Showing results by narrator "Mitchley Richard" in All Categories

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The City of Lights may be one of the glories of the world but for those whose three score and ten have passed it is the final resting place for some of the very finest of literary talents.

Robert FitzStephen is a warrior down on his luck. Arrogant, cold, but a brilliant soldier, FitzStephen commands a castle despite his checkered lineage. When a Welsh rebellion brings defeat and a crippling siege, FitzStephen's highborn comrades scorn him, betraying him to the enemy. A hostage of his cousin, Prince Rhys, FitzStephen is disgraced and seemingly doomed to a life of obscurity and shame.

Monty is allergic to ghosts. If there's an invisible ghost around, he sneezes. As soon as Monty sets foot in the Brinsley Codd School for Sensible Thought, he knows it's haunted. Why else would he sneeze like a hurricane? Mysterious forces are clearly at work, yet Monty has problems convincing the principal, and a loathsome teacher called Sogbucket, that the school is really haunted.

Rudyard Kipling. With our almost religious zeal to categorise and pigeon hole everything it should come as little surprise that one of the poems we learnt at school should so regularly be voted the best ever poem. Whether ‘If..’ deserves that credit or not is irrelevant to this empire wandering artist who was not only a fine story teller but a great poet of the Empires, its people and views.

Andrew Marvell was born in Winestead