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In this intimate and eloquent meditation, the award-winning poet Carl Phillips shares lessons he has learned about what he calls an “apprenticeship to what can never fully be mastered”, through 40 years of teaching and mentoring emerging writers. He weaves together his experiences as a poet and prose writer with discussions of underexplored elements of the writing life, including ambition, stamina, silence, politics, practice, audience, and community.

This is the "so-called" reason the government won't reveal all they know about UFOs. The panic from this broadcast was significant. Although Orson Welles, Mercury Theatre and the Columbia Broadcasting System couldn't "soap the windows" of their listeners the night before Halloween back in 1938, they could annihilate the world for them. And that's exactly what they did with this radio adaptation of H.G. Wells' famous novel, War of the Worlds.

In this BBC full-cast production of All's Well That Ends Well, the trials of marriage are hilariously explored. Will Helena complete the Herculean tasks to win Bertram's love? All's Well That Ends Well finds Helena rewarded for her ministries to the sick with the choice of any husband she wishes...

"In much of the best contemporary poetry, beauty of thought is at least as important as beauty of language. Carl Phillips, here reading his own Pulitzer Prize-winning collection, has an ample supply of both, but it is the thinking behind each poem that makes it possible for the language to have...

This is the "so-called" reason the government won't reveal all they know about UFOs. The panic from this broadcast was significant. Although Orson Welles, Mercury Theatre and the Columbia Broadcasting System couldn't "soap the windows" of their listeners the night before Halloween back in 1938, they could annihilate the world for them. And that's exactly what they did with this radio adaptation of H.G. Wells's famous novel, War of the Worlds.

Carl Phillips' new poetry collection, Pale Colors in a Tall Field, is a meditation on the intimacies of thought and body as forms of resistance. The poems are both timeless and timely, asking how we can ever truly know ourselves in the face of our own remembering and inevitable forgetting. Here, the poems metaphorically argue that memory is made up of various colors, with those most prominent moments in a life seeming more vivid, though the paler colors are never truly forgotten.