Showing results by narrator "Victoria Price" in All Categories

The fae realm is notoriously dangerous—whereas most supernaturals don't get thrown into the more dangerous side of fae life until they're twenty-five, thanks to her tyrant father, Farren's been dealing with it since she was fifteen, brutally trained and punished; she knows her way around a blade. Thanks to an incident that she very nearly didn't survive, reprieve comes in the form of Black Onyx academy, which is used to train warriors and enforcers; it should be the break from her father that she needs.

It turns out that I've been to the God Realm before, or at least a part of it, and although we do learn some new things, surprisingly, we already know some of what the Goddess wants to tell us. The Dragon Realm. One of the more dangerous realms, and apparently where we need to go, before we can even begin to prepare, and maybe question Monty about a few things, the Fates decide that things aren't complicated enough and throw us another complication, and an old enemy makes an unwelcome appearance.

Orphaned at a young age, Samara has been left under the care of her three horrible brothers for many long years. But just when she thinks she cannot take another day of their abuse, a handsome prince offers for her hand in marriage. Samara's brothers agree to the wedding in exchange for a large dowry, but on her way to salvation in her new kingdom, her carriage is ambushed and she is rescued by Lore, the wicked Prince of Nightshade, who demands a favor in return.

That psychopath has taken her, and the only reason we aren't watching the world burn in our grief is because of Grey, or should I say Hades! He has assured us he would've felt her soul depart if she was dead. We're going to get her back and get help from an unlikely place, more mysteries get thrown our way, and somehow throughout it all, we have to remember that we're on a task for the Warrior Games, and fae knows what the fae realm will throw at us next.

Mating is a matter of politics for Night, not the heart. To prevent a forced union that will plunge the Lunar Court into war, he must find and bond his true mate. When he lays eyes on Rain, he knows the shy forest witch is the bond mate he's been searching for. Unprepared for the intensity of his attraction, Night makes an offer that would keep his priorities straight and his court safe: a marriage of convenience. Any eligible woman—mortal and immortal alike—would leap at the chance to become the powerful duke's bride. But Rain isn't interested.

A fae woman named Tomorrow is set to inherit a wealthy duchy. The one stipulation: she must marry a man of gentle breeding. But to make it to the altar, she'll have to survive her family first. The next in line will stop at nothing to keep her from collecting. When she's introduced to the Unseelie Duke of the Dead, she's certain he's the partner she's looking for. He's dragon-strong and just as big and frightening as he is handsome. Most importantly, he appears to be as down on his luck as she is.

Farren and her men suddenly find themselves thrust into the next challenge in the Warrior Games, but it appears that the fae world has taken things into her own hands, throwing things their way that they hadn't even thought to prepare for. It doesn't help that she hasn't deemed it necessary to...

Actor Vincent Price won acclaim for his performances as a menacing villain in dozens of macabre horror films, such as House of Wax. Less well known, though, is Price's lifelong love of animals, especially his 14-year-old mutt, Joe. From his wife's passion for poodles to film set encounters with all types of creatures, including goats, apes, and camels, Price's life was full of furry, four-legged friends.

Rain clings to life by her fingertips. She's lost too much blood. The assassin circles her, waiting for her to succumb, but Rain made a vow to her mate, the Duke of Night. She promised him the head of his enemies, and she longs to seat him on the empty throne. Night only offered her a marriage of convenience. Now she's determined to win his heart and keep hers beating. Succumbing just isn't in the cards.

After a tumultuous period of crisis, Victoria Price rebuilt her life by embracing a daily practice of joy, healing childhood wounds, and reconnecting to the example set by her father, the famed actor Vincent Price. Her journey involved stepping away from externalities and into her father's legacy: his love for people and his compassion for others, his generosity of spirit and his simple kindnesses, his enthusiasm for new experiences, and his love of life.

Descended from the old god of legend, Malcolm Rauor possesses the ability to steal one's sanity. The marquess views his power and the eerie shadows that serve him as an affliction, one dooming him to a lonely immortal existence. Everything changes after a disastrous chance encounter with a witch on the outskirts of his estate. The woman is the mate he'd long ago lost all hope of ever finding.

The Bargainer . . . Just like the fae of legend, Jonas Moen makes advantageous deals no desperate soul can turn away. A talented trickster, he's amassed such great wealth he's rumored to have more gold than the king himself. But there's one thing he's yet to acquire: a fae lord's title. Born a commoner, he continues to be denied entry to the best the Lunar Court has to offer. If he can secure the hand of a titled woman, he'll finally have it all. But first, he'll need to find a lady desperate enough to ignore his humble parentage and his wicked character.

The Duke of the Damned is dead. When my coven is blamed for his murder, I'm desperate to clear their name before my sisters are arrested and I lose the only family I've ever known. But I only have one week to find the culprit, and the new heir to the duchy is none other than Detective Liam Rorick, my enigmatic ex-partner and archenemy. It doesn't matter if Rorick is a competent investigator. He's the most cantankerous vampire I've ever had the displeasure of knowing. There's a reason I swore I'd never work with him again.

There's something terribly wrong with the Castleway Circus. When mortals happen inside its big billowy tents, they don't always come out again, and the clown specters who haunt it won't leave me alone. My partner, Quiet, insists we go and investigate. I'd rather have my hands nailed to a moving train—better chance of surviving that as a vampire than whatever haunts the circus. She believes the specters who persist in making our lives more difficult mean no harm. They just want our help, she says. I'm not convinced.