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Return to the world of Rivers of London in this first short-story collection from number one Sunday Times best-selling author Ben Aaronovitch. Tales from the Folly is a carefully curated collection that gathers together previously published stories and brand new tales in the same place for the first time.

A brand-new stand-alone novella in the Rivers of London series! Tobias Winter has been assigned to the Abteilung KDA - the Department for Complex and Unspecific Matters. Despite the intriguing department name, as Winter explains, dealing with the strange and the supernatural is 'actually 90 percent paperwork'. But this is a story about the other 10 percent of the job: the life-threatening danger part.

Germany, 1945: a country in ruins. Cities have been reduced to rubble and more than half of the population are where they do not belong or do not want to be. How can a functioning society ever emerge from this chaos? In bombed-out Berlin, Ruth Andreas-Friedrich, journalist and member of the Nazi resistance, warms herself by a makeshift stove and records in her diary how a frenzy of expectation and industriousness grips the city.

For 15-year-old Michael Berg, a chance meeting with an older woman leads to far more than he ever imagined. The woman in question is Hanna, and before long they embark on a passionate, clandestine love affair which leaves Michael both euphoric and confused. For Hanna is not all she seems. Years later, as a law student observing a trial in Germany, Michael is shocked to realise that the person in the dock is Hanna. The woman he had loved is a criminal.

In 1990, a country disappeared. For the previous forty-one years, East Germany had existed in Western minds as more of a metaphor than a place, more of a grey communist blur than a land of real people with friends and families, workplaces and homes. As Germany once again became a single state, the history of the GDR was simplified and politicised. It was nothing but Stasi spies and central planning, nothing but a wall in Berlin. In Beyond the Wall, acclaimed historian Katja Hoyer looks past these outdated conceptions and toward a more comprehensive history.

Germany, 1918: a country in flux. The First World War is lost, traditional values are shaken to their core, revolution is afoot and the victory of democracy beckons. Everything must change with the times. The country is abuzz with talk of the 'new woman', the 'new man', 'new living' and 'new thinking'. What follows is the establishment of the Weimar Republic, an economic crisis and the transformation of Germany. A triumphant procession of liberated lifestyles emerges.

Ignoring nearly all rock traditions, experimenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk as a cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.

Giulia is ten. She has never left the tiny island she lives on. She never wants to. Her best friend on the island - besides her older sister - is a donkey. She ties ribbons around his head and thinks she will marry him when the time comes. Her island is one filled with widows. Widows that are watched over by the Shipmaster and his many sons. It is a place that feels stuck in time - verdant, plentiful, happy, peaceful. Until the men arrive. And the vines begin to fail. And everything changes.

Andreas lives his whole life in the Austrian Alps, where he arrives as a young boy taken in by a farming family. He is a man of very few words and so, when he falls in love with Marie, he doesn't ask for her hand in marriage, but instead has some of his friends light her name at dusk across the mountain. When Marie dies in an avalanche, pregnant with their first child, Andreas' heart is broken. He leaves his valley just once more, to fight in WWII—where he is taken prisoner in the Caucasus—and returns to find that modernity has reached his remote haven....

In 1960s Berlin the Wall is everywhere. It cuts through streets, parks, even houses. Teenagers Harry and Jakob live on either side of the divide. In West Berlin, American Harry witnesses the brutal shooting of a boy trying to escape over the Wall into the West and decides to emulate his comic book heroes and help those in the East however he can.

From their graves in the field, the oldest part of Paulstadt’s cemetery, the town’s late inhabitants tell stories from their lives. Some recall just a moment, perhaps the one in which they left this world, perhaps the one that they now realise shaped their life for ever. Some remember all the people they’ve been with, or the only person they ever loved. These voices together build a picture of a community, as viewed from below ground instead of from above.

The history of inequality is a long and terrible one. And it’s not over yet. Short, sharp and devastating, The War of the Poor tells the story of a brutal episode from history, not as well known as tales of other popular uprisings, but one that deserves to be told.