Showing results by narrator "Don Lee" in All Categories

Since its earliest days, The New Yorker has been a tastemaker: literally. As the home of A. J. Liebling, Joseph Wechsberg, and M. F. K. Fisher, who practically invented American food writing, the magazine established a tradition that is carried forward today by irrepressible literary gastronomes, including Calvin Trillin, Bill Buford, Adam Gopnik, Jane Kramer, and Anthony Bourdain. Now, in this indispensable collection, The New Yorker dishes up a feast of delicious writing on food and drink.

With George Monbiot, Paul Allen and Peter Harper. Have you got what it takes to get to zero carbon? Our expert panel set one average family the task of eliminating their carbon footprint... and living with the consequences. Originally broadcast in March 2009. Starring Kate Ashfield, Don Gilet...

When 60-something musician pals Roy and George attend the funeral of an old bandmate, they realise that since they stopped performing, they've got stuck in a rut. Retirement's all well and good, but they seem to spend most of their time in front of the TV, or propping up the bar at the Hen & Pewter. Believing that jazz players should keep swinging while they've still got rhythm, the duo decide it's time to recreate the good old days, and start a new band. 

In the ruelles of the Vielle Ville, every house seemed bursting with flowers. Geraniums, oleanders, bougainvilla, grape vines, palms and yucca plants framed windows, tumbled out of pots and covered golden stone walls. Rounding a bend we would be surprised by a sudden view of one of the ports, of the ramparts and fort. Or a market table loaded with oranges and lemons, their fragrance saturating the air.

Facts are and must be the coin of the realm in a democracy. Unfortunately, for citizens in the United States and throughout the world, distinguishing between fact and fiction - always a formidable challenge - is now more difficult than ever, as a constant stream of questionable information pours into media outlets. Lewis argues forcefully that while data points and factoids abound, it is much harder to get to the whole truth of complex issues in time for that truth to guide citizens, voters, and decision makers.

H. R. Stoneback's prose-poem Hemingway's Paris: Our Paris? constitutes a masterpiece of both appreciation and analysis by a scholar whose knowledge and love of Paris is as deep, profound and genuine as his knowledge and love of Hemingway.