Showing results by author "Deborah Levy" in All Categories

Picking up where Things I Don't Want to Know left off, this short, exhilarating memoir shows a writer in radical flux, facing separation and bereavement and emerging renewed from the ashes of a former life. Faced with the restrictions of conventional living, she dismantles her life, expands it and puts it back together in a new shape. Writing as brilliantly as ever about mothers and daughters, about social pressures and the female experience, Deborah Levy confronts a world not designed to accommodate difficult women and ultimately remakes herself in her own image.

Following the international critical acclaim of The Cost of Living, this final volume of Deborah Levy's Living Autobiography is an exhilarating, thought-provoking and boldly intimate meditation on home and the spectres that haunt it.

Penguin presents the unabridged, downloadable audiobook edition of Hot Milk by Deborah Levy, read by Romola Garai. Two strangers arrive in a small Spanish fishing village. The older woman is suffering from mysterious paralysis, driven to seek a cure beyond the bounds of conventional medicine. Her daughter, Sofia, has spent years playing the reluctant detective in this mystery, struggling to understand her mother's illness.

Things I Don't Want to Know is the first in Deborah Levy's essential three-part 'Living Autobiography' on writing and womanhood. Taking George Orwell's famous essay 'Why I Write' as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life.

In The Position of Spoons, Deborah Levy invites the listener into the interiors of her world, sharing her most intimate thoughts and experiences, as she traces and measures her life against the backdrop of the literary and artistic muses that have shaped her. From Marguerite Duras to Colette and Ballard, and from Lee Miller to Francesca Woodman and Paula Rego, we can relish here the richness of their work and, in turn the richness of the author’s own.

Elsa M. Anderson is a classical piano virtuoso. In a flea market in Athens, she watches an enigmatic woman buy two mechanical dancing horses. Is it possible that the woman who is so enchanted with the horses is her living double? Is she also looking for reasons to live? Chasing their doubles across Europe, the two women grapple with their preconceived conceptions of the world and each other, culminating in a final encounter in a fateful summer rainstorm.

Brought to you by Penguin. 'Life without her would be death' The lost novel from the author of The Second Sex. The compulsive story of two friends growing up and falling apart. INTRODUCED BY DEBORAH LEVY. When Andrée joins her school, Sylvie is immediately fascinated. Andrée is small for her...

The relationship between sleep and storytelling is an ancient one. For centuries sleep has provided writers with a magical ingredient, a passage of time during which great changes miraculously occur, an Orpheus-like voyage through the subconscious daubed with the fantastic. But over the last 10 years, our scientific understanding of sleep has been revolutionised. No longer is sleep viewed as a time of simple rest and recuperation. Instead it is proving to be an intensely dynamic period of brain activity.

In 1989, Saul is hit by a car on the Abbey Rd crossing. He is fine; he gets up and goes to see his girlfriend, Jennifer. They have sex and then break up. He leaves for the GDR, where he will have more sex, bury his dead father in a matchbox, and get on the wrong side of the Stasi. In 2016, Saul is hit by a car on the Abbey Rd crossing. He is not fine at all; he is rushed to hospital and spends the following days in and out of consciousness. Jennifer is sitting by his bedside. His very-much-not-dead father is sitting by his bedside. Someone important is missing.

Penguin presents the audiobook edition of Swimming Home by Deborah Levy, read by Sophie Ward. A poet, his wife, her daughter and their friends arrive at the French Riviera. The prospect of a long hot summer stretches ahead of them. At their villa, they find a body in the swimming pool. But this body is very much alive. It is Kitty Finch: self-proclaimed botanist with lurid green fingernails, avid poetry fan, walking naked out of the water and straight into the centre of their holiday. Why is she there? What does she want from them?

"Kissing you is like new paint and old pain. It is like coffee and car alarms and a dim stairway and a stain and it's like smoke.' ('Placing a Call') How does love change us? And how do we change ourselves for love - or for lack of it? Ten stories by acclaimed author Deborah Levy explore these delicate, impossible questions. In Vienna, an icy woman seduces a broken man; in London gardens, birds sing in computer start-up sounds; in ad-land, a sleek copywriter becomes a kind of shaman.

