Dark Ecology

Timothy Morton argues that ecological awareness in the present Anthropocene era takes the form of a strange loop or Möbius strip, twisted to have only one side. Deckard travels this oedipal path in Blade Runner when he learns that he might be the enemy he has been ordered to pursue. Ecological awareness takes this shape because ecological phenomena have a loop form that is also fundamental to the structure of how things are.

Cara Foster is, one might say, eco-anxious—perhaps even eco-neurotic. She eats out of dumpsters—not because she wants to but because it’s the right thing to do—does laundry as seldom as possible, takes navy showers every couple of days, and is reevaluating her boyfriend for killing a spider. Then, during a mimosa-soaked Sunday brunch, she meets her boyfriend’s alluring mother, Millie. As they begin spending time together, getting pedicures and drinking martinis, Cara becomes hooked on Millie and this new freedom from the harsh realities of life in the twenty-first century.