Showing results by author "D.H. Lawrence" in All Categories

When D.H. Lawrence's Lady Chatterley's Lover first appeared in print in the late 1920s, it was an immediate sensation. A vivid—often graphic—exploration of infidelity, sexual awakening, intimacy and free thinking, Chatterley was banned in Britain, America and dozens of other countries for its frank depiction of the sexual act, explicit descriptions of physical love and the liberal use of once-prohibited four-letter words.

Step into a world where social dynamics and personal ambitions intertwine, exploring the intricate dance of relationships and self-discovery. This podcast captures the essence of navigating societal expectations and individual desires, offering a rich collection of stories that reflect these universal tensions. Each week, listeners are treated to a new full-length audiobook, showcasing a diverse range of perspectives, time periods, and narrative styles. With every episode, gain fresh insights and broaden your understanding of human nature and society. New books are added weekly, keeping the ...

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 44. These authors are not run-of-the-mill or ten a penny; they are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

Here we journey with our classic poets from Christina Georgina Rossetti and Thomas Hardy to Frances W. Harper and Kipling, not only the ways, the wonders and the women who take on the responsibility to raise children no matter the problems or dangers to themselves, but also the difficulties and sometimes desperate tragedies that motherhood can involve. We hope these poems inspire every generation to reach out and better themselves and those around. This is our tribute to mothers everywhere.

David Herbert Lawrence was born on the 11th September 1885 in Eastwood, Nottinghamshire, a coal mining town where the reality of a harsh life was only useful as experiences for future literary works. Lawrence’s first efforts were poems, short stories and a draft of ‘The White Peacock’. Moving to London and a teaching position in Croydon his writing attracted the attention of Ford Madox Ford, editor of The English Review, and he commissioned him to write ‘Odour of Chrysanthemums’.

Written in 1913, D H Lawrence's first major novel, Sons and Lovers, was the one of the earliest in the English language to explore a close-knit mining community from the inside. Lawrence's semi-autobiographical novel, set in the Nottinghamshire coal fields, is renowned for its accurate portrayal of working-class life and for its use of local dialect. It traces emotional conflicts through the protagonist, Paul Morel, and his suffocating relationships with his over possessive mother, and the women he falls in love with.

Women in Love (1920) is a novel by English author D. H. Lawrence. It is a sequel to his earlier novel The Rainbow (1915), and follows the continuing loves and lives of the Brangwen sisters, Gudrun and Ursula. Gudrun Brangwen, an artist, pursues a destructive relationship with Gerald Crich, an industrialist. Lawrence contrasts this pair with the love that develops between Ursula Brangwen and Rupert Birkin, an alienated intellectual who articulates many opinions associated with the author.

This overlooked work of Lawrence contains both beautiful descriptions of his travels in Italy during this period as well as a thoroughly engrossing portrait of a man, M, who he meets and can't quite get away from for months until the end. This true story grabs at you on several levels. Originally published as the introduction to M's work, Memoirs of the Foreign Legion, it stands on its own.

"In Love" handles a serious subject in a light, almost comic way. A couple are engaged but have no sexual feelings for each other. The tensions, as they try to do what is expected of them, explode until a compromise is reached. But will the marriage last?

Two Blue Birds tells the tale of the classic triangle of the man, the wife and the secretary, who struggle to work out what their relationships are with each other. Neither of the women seem to want the man sexually but the secretary offers devotion while the parasitic wife has more insight into the man and his work. All the relationships seem unhealthy, all three seem to want something different but are incapable of expressing what they desire.

"The Man Who Was Through With the World" picks up the same themes as in Lawrence's short story "The Man Who Loved Islands". He asks if we can ever withdraw from the world, no matter how much it disgusts us. The ironic part of this fragment is that the hermit vainly seeks to think holy thoughts while all around him is the natural world which could provide his life with meaning. The fragment is unfinished, leaving the listener to wonder if the hero would return to the world, if the world would come to him, or if nature would take its course and let him die in his hut.

Lawrence uses the story of a storm and the deaths it causes to revive the feelings for (if not an actual belief in) the old gods, in this case Mercury whose shrine is ignored by the tourists but who takes his revenge.

"None of That" concerns itself with the nature of desire. The man in the story is no more than an animal with base instincts but is attractive to women. The woman looks for something deeper with imagination, but in the end is brought down by the more instinctive man. Lawrence again seems to be saying that a woman cannot exist beyond the control of a man, however crude, and can only bring unhappiness on herself if she tries to live on her own terms.

"Mother and Daughter" can be understood as one of Lawrence's diatribes against women. Two women do their best to get along without men, but in the end, as Lawrence always proposed, a woman cannot be fulfilled without a dominant man, however unsuitable he may be.

"The Blue Moccasins" has the charm of looking at some eternal human problems such as unequal marriage, the waning of sexual desire, and a woman who cannot give herself wholly to her husband in a thoroughly English and local setting: the stage of an amateur dramatic society where all the passions and delusions come to a head.

"The Undying Man" is a slightly unfinished piece, drawing its inspiration from Shelley's Frankenstein about the creation of life and the fear of death. It is interesting to speculate where Lawrence would have gone with the story, but the sound of broken glass is the most likely ending.

"The Lovely Lady" is a fine observation of a life - the lovely lady of the title - that thrives by sucking the life out of others. The two victims escape by a somewhat melodramatic and comical means, but in the process destroy the lovely lady and form what will probably be a dull and passionless union.

"A Dream of Life" is unfinished, but there is enough extant to let us know where Lawrence was going in this story. He begins by looking back and bemoaning what has become of his generation, under the thumb of women and lacking the spark of his father's mining friends. Then, in a scene reminiscent of Pilgrim's Progress, he travels forward in time and sees his village in the distant future. The people are living in an idealized commune, but do they have the spark of life?

"Rawdon's Roof" is a slight comic piece, relying for its humor on the folly of a man throwing away his chance of happiness because of an unexplained and unlikely vow.

Just as the lovely Alvina Houghton comes of age, her widowed father’s business starts to dry up. In a drastic effort to regain his fortune and secure his daughter’s standing in society, James Houghton buys, of all things, a theater. Her father’s plans and dreams go misunderstood in the town, but the theater itself does quite well...for a time. One of the traveling players employed at the theater, a sensual Italian man named Ciccio, catches Alvina’s eye, and she finds herself intensely attracted to him.