Showing results by author "Graham Greene" in All Categories

The love affair between Maurice Bendrix and Sarah, flourishing in the turbulent times of the London Blitz, ends when she suddenly and without explanation breaks it off. After a chance meeting rekindles his love and jealousy two years later, Bendrix hires a private detective to follow Sarah, and slowly his love for her turns into an obsession.

One of the foremost novelists of the last century, Graham Greene left an indelible mark on the world of fiction. In his many masterpieces, he introduced his fans to ‘Greeneland’ – a shadowy world of sin, redemption, treachery and sexual betrayal, occupied by complex, ambivalent characters. That world is brought vividly to life in these eight stunning BBC Radio productions. They represent the very best examples of his later work, written between 1951 and 1982, and together comprise nearly 17 hours of riveting drama.

Henry Pulling, a retired bank manager, meets his septuagenarian Aunt Augusta for the first time in over fifty years at what he supposes to be his mother's funeral. Soon after, she persuades Henry to abandon Southwood, his dahlias and the Major next door to travel her way, Brighton, Paris, Istanbul, Paraguay. Through Aunt Augusta, a veteran of Europe's hotel bedrooms, Henry joins a shiftless, twilight society: mixing with hippies, war criminals, CIA men; smoking pot, breaking all the currency regulations and eventually coming alive after a dull suburban life.

During a vicious persecution of the clergy in Mexico, a worldly priest, the 'whisky priest', is on the run. With the police closing in, his routes of escape are being shut off, his chances getting fewer. But compassion and humanity force him along the road to his destiny, reluctant to abandon those who need him, and those he cares for.

Three men meet on a ship bound for Haiti, a world in the grip of the corrupt 'Papa Doc' and the Tontons Macoute, his sinister secret police. Brown the hotelier, Smith the innocent American, and Jones the confidence man - these are the 'comedians' of Graham Greene's title. Hiding behind their actors' masks, they hesitate on the edge of life. And, to begin with, they are men afraid of love, afraid of pain, afraid of fear itself.

For Arthur Rowe the charity fête was a trip back to childhood, to innocence, a welcome chance to escape the terror of the Blitz, to forget 20 years of his past and a murder. Then he guesses the weight of the cake, and from that moment on he's a hunted man, the target of shadowy killers, on the run and struggling to remember and to find the truth.

Graham Greene was the 20th century’s master of plot, an expert chronicler of Catholic guilt, Cold War intrigue, conflict and crime. A prolific polymath, his work incorporated serious novels, thrillers, short stories, screenplays, stage plays and more. This wide-ranging box set includes the finest examples of his early work, written between 1932 and 1948, and contains over 15 hours of unmissable drama.

Wormold is a vacuum cleaner salesman in a city of power cuts. His adolescent daughter spends his money with a skill that amazes him, so when a mysterious Englishman offers him an extra income he's tempted. In return all he has to do is carry out a little espionage and file a few reports. But when his fake reports start coming true, things suddenly get more complicated and Havana becomes a threatening place.

As Pyle's naive optimism starts to cause bloodshed, his friend Fowler, a cynical foreign correspondent, finds it hard to stand aside and watch. But even as Fowler intervenes he wonders why: for the greater good, or something altogether more complicated?

Scobie, a police officer serving in a war-time West African state, is distrusted, being scrupulously honest and immune to bribery. But then he falls in love, and in doing so he is forced to betray everything he believes in, with drastic and tragic consequences.

A leak is traced to a small sub-section of the secret service, sparking off the inevitable security checks, tensions and suspicions. The sort of atmosphere, perhaps, where mistakes could be made? For Maurice Castle, it is the end of the line anyway, and time for him to retire to live peacefully with his wife and child. But no-one escapes so easily from the lonely, isolated, neurotic world of the SIS.

A gang war is raging through the dark underworld of Brighton. Seventeen-year-old Pinkie, malign and ruthless, has killed a man. Believing he can escape retribution, he is unprepared for the courageous, life-embracing Ida Arnold. Greene's gripping thriller exposes a world of loneliness and fear, of life lived on the 'dangerous edge of things.'

A young boy, Victor, is collected from school by a stranger in a bowler hat - the stranger says he has won Victor in a game of backgammon with Victor's father. The stranger, known as the Captain, takes Victor to live with the sweet but withdrawn Lisa, where he serves as her conduit to the outside world. From mysterious beginnings, Graham Greene's final novel becomes a twisting thriller of smuggling, jewel theft and international espionage which culminates in a dramatic showdown in Panama.

Driven away from his parish by a censorious bishop, Monsignor Quixote sets off across Spain accompanied by a deposed renegade mayor as his own Sancho Panza, and his noble steed Rocinante – a faithful but antiquated SEAT 600. Like Cervantes’s classic, this comic, picaresque fable offers enduring insights into our life and times.

Arriving in post World War 2 Vienna, an American pulp writer finds his friend who was meant to be waiting for him has been killed under mysterious circumstances. Follow this mystery, starring Joseph Cotten, which trails through the murky world of the black market, with the involvement of the international police and the writer's Czechoslovakian girlfriend. This is one of the Classic Radio Theatre productions you will want to listen to over and over again!

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Graham Greene's account of a five-year personal involvement with Omar Torrijos, ruler of Panama from 1968-81 and Sergeant Chuchu, one of the few men in the National Guard whom the general trusted completely. It is a fascinating tribute to an inspirational politician in the vital period of his country's history and to an unusual and enduring friendship.

Opening with the iconic story 'The Destructors', in which a gang of schoolboys destroys a house that has survived the Blitz, Greene offers us deliciously satisfying glimpses into 21 worlds, with each piece written as masterfully as his novels. From the chilling climax of a children's birthday party, to a man whose youthful indiscretions come back to haunt him, these are the unmistakable work of one of the 20th century's greatest and most adored storytellers.

Anthony Farrant is back home after lying and cheating his way through one job after another in the Far East. When his adoring sister, Kate, sets him up with a role in Stockholm as bodyguard to her boss and lover, megalomaniac financier Krogh, Anthony seems set on a path to redemption. But when he receives orders from Krogh that offend his own sense of decency, he begins to leak information to a down-at-heel journalist: a decision that will cost Anthony much more than just his job.

With superb skill and feeling, Graham Greene retraces the experiences and encounters of his extraordinary life. His restlessness is legendary; as if seeking out danger, Greene travelled to Haiti during the nightmare rule of Papa Doc, Vietnam in the last days of the French, Kenya during the Mau Mau rebellion. With ironic delight he recalls his time in the British Secret Service in Africa and his brief involvement in Hollywood. He writes, as only he can, about people and places, faith, doubt, fear and not least, the trials and craft of writing.