Showing results by narrator "Carmen Jewel Jones" in All Categories

An essential work that centers colonial and historical trauma in a framework for healing, Decolonizing Therapy illuminates that all therapy is—and always has been—inherently political. To better understand the mental health oppression and institutional violence that exists today, we must become familiar with the root of disembodiment from our histories, homelands, and healing practices. Only then will listeners see how colonial, historical, and intergenerational legacies have always played a role in the treatment of mental health.

After fifteen years in captivity, Nova Lefleur is free, back home, and reunited with her Louisiana family. Through her ordeal, she never forgot them. They never forgot her either. But things have changed since Nova’s been gone. Nova and her encouraging seventeen-year-old daughter, Skye, are getting to know each other for the first time. Her husband, Quinton, is rebuilding a relationship with a wife he thought was gone forever. And Nova’s sister, Leah, is overjoyed—and overwhelmed.

Go from being a good practitioner to being an extraordinary leader of healthcare professionals.

In The Ultimate Book of Confidence for Teen Girls, discover transformative self-help. Teenage girls are equipped with essential tools to navigate adolescence, embrace their unique selves, and build resilience in this book on confidence (Age 13-18).

Following up on her acclaimed Teach Students How to Learn, that describes teaching strategies to facilitate dramatic improvements in student learning and success, Saundra McGuire here presents these "secrets" direct to students.

Ella Fitzgerald (1917-1996) possessed one of the twentieth century's most astonishing voices. Historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist. Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer's difficult childhood, the tragic death of her mother, and the year she spent in a girls' reformatory school—where she sang in its renowned choir and dreamed of being a dancer.

Fletcher Denali's entire life is based on a lie. Namely, that his name is not Fletcher Denali. Hidden in plain sight, Fletcher must live his life with the weight of his secret past on his shoulders. When he meets Vaida, a quiet girl with dark eyes, he can't help but be intrigued. But Vaida has secrets too—secrets that could destroy all that Fletcher has worked to protect himself from. Vaida Williams has to remain unnoticed. The wrong person seeing her could cost her her life.

Fashion designer Faith McClendon is back in Chicago to start over. She put her promising career on hold for too long, and she's ready to get back in the game. She's not willing to put her heart on the line again—it's still far too bruised from her failed marriage for that, so when a renewed childhood friendship starts to make her think about second chances at love, she's more than a little hesitant.

The linked stories in Mama Said are set in Louisville, Kentucky, a city with a rich history steeped in tobacco, bourbon, and gambling, indulgences that can quickly become gripping and destructive vices. Set amid the tail end of the crack epidemic and the rise of the opioid crisis, Mama Said evokes Black family life in all its complexity, following JayLynn, along with her cousins Zaria and Angel, as they come of age struggling against their mothers' drug addictions.

This revised edition of Ar'n't I a Woman? reviews and updates the scholarship on slave women and the slave family, exploring new ways of understanding the intersection of race and gender and comparing the myths that stereotyped female slaves with the realities of their lives. Above all, this groundbreaking study shows us how black women experienced freedom in the Reconstruction South—their heroic struggle to gain their rights, hold their families together, resist economic and sexual oppression, and maintain their sense of womanhood against all odds.

Beginning with a jaw-dropping rumination on a centuries-old painting featuring a white man with a Black man's leg surgically attached (with the expired Black leg-donor in the foreground), contracts law scholar and celebrated journalist Patricia J. Williams uses the lens of the law to take on core questions of identity, ethics, and race.

From the moment Africans were first brought to the shores of the United States, they had a hand in shaping the country. Their labor created a strong economy, built our halls of government, and defined American society in profound ways. And though the Emancipation Proclamation wasn't signed until 300 years after the first Africans arrived, the fight for freedom started the moment they set foot on American soil.

In How We See Us, Michaela Leslie-Rule amplifies the voices of young people approaching adulthood as they consider their experiences, needs, and goals for their education, early careers, and lives. Leslie-Rule encourages adults who support young people to listen more closely to youth voices so that their perspectives are centered in interventions made on their behalf.

The reality is that although many Black clients will not zero in on the impact of racism in their lives, ignoring the issue of race in therapy leaves a very large elephant in the room. And you can't build rapport with elephants in the room. So what do you do? In No Racial Elephants in the Therapy Room, Dr. Rheeda Walker provides the answer to this question.

Dismissed not only explains what so many people feel so profoundly—that the system is working against them. It also reveals what health-care practitioners, patients, and society in general can do to make it right.

Become Ungovernable is a provocative new work of political thought setting out to reclaim "freedom", "justice", and "democracy", revolutionary ideas that are all too often warped in the interests of capital and the state. Revealing the mirage of mainstream democratic thought and the false promises of liberal political ideologies, H. L. T. Quan offers an alternative approach: an abolition feminism drawing on a kaleidoscope of refusal praxes, and on a deep engagement with the Black Radical Tradition and queer analytics.

Patrice McClendon wants to create a signature scent for her family's aromatherapy and day spa this Valentine's Day. The holiday is crucial for the family business, even if Patrice has never been a hearts and flowers kind of girl. But creating the fragrance isn't easy, and Patrice needs help. She gets that and more when she meets successful perfumer Jacques Germain.

When Renee McClendon was a teenager, she made a list of all the qualities her perfect man would have, but no matter how many handsome guys have ticked the boxes, she has yet to find the man for her. She wants a regular guy who's not afraid to get his hands dirty, and she's given herself a deadline. If she doesn't find Mr. Right by New Year's, she's done searching.

Coming from a troubled youth, Morgan Faraday grabs every opportunity to up-level her life. So she definitely plans to keep oil-company heir Sebastian Reid interested...all the way to the altar. He’s brilliant and supportive and is turning his billion-dollar company green to make up for his ancestors’ exploitation. With him, Morgan can have love, money, and the power to make the world better. And securing her future is far more important than the attractive environmental activist she suddenly has unexpected feelings for...

Jennifer McClendon is in need of a vacation. What better place to get away from everything than a sun-drenched tropical island? And there's no better way to get over her ex and have some fun than to spend a little time with a handsome software engineer who's also on holiday. What could it hurt? They won't see each other again anyway.