Drama Theatre

Julia Lambert is in her prime, the greatest actress in England. Off stage, however, she is bored by her handsome husband, coquettish, and undisciplined. She is at first flattered and amused by the attentions of a shy and eager young fan, but before long Julia is amazed to find herself falling wildly, dangerously, in love.

How has the work and legacy of Augusto Boal's Theatre of the Oppressed been interpreted and practised around the world? What does it look like in different working contexts? The second edition of this book provides an accessible introduction to the political and artistic principles Boal's...

Bloomsbury presents Opening Doors, written and read by John Doyle. “In this honest, self reflective piece, John so beautifully and succinctly shares of his experience in theatre and the passion with which he pursues the opportunity to create art that is connective tissue for humanity and a...

Before the red curls, before the Tony Awards, and long before "Tomorrow" became a Broadway anthem, there was a dream, and a risky one at that. The Annie Phenomenon is the compelling behind-the-scenes story of how a scrappy comic strip orphan made an unlikely leap from the Sunday funnies to the...

A selection of Euripides’ renowned Greek tragedies, adapted for BBC Radio Acclaimed by Aristotle as ‘the most tragic of the poets’, Euripides was one of the pre-eminent playwrights of 5th century Athens. Included here are seven of his masterpieces: powerful, shocking tales of passion...

Winner of the 2021 Music & Drama Education Award for Outstanding Drama Education Resource Much of the theatre we make starts with a script and a story given to us by someone else. But what happens when we're required to start from scratch? How do we begin to make theatre using our own ideas, our...

Noël Coward on theatre was as dazzling and entertaining as his masterful plays and lyrics. Here his ideas and opinions on the subject are brilliantly brought together in an extraordinary collection of commentary, lyrics, essays, and asides on everything having to do with the theatre and...

How is the individual and the ‘nation’ constructed and promoted in American theatre? How does theatre enable a nation to invent and reinvent itself? Who are the ‘people’ in ‘We the People’? This brief study examines the intersection of the USA’s sense of self with its theatre...

Eliza's playwright husband Richard Sheridan has accepted the career opportunity of a lifetime: running a prestigious theatre in Dublin. Eliza plays the role of the supportive wife - uprooting their daughter Mara, relocating from England to Dublin, running the household and managing Richard's...

The multi-award winning SmartPass full-cast, unabridged performance with comprehensive commentary and analysis for any student to fully understand and appreciate the play.

Theatre and Race centers on the interrelationship of the words on either side of the ampersand. It offers an accessible overview of how race is performed and how western theatrical practice has wrestled with the topic, question, and “problem” of racial difference over centuries. This study...

Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendence that kept me coming back. But why did they come so few and far between?

What is a dramaturg? What is dramaturgy? What are the political implications for the way that plays produce meaning in performance? Over the last decade, the role of the dramaturg has become more common in the theatrical process, but it is still a new term for many theatre-goers. Theatre &...

Bloomsbury presents Theatre and Tourism by Margaret Werry, read by Laurence Bouvard. How does tourism impact theatre? How do theatrical ways of seeing, knowing, and acting shape tourism? How do economic and political processes like colonization or neoliberalization influence them both? And what...

Commercials tell us what to buy. Songs tell us what to feel. News channels tell us what to think. Television shows us what we should see. What do you do when a small group of people control all of these outlets? Up is down. Danger is safe. Wrong is right. Jake Muller has been dropped into a...

Six classic farces from the renowned comedy writer, with casts including Judi Dench, Michael Williams, Joan Hickson, Alex Jennings and Penelope Wilton In the 1920s and ’30s, Ben Travers proved himself a master of comic confusion with his hugely successful Aldwych farces. Featuring battle-axe...

Three of the ever-popular Sheridan’s finest plays Born in Dublin in 1751, Richard Brinsley Sheridan was a theatre impresario, statesman and the most celebrated playwright of his time. His brilliantly witty comedies of manners have become part of the literary canon, and are frequently performed...

Kafka’s finest works adapted for BBC radio – plus a biographical play, three discussion pieces and the award-winning Kafka The Musical A lawyer by day, Franz Kafka spent his nights writing visionary stories and novels exploring bureaucracy, power and alienation – iconic fiction that gave...

Bloomsbury presents The Godot Diaries, written and read by Lucian Msamati. A fascinating, behind-the-scenes diary account of working on a major production of Beckett’s iconic play from acclaimed actor Lucian Msamati. From his agent’s phone call offering him the role of Estragon, Lucian...

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.