22 writers talk about their memorable excursions and the act of walking, and share their creative observations. In these six series, taken from BBC Radio 3's The Essay, an array of novelists, poets, journalists and biographers chart the varied and inspiring walks they have taken around Britain and elsewhere. Here are treks taken at daybreak and after dark; in winter and in spring; in the footsteps of the past; and - in the case of Robert Macfarlane - along the ridges of the South Downs.

Penguin presents the audiobook edition of Beautiful Mutants by Deborah Levy, read by Kristen Atherton. Levy's surreal and artful first novel introduces Lapinski - the manipulative and magical Russian exile who summons forth a number of urban pilgrims in a shimmering contemporary allegory about broken dreams and desires.

Penguin presents the audiobook edition of Swallowing Geography by Deborah Levy, read by Gabrielle Glaister. Like her namesake, Jack Kerouac, J. K. is always on the road, travelling Europe with her typewriter in a pillowcase. From J. K.'s irreverent, ironic perspective, Levy charts a new, dizzying, end-of-the-century world of shifting boundaries and displaced peoples.

Penguin presents the audiobook edition of The Unloved by Deborah Levy. A group of hedonistic West European tourists gather to celebrate Christmas in a remote French chateau. Then an Englishwoman is brutally murdered, and the sad, eerie child Tatiana declares she knows who did it. The subsequent inquiry into the death proves to be more of an investigation into the nature of love, insatiable rage and sadistic desire. The Unloved offers a bold and revealing look at some of the events that shaped European and African history and the perils of a future founded on concealed truth.

Deborah Levy revient sur sa vie. Elle fuit à Majorque pour réfléchir et se retrouver, et pense à l'Afrique du Sud, ce pays qu'elle a quitté, à son enfance, à l'apartheid, à son père – militant de l'ANC emprisonné –, aux oiseaux en cage, et à l'Angleterre, son pays d'adoption. Telle la marquise Cabrera se délectant du 'chocolat magique', elle est devenue écrivaine en lisant Marguerite Duras et Virginia Woolf.

Un divorce forcément douloureux, une grande maison victorienne troquée contre un appartement en haut d'une colline dans le nord de Londres, deux filles à élever et des factures qui s'accumulent... Deborah Levy a cinquante ans quand elle décide de tout reconstruire, avec pour tout bagage, un vélo électrique et une plume d'écrivain. L'occasion pour elle de revenir sur le drame pourtant banal d'une femme qui s'est jetée à corps perdu dans la quête du foyer parfait, un univers qui s'est révélé répondre aux besoins de tous sauf d'elle-même.

Deborah Levy empieza a escribir este libro cuando, con cincuenta años, se ve forzada a reinventarse: su matrimonio ha terminado, sus ingresos escasean, su madre se está muriendo y sus hijas empiezan a abandonar el nido. En un momento en que la vida tendría que volverse plácida e imperturbable,Levy decide abrazar el caos y la inestabilidad a cambio de recuperar, oculto bajo capas y capas de resignación, un nombre propio.

Deborah Levy imagina una casa en una latitud cálida, cerca de un lago o de un mar. Allí hay una chimenea y un mayordomo que atiende sus deseos, hasta el de discutir. Pero Levy en realidad está en Londres, no tiene dinero para construir el hogar que imagina, su apartamento es minúsculo y lo más parecido a un jardín en su casa es un banano al que entrega los cuidados que sus hijas ya no necesitan.

Deborah Levy arranca estas memorias recordando la etapa de su vida en que rompía a llorar cuando subía unas escaleras mecánicas. Esemovimiento inocuo la llevaba a rincones de su memoria a los que no quería volver. Son esos recuerdos los que forman Cosas que no quiero saber, el inicio de su «autobiografía en construcción». Esta primera parte de lo que será un tríptico sobre la condición de ser mujer nace como respuesta al ensayo «Por qué escribo», de George Orwell. Sin embargo, Levy no viene a dar respuestas.