Showing results by narrator "Shaheen Khan" in All Categories

Nairobi Noir is an act of excavation, rediscovering the city's ossified past and infusing life to preserve it for future generations. It is also an act of celebration, reminding listeners of the brilliance of the best-known writers to emerge from this part of the world, and heralding the birth of new writers whose gifts, we can safely predict, will shine brightly in the years ahead.

In this comprehensive anthology, former Poet Laureate Andrew Motion has gathered together exceptional poems from the 14th century through to the present day, creating an extraordinary poetic journey for the listener. From the love poems of Shelley and Keats to the grim war elegies of Owen and Sassoon, there is a poem here for every sentiment, each with something different to offer.

What makes strangers fall in love? This remains a conundrum - one that neither technological breakthroughs nor the most passionate of lovers has managed to unravel. While some may attribute attraction to shared sensibilities or even a karmic connection, the fact remains that love comes without simple answers; it's damn complicated!

Until recently, history had relegated Mastani to forgotten pages as a dancing girl -a myth kept alive by lack of evidence about her true place in the Peshwa household. Daughter of Maharaj Chhatrasal of Bundelkhand, Mastani married Peshwa Baji Rao I while he was in power, but she was obscured almost to anonymity by several forces. Her life as a strategist, both on the field and at home, was veiled with intrigue due to the jealousies of women in zenanas and power-hungry relatives in the Peshwai.

Sapphire Towers: Just another residential high-rise in Mumbai where the humdrum routine of daily life carries on with clockwork precision. But beneath the tranquil surface lurks a web of lies and deceit spun by a group of lonely housewives.

When the body of a homeless woman is found under Bradford’s railway arches, DS Nikki Parekh and her trusty partner DC Sajid Malik are on the case. With little evidence, it’s impossible to make a breakthrough, and when Nikki receives a newspaper clipping taunting her about her lack of progress in catching the killer, she wonders if she has a personal link to the case. When another seemingly unrelated body is discovered, Nikki receives another note. Someone is clearly trying to send her clues...but who? And then a third body is found.

Hana has a perfect job, a perfect home, a perfect marriage. It is her younger sister Mira who is a mess. But Hana wants children and her husband is hesitating, and perhaps her control is slipping. Mira dreams of a creative life but she's stuck working at a local café. She hates her flatmate and Hana's dismissal of her writing but she can't find the right inspiration. One night, a fight between Hana and her husband sparks something in Mira: the words ring in her head and she starts typing. But what can you borrow from your sister? And what can be forgiven?

When Felicity Springer is reported missing after a police training conference, the countdown to find her begins.... On her way home after an exhausting weekend, with colleagues she can’t wait to escape, Felicity notices something odd about the white van in front of her. A hand has punched through the car’s rear light and is frantically waving, trying to catch her attention. Desperate to help, Felicity dials 999 and calls it in. But whilst on the phone, she loses control of the car on the icy road, crashing straight into the vehicle ahead.

Nazia Sami is a celebrated author, but perhaps her greatest plot twist is yet to be produced. In her final days, she wields a pen one last time as she fills her diary with instructions for her sister, Naureen, and writes six letters to be delivered after her death. There is to be no funeral for Nazia. Instead, only six invitees are asked to attend a party, one of whom is a mystery guest. Over the course of an extraordinary evening, secrets are revealed, pasts reconsidered, and lives are forever changed...

When Nusrit Mehtab joined the Met Police in the late 80s the organisation was rife with racism and misogyny. Officers refused to patrol with her, or even call her by her name. Her attempts to get promoted were met with hostility and ridicule and she was subject to cruel pranks. As the years passed and her seniority grew, Nusrit was dismayed to find that these problems got worse, not better. After 30 years, she finally had enough and left the MET, initiating an employment tribunal against them in the process.