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In Flora Thompson's semi-autobiographical series Lark Rise to Candleford, she explores the Oxfordshire country life of her protagonist Laura in the 1880s and 1890s. This collection includes all three works in the trilogy, Lark Rise, Over to Candleford, and Candleford Green.

To the student nurses at The Nightingale hospital, the ward sisters are heartless and frightening, with impossibly high standards. But the sisters have troubles of their own...Dora, the student nurse is struggling with her heartbreak over Nick, the man who got away. A new arrival on the ward brings the chance to put a smile back on her face. But can she really get over Nick so easily? Dora's fellow student Millie is also torn between the two men in her life.

During the third week of February 1944, the combined Allied air forces launched their first-ever round-the-clock bomber offensive against Germany. The aim was to smash the main factories and production centres of the Luftwaffe and draw the German fighter force up into the air and into battle. Officially called Operation ARGUMENT, this monumental air assault very quickly became known simply as Big Week.

Nestled in the hills of the Cotswolds, the village of Duntisbourne Abbots is a well-kept secret. When Joel Jennison is found slaughtered in the same field where his brother’s corpse had lain ten weeks previously, a whole community falls under suspicion. Was it a family feud? An act of revenge?

1853. In the serene countryside of rural Yorkshire, Caroline and Trixie's unbreakable bond, forged amidst the hardships of York's slums, is the cornerstone of their shared dream: to transform their modest farm into a flourishing haven. . .Amidst this toil, Caroline finds herself caught in a delicate dance with Max Cavendish, the charismatic land agent of Melliton Abbey estate. Caroline remains hesitant to confront her own feelings, unwilling to risk their friendship.

Winter 1795. Lieutenant John Pearce, reckoning to have finally ditched his old enemy, Admiral Hotham, has found a new one in Henry Digby, previously a friend. Meanwhile, Pearce's pregnant and recently widowed lover is adamant they cannot be seen together for the sake of their unborn child as she seeks respectability in society. Aboard HMS Flirt as part of the squadron led by Horatio Nelson, Pearce and his Pelicans soon join them on a reconnaissance which results in the destruction of a key French battery.

Abigail Beadle has given two decades of her life to caring for her late father and looking after the centuries-old family home. She has never married because Lucas Chadwick, the man she loved when she was young, left the village with his family. When her loathed stepmother dies, Abigail is glad to be released from the woman's nagging and bullying, but the will she left casts doubt on Abigail's inheritance. It is not until Lucas returns to the village and helps to get to the bottom of the complicated situation that Abigail begins to believe her life might be able to start at last.

Sunset Hall is a house share for the old and unruly, led by Agnes Sharp. It's an eventful day when this group of idiosyncratic seniors gets a visit from the police to inform them of some shocking news. A body has been discovered next door. Everyone puts on a long face, but they are secretly relieved the body in question is not the one they're currently hiding in the shed (sorry, Lillith). It seems the answer to their little problem with Lillith may have fallen right into their lap.

In the brooding north country hills, a man and a woman fought for the passion they felt for each other that the world branded a disgrace. . .Agnes Thorman - the proud but forlorn mistress of a once-grand estate, whose society forbade her the man who was her equal in all but name. . .Robert Bradley - a gifted craftsman, as visionary and challenging as the dawning new age. He had yet to seize his dream, which could destroy the woman he loved. . .And Milicent Thorman - the strange, wise girl-child fated to play a part in the lovers' unfolding destiny. . .

Jonathan Ratcliffe is the successful manager of Affleck and Tate's engineering works. He has succeeded to this position over the head of Arthur Brett whose ancestors founded the firm, and the inevitable tension between the two men is increased when Arthur Brett finds himself attracted to Vanessa, Jonathan's daughter. She is only 16 but draws envious eyes. Angus Cotton, son of the Ratcliffe's cook, is a rough diamond and an engineer at Affleck and Tate. He has ambitious plans for his future, plans that never included Vanessa, until he is blamed by Jonathan for giving Vanessa a child.

