Showing results by author "G.K. Chesterton" in All Categories

The first part of the novel involves debates about rationalism and religion between a Professor Lucifer and a monk named Michael, while the rest of the narrative concerns dispute between a Jacobite Catholic named Maclan and an atheist socialist named Turnbull. Both hold fanatic opinions and prepare for a duel that is proposed but never fought, inspiring a slew of comic adventures with allegorical dimensions.

In this two-book combo, you’ll find unnerving thrillers and detective stories which showcase the powerful prose and talent of G. K. Chesterton. With detectives, murders, and conspiracy, these stories have entertained people for generations and have inspired countless others across the thriller genre. With artful prose, paradoxes, and a dose of philosophy, these powerful books cement Chesterton as a literary legend, and are a must-listen for anyone interested in thrillers, classics, and stories that make you think.

"Liberalism: A Sample" is an essay by G. K. Chesterton which appears in Utopia of Usurers and Other Essays (1917). It concerns the astounding baseness to which journalism had sunk. Asking why party political journalism was so bad, Chesterton states that it is even worse than it intends to be. He claims that the newspapers simply cannot argue, and do not even pretend to argue. And that there’s a sort of carelessness in their degradation, so that they assume that the reader does not have a mind.

In 1917, G.K. Chesterton published an essay in response to an English minister’s objection to people sending cigarettes to British soldiers fighting in the trenches of World War I, titled "The Dregs of Puritanism". He writes that a large number of young men were being hurt by shells, bullets, fever, hunger and horror of hope deferred. The “good reverend”, however, was anxious that they should not be hurt by cigarettes.

A Short History of England (1917) is Chesterton’s commentary on the philosophical, social, and religious history of England. The book focuses on those highlights that have shaped the nation, and is presented in the author’s customary wit. Having displayed strong Roman Catholic leanings at this time of his life, the author equates Anglicanism with atheism, but does commend the upliftment achieved by the Wesleyans. Chesterton views the story of England as the story of robber barons who became an aristocracy and who concealed their rise to power and hegemony through Parliament.

Packed with intriguing and baffling mysteries, join this unassuming Catholic priest as he uses his intuitive insights into human nature to crack these mysteries no matter how unsolvable. With a delightful writing style that captures the spirit of the early 1900s, G. K. Chesterton’s work has stood the test of time and continues to surprise people to this day. With a wide selection of some of Father Brown’s most famous cases, and some you might have never seen before, this bundle is a must-listen for anyone who is a fan of mystery.

Orthodoxy (1908) by G. K. Chesterton is a classic of Christian apologetics. The audiobook is a companion to his volume of essays titled Heretics, and focuses on the Apostles' Creed. It was written when Chesterton was an Anglican; he converted to Catholicism 14 years later. The prose is witty and incisive, meaning Chesterton at the height of his power.

In this short work, G.K. Chesterton writes with characteristic vivacity as he explores the compelling paradoxes of the book of Job, as found in the Hebrew Scriptures. Armed with keen precision and incisive wit, Chesterton revels in the reversions of expectation found in this story, particularly regarding the character of God. Indeed Chesterton names the God of Job a blasphemer, an atheist...and identifies the loneliness of God as the central idea of the Hebrew Scriptures. Listeners will delight in the twists and turns of Chesterton's thought.

Numa época em que a Europa dava os primeiros passos para tornar-se uma sociedade pós-cristã, um intelectual de grosso calibre, cansado do cinismo reinante e do fascínio despertado por novas idéias, resgata o núcleo da fé cristã como arcabouço suficiente para dar sentido à existência humana. Ao contar sua jornada espiritual, G. K. Chesterton faz saber à intelligentsia européia da primeira metade do século XX que o socialismo, o relativismo, o materialismo e o ceticismo estavam longe de responder às questões existenciais mais profundas.

El conjunto de los relatos del padre Brown constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que es profundo de la naturaleza humana. Chesterton crea este singular personaje para mostrar que sólo una mirada sincera y que reconozca el misterio que la realidad encierra es capaz de salvaguardar la razón.

The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book is sometimes referred to as a metaphysical thriller.

First published in 1922 and filled with evocative portraits of pre-World War I society, these eight stories from the creator of the Father Brown mysteries recount the adventures of Horne Fisher, a socialite who uses his immense knowledge and powerful deductive gifts to investigate crimes committed on the sprawling country estates of the aristocracy - crimes that must, alas, go largely unpunished due to the greater harm that justice would unleash.

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown. In 'The Mistake of the Machine', Father Brown pits himself against an early polygraph device to solve a highly puzzling crime.

The Flying Stars are missing. Three brilliant diamonds, whose fame has spread throughout England, have been purloined during an innocent Christmas pantomime. Can Father Brown discover the culprit before the curtain falls?

A man has died. But there's really no mystery in that. His heart failed, that's all. But when Father Brown goes into a room to write down the man's final confession, he is distracted by the strange way in which someone is walking outside his door. From the gait of the queer feet, he deduces all.

This collection of 12 short stories is part of the Father Brown series, about a mystery-solving Catholic priest. In a refreshing contrast with the deductive detective Sherlock Holmes, Father Brown works intuitively. Through many years of hearing confessions, he has developed an uncanny ability to see inside the minds of criminals. Although he appears unobtrusive and dowdy, with a face "as round and dull as a Norfolk dumpling", he is also surprisingly worldly for a priest.

Father Brown was a character created by G.K Chesterton and draws inspiration from Arthur Doyle's Sherlock Holmes. While Sherlock Holmes' detective career relies on his logic and deduction, Father Brown relies on sympathy and intuition to solve mysteries and crime. The Innocence of Father Brown is a collection of 12 stories that have Father Brown doing what he does best; being a detective.

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors, and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it.

Valentin, the greatest detective in the world, travels to London on the trail of the most elusive of villains. But a strange trail of clues leads Valentin through London and out into the country. It isn't until the meandering journey's end that the short, moon-faced Father Brown sets Valentin back on his feet.

The stories revolve around the same character, Horne Fisher, who uncovers mysteries that he can't bring to the public eye. In the first story, The Face in the Target, Fisher and two other men come across a dead man at a park. The dead man is a political figure, and Fisher realizes that uncovering the truth could lead to political trouble for the city. Although Fisher usually finds out who has killed the victim, the different circumstances regarding the murders in each of the eight stories usually prevent him from taking further action.