Showing results by narrator "Lindsay" in All Categories

Lou Clark knows a lot of things. She knows she likes working in The Buttered Bun tea shop, and she might not love her boyfriend Patrick. Will Traynor knows his motorcycle accident took away his desire to live, and now everything feels small and joyless. What Will doesn't know is that Lou is about to burst into his world. And neither of them knows they're going to change the other for all time.

Pride and Prejudice has delighted generations of readers with its unforgettable cast of characters, carefully choreographed plot, and a hugely entertaining view of the world and its absurdities. With the arrival of eligible young men in their neighbourhood, the lives of Mr and Mrs Bennet and their five daughters are turned inside out and upside down.

Audible’s bold new addition to the Sherlock Holmes universe dares to ask: What if Holmes’ most villainous nemesis was actually an innocent man?

Enthralling radio dramatisations of eight of Charles Dickens' much-loved novels. Charles Dickens is one of the most renowned authors of all time, and this second digital volume of the dramatised canon of his work includes eight of his classic novels. This collection includes the epic masterpiece David Copperfield, described by Dickens as his 'favourite child'; suspenseful mystery Bleak House; Dickens' most openly political novel, Hard Times; and Little Dorrit.

Hollywood gets more than it bargained for when television's hottest stars descend on the Miami Police Department for 'research'. Megastar Robert Chase is famous for losing himself in his characters, and he becomes fixated on Dexter Morgan, the blood-spatter analyst with a sweet tooth for doughnuts and a seemingly average life. To perfect his role as a forensics guy, Chase is obsessed with shadowing Dexter's every move. There is just one tiny problem...

Dexter Morgan isn't exactly the kind of man you'd bring home to your mum. At heart he's the perfect gentleman: He has a shy girlfriend and seems to lead a quiet, normal life bordering on the mundane. Despite the fact that he can't stand the sight of blood, he works as a blood-spatter analyst for the Miami police. But Dexter also has a secret hobby: He is an accomplished serial killer. So far he's killed 36 people and has never been caught because he knows exactly how to hide the evidence.

Miami's best-dressed serial killer is back and on the prowl - at least he would be if he could shake off his permanent shadow. Ever since their paths first crossed, Sergeant Doakes hasn't let Dexter Morgan out of his sight. Dexter may well be the Miami PD's blood-spatter analyst, but Sgt. Doakes has a pretty good idea of how Dex likes to spend his free time, and he's determined to catch him in the act. Dex hasn't killed in months and is getting twitchy.

A game. A husband and wife game. Gerald's Game. But this time Jesse didn't want to play. Lying there, spread-eagled and handcuffed to the bedstead while he'd loomed and drooled over her, she'd felt angry and humiliated. So she'd kicked out hard. Aimed to hit him where it hurt. He wasn't meant to die, leaving Jesse alone and helpless in a lakeside holiday cabin. Miles from anywhere. No one to hear her screams.

Misery Chastain was dead. Paul Sheldon had just killed her - with relief, with joy. Misery had made him rich; she was the heroine of a string of best sellers. And now he wanted to get on to some real writing. That's when the car accident happened, and he woke up in pain in a strange bed. But it wasn't the hospital. Annie Wilkes had pulled him from the wreck, brought him to her remote mountain home, splinted and set his mangled legs. The good news was that Annie was a nurse and had painkilling drugs. The bad news was that she was Paul's Number One Fan.

Being a blood-spatter analyst who hates the sight of blood has always made Dexter's work for the Miami PD tough. But it means he's very neat when it comes to his out-of-hours hobby: murder. Of course the fact Dexter kills only bad people helps, too. Now Dex is facing a disturbing situation. He's used to blood at work and blood when he's out with the dark passenger (the voice that guides him on his deadly outings). But he's not sure what to make of the man who says blood is art.

Fiona Maye is a leading High Court judge, presiding over cases in the family court. She is renowned for her fierce intelligence, exactitude and sensitivity. But her professional success belies private sorrow and domestic strife. There is the lingering regret of her childlessness, and now her marriage of 30 years is in crisis. At the same time, she is called on to try an urgent case: for religious reasons, a beautiful 17-year-old boy, Adam, is refusing the medical treatment that could save his life, and his devout parents share his wishes. Time is running out.

A witness. Such a simple concept - and yet for Dexter Morgan, a perfectly well-disguised serial killer, the possibility of a witness is terrifying. As an upstanding blood-spatter analyst for the Miami Police, Dexter has always managed to keep the darker side of his life out of the spotlight. An expert at finding truly bad people - murderers who've long escaped justice - Dexter has long been giving them his own special brand of attention.

Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy—especially not at the height of the HIV/AIDS crisis—and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre.

Critical race theory is one of the hottest and most controversial topics in the world today, but what is it, really? Rightly understood, critical race theory is a reinvention of an older, terrible idea, Marxism, using race "as the central construct for understanding inequality" in place of economic class. That is, critical race theory is race Marxism. The evidence of this claim is so overwhelming upon even casual examination that it is a shock that it isn't immediately plain to everyone who encounters it.

It wasn't supposed to end this way. In a flash of steel, a flurry of gunshots, a chorus of strangled moans, blending with the wails of sirens, certainly. A properly dramatic ending, with a good body count, a dash of treachery, absolutely. But not with Dexter, serial killer and forensic blood spatter analyst, horribly wronged and unjustly accused of the wrong murder, languishing inside the Guilford Knight Correctional Centre, bound and restrained, getting one hour's exercise a day.

Everything's changing for our friendly neighbourhood serial killer. As if getting married wasn't enough to complete his nice-guy persona, Dexter is now the proud father of a baby girl. And, disconcertingly, he actually seems to care. But even if fatherhood is distracting Dexter from his midnight excursions to rid Miami of a few more lowlifes, there's no let-up at work. Two young girls are missing - and it's not long before one of the bodies turns up partially eaten.

Dexter Morgan is busy planning his wedding to Rita to complete his nice-guy disguise. But when a student is found burnt, molested and headless - seemingly sacrificed to an ancient god - and Dex is brought in as forensic analyst to help investigate, he realises he could be dealing with someone a whole lot more sinister than he is. Soon it seems the dark passenger in Dexter's head has gone into hiding. And when something creeps out your friendly neighbourhood serial killer, you know it's serious.

Merrion Palmer has been Judge Guy Stockdale's mistress for the last seven years and his wife and two grown-up sons know absolutely nothing about her. Up until now, Guy and Merrion have enjoyed a blissfully, uncomplicated relationship in stolen moments in Merrion's flat, and to the rest of the world, Guy has played the part of model husband, father and grandfather. But now the time has come for things to change.

In this book, The Queering of the American Child, Logan Lancing and James Lindsay explain what Queer Theory is, where it comes from, how it got into schools, and what it's doing to children nationwide. The cult of Queer Theory preys on children, and it must be understood if we are ever to stop the madness.

First published between 1870 and 1893, Émile Zola’s 20-book cycle chronicling four generations of the Rougon-Macquarts was a shocking exposé of the decadence, degradation and moral decay of 19th-century France. It included some of his greatest novels, among them his masterpiece, Germinal. These innovative, ambitious dramas, first broadcast on Radio 4 over 24 hours in 2015-16, are a radical reimagining of Zola’s classic series, introducing us to 104-year-old matriarch, Dide, imprisoned in an asylum in southern France.