Annabella LaGrange was the only child of a wealthy family, owners of a glassworks in the North-East of England. When Annabella was seven, she thought the world a delightful place to live in, and only occasionally wondered why her parents never took her beyond the gates of their magnificent country estate. When she was ten she decided that the seclusion didn't really matter because when she grew up she would marry her handsome cousin Stephen and never be lonely again.

Ever since her mother died, Martha Mary had had to take over the running of her home, a sprawling mansion called The Habitation. She did everything she could to make ends meet, but could not understand why they were in such financial straits - especially as when her mother was alive, they had several profitable businesses. She hoped that her father's frequent visits to Great-Uncle James would finally come good when he died, and they could sell his house to alleviate their great need of money.

Lincolnshire, 1854. After much reflection, Caroline Lawson has accepted Max Cavendish's marriage proposal. Yet their peaceful life on the farm is soon threatened by a series of mishaps and the strange deaths of livestock. As pressure mounts for Max to make the farm a success, the weight of responsibility becomes overwhelming. Meanwhile, Caroline's closest friend Trixie struggles with a deep conflict between friendship and love. Can she balance both, or will fate decide for her?

Meadowland gives a unique and intimate account of an English meadow’s life from January to December, together with its biography. In exquisite prose, John Lewis-Stempel records the passage of the seasons from cowslips in spring to the hay-cutting of summer and grazing in autumn, and includes the biographies of the animals that inhabit the grass and the soil beneath: the badger clan, the fox family, the rabbit warren, the skylark brood and the curlew pair, among others.

Yorkshire, 1913. Beth Beaumont enjoys her life as a rhubarb farmer's daughter. Although not thinking of marriage, when Beth meets village miner Noah Jackson, she is suddenly very aware that Noah is a man who could change her mind. But a disaster at the coal mine changes their lives forever and Noah's love for Beth is put at risk.

John Pearce is going home. But he has to avoid capture by an Algerine warship, having his Pelicans pressed into a British frigate, and that's before they are at risk of being hanged for desertion once home. Then there is the problem of Emily Barclay and their son, Adam. By cunning and bluff, he protects his friends but not his troubled love life. In a whirlwind of action, there are forged wills, devious trades, contrived murders and dangerous spy missions, with so much deceit that Pearce does not know whom to trust. All he can hope to do is survive.

There were plenty around Fellburn who said Maggie Rowan was as plain as a pikestaff, a woman consumed with jealousy at her sister's good fortune in marrying well. But Maggie Rowan, with her dogged determination to succeed, had two raging ambitions beneath a cold and forbidding exterior: to become the mother of a child whom she could love and to escape from the life of the miner's cottage to one of the big houses on Brampton Hill. When she marries the easy-going Chris Taggart, her marriage is planned shrewdly and without sentiment.

It's Christmas 1941, and the nurses at the Nightingale are facing their toughest winter yet. With shortages everywhere and every news bulletin announcing more losses, the British people are weary and demoralised, and The Nightingale Hospital is suffering too. Millie is recently widowed and dealing with the demands of her family's estate. It's not long before her old world of the Nightingale begins to beckon, along with a long-lost love.... Jess is struggling with her move from East London to the countryside.

DS Wesley Peterson, newly arrived in the West Country town of Tradmouth, has his hands full when a child goes missing and a young woman is brutally murdered on a lonely cliff path. Then his old friend, archaeologist Neil Watson, unearths the skeletons of a strangled woman and a newborn baby in the cellar of an ancient merchant's house nearby. As the investigation continues, Wesley begins to suspect that these deaths, centuries apart, may be linked by age-old motives of jealousy, a sexual obsession and desperate longing.

Three very different girls sign up as trainee nurses at a big London teaching hospital in 1934. Dora leaves her overcrowded, squalid working-class home for a better life. But has she got what it takes to keep up with other, better-educated girls? And will her hated stepfather ever let her go? Helen is born for the job; her brother is a doctor, her all-powerful mother a hospital trustee. But will Helen’s secret misery be her downfall? An aristocratic rebel, Millie’s carefree attitude will find her up in front of Matron again and again. Will she ever care enough to make a nurse? Or will she go back to the glamorous life she was born to?