Literary Essays

David Hume (1711-1776) remains a major figure in British philosophy, particularly for two or three works, including A Treatise on Human Nature and An Enquiry Concerning Human Understanding. But he was also a prolific essayist and historian. During his lifetime Essays Moral, Political and Literary went through a number of editions and collections, far outselling his philosophy. Now, the situation is reversed. But listening to the essays today it is difficult to see why.

Over her twenty-five-year career, English teacher Carol Atherton has taught generations of students texts that will be familiar to many of us from our own schooldays. But while the staples of exam syllabuses and reading lists remain largely unchanged, their significance – and their relevance - evolves with each class as they encounter them for the first time. Each chapter of Reading Lessons invites us to take a fresh look at these novels, plays and poems, revealing how they have shaped our beliefs, our values, and how we interact as a society.

In this engaging audio edition, find out why Wilderness Essays is the top-selling book by John Muir. Wilderness Essays is an essential collection of the finest essays ever written by the “Father of the National Parks.” An ardent outdoorsman, a gifted writer, a dedicated preservationist, and a spiritual beacon, John Muir conveys here the boundless love and wonder of the natural world that drove his critically important work.

Alexander Chee, an essayist of “virtuosity and power” (Washington Post), selects twenty essays out of thousands that represent the best examples of the form published the previous year.

“Imparting some piece of yourself—any part—is arduous and warrants some kind of commendation,” writes guest editor Wesley Morris in his introduction. Both personal and personable, the essayists in this volume use their own vulnerability to guide listeners on excursions that unfold on uncomfortable edges. From contemplating the nuances of memory to exploring the complexities of family, romance, gender identity, illness, and death, Morris’s selection of essays presents a roundup of the thinkers who masterfully grapple with the issues of our time.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

A collection of the year’s best short stories, selected by Pulitzer Prize winner Andrew Sean Greer and series editor Heidi Pitlor.

In her introduction to this year’s The Best American Essays, guest editor Vivian Gornick states that her selections “contribute materially to the long and honorable history of the personal essay by way of the value they place on lived experience.” Provocative, daring, and honest at a time when many writers are deliberately silencing themselves in the face of authoritarian and populist censorship movements, the twenty-one essays collected here reflect their authors’ unapologetic observations of the world around them.

The Tashkent-born Russian-American literary critic, editor, essayist, and journalist Vladislav Davidzon has been covering post-Soviet Ukraine for the past ten years, a tumultuous time for that country and the surrounding world. In late 2015, a year and a half after the 2014 Revolution swept away the Moscow-leaning kleptocratic President Viktor Yanukovich, Davidzon and his wife founded a literary journal, The Odessa Review. This eagerly anticipated debut tells the real story of what happened in Ukraine from the keen and resilient perspective of an observer at its center.

A striking and nuanced collection, bringing to life awkward college students, disgraced public figures, raunchy grandparents, and mystical godmothers. To listen to these stories is to experience the transporting joys of discovery and affirmation, and to realize that story writing in America continues to flourish.

This is Virginia Woolf’s first collection of essays, published in 1925. In them, she attempts to see literature from the point of view of the ‘common reader’ - someone whom she, with Dr Johnson, distinguished from the critic and the scholar. She read, and wrote, as an outsider: a woman set to school in her father’s library, denied the educational privileges of her male siblings - and with no fixed view of what constitutes ‘English literature’. What she produced is an eccentric and unofficial literary and social history from the 14th to the 20th centuries.

The Ukraine is a collection of twenty-six pieces that deliberately blur the line between nonfiction and fiction, conjuring the essence of a beloved country through its tastes, smells, and sounds, its small towns and big cities, its people and their compassion and indifference, simplicities and complications. The Ukraine conveys to listeners a place that Chapeye and his countrymen are currently fighting for with their lives. The book features a preface by the author, which he composed on his phone from the front lines.

Forty essays on history, art, and literature to lift your mind and spirit. Guy Davenport serves as the listener's guide through history and literature, providing links between music and sculpture, modernist poets and classic philosophers, the past and present-pointing out the values and avenues of thought that have shaped our ideas and our thinking.

The New York Times best seller from the author of Slaughterhouse-Five—a “gripping” posthumous collection of Kurt Vonnegut’s previously unpublished work on the subject of war and peace. A fitting tribute to a literary legend and a profoundly humane humorist, Armageddon in Retrospect is a collection of 12 previously unpublished writings. Imbued with Vonnegut's trademark rueful humor and outraged moral sense.

“What's most compelling about a scientific story is the way it challenges us to think about the concepts we take for granted,” writes guest editor Carl Zimmer in his introduction. The essays in this year’s Best American Science and Nature Writing probe at the ordinary and urge us to think more deeply about our place in the world around us.

As any fan of Jo Walton's Among Others might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic rereader of books. In 2008, then-new science fiction mega-site Tor.com asked Walton to blog regularly about her rereading—about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor. Now this volume presents a selection of the best of them, ranging from short essays to long reassessments of some of the field's most ambitious series.

A partir de siete preguntas que funcionan como disparadores, ¿A qué llamamos literatura? intenta responder cuestiones centrales en los estudios literarios: cómo se clasifican las obras, por qué las valoramos, qué valoramos en ellas, cómo representan mundos posibles, cómo las leemos, cómo circulan en la vida social, cómo se insertan en los conflictos que atraviesan nuestra cultura. Dirigido por José Luis de Diego, el presente volumen es el resultado de convertir -obligado por las restricciones sanitarias de 2020- las clases orales en clases escritas.

Before Jennifer Egan, Louise Erdrich, Luis Alberto Urrea, and Jonathan Lethem became revered authors, they were readers. In this ebullient book, America’s favorite librarian Nancy Pearl and noted-playwright Jeff Schwager interview a diverse range of America's most notable and influential writers about the books that shaped them and inspired them to leave their own literary mark. The Writer’s Library is a revelatory exploration of the studies, libraries, and bookstores of today’s favorite authors.

Dr. Ayana Elizabeth Johnson, renowned marine biologist and co-founder of the All We Can Save climate initiative, compiles the best science and nature writing of the year.

Kendra Allen’s first collection of essays—at its core—is a bunch of mad stories about things she never learned to let go of. Unifying personal narrative and cultural commentary, this collection grapples with the lessons that have been stored between parent and daughter. These parental relationships expose the conditioning that subconsciously informed her ideas on social issues such as colorism, feminism, war-induced PTSD, homophobia, marriage, and “the n-word,” among other things.