. He had three great love affairs, each overshadowed by debilitating epilepsy and addiction to gambling. Somehow, amidst all this, he found time to write short stories, journalism and novels such as Crime and Punishment, The Idiot and The Brothers Karamazov, works now recognised as among the finest ever written.

'Any story that starts will also end.' As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth as she explores family, friendship, marriage, failure, success and what it all means. Ranging from the personal to the sublime, each essay transforms the particular into the universal, letting us all see our own worlds anew.

'There are certain women,' Truman Capote wrote, 'who, though perhaps not born rich, are born to be rich.' These women captivated and enchanted Capote - he befriended them, received their deepest confidences, and ingratiated himself into their lives. From Barbara 'Babe' Paley to Lee Radziwill (Jackie Kennedy's sister) they were the toast of mid-century New York, each beautiful and distinguished in her own way. For years, Capote had been trying to write what he believed would be his magnum opus, Answered Prayers.

In Russian literary marriages, the wives of some of the most famous authors of all time did not resent taking a "secondary position", although to call their position secondary does not do justice to the vital role these women played in the creation of some of the greatest literary works in history. Living under restrictive regimes, many of these women battled censorship and preserved the writers' illicit archives, often risking their own lives to do so. They established a tradition all their own, unmatched in the West.

In February 1990, Oregon State Police arrested John Sosnovke and Laverne Pavlinac for the vicious rape and murder of Taunja Bennet. Pavlinac had come forth and confessed, implicating her boyfriend and producing physical evidence that linked them to the crime. Authorities closed the case. There was just one problem. They had the wrong people. And the real killer wasn't about to let anyone take credit for his kill.

Since its publication on September 30, 1868, Little Women has been one of America's favorite stories. While we now think of it as a girls' book, it was initially read by both boys and girls, men and women of all ages. Professor Anne Boyd Rioux, who read it in her 20s, tells us how Louisa May Alcott came to write the book and drew inspiration for her story from her own life. Rioux sees the novel's beating heart in its honest look at adolescence and its inspiring vision of young women's resilience and hope.

Some of the parchment pages were the color of cream, thick and substantial, made to last many, many lifetimes. Other pages were thin and desiccated, positively yellow from age, and crackled alarmingly as Van Richten turned them over. There were no ornate illuminations, no fussy borders, only lines of plain text in hard black ink. The flowing handwriting was a bit difficult to follow at first; the writer's style of calligraphy had not been in common use for 300 years. No table of contents, but from the dates it looked to be some kind of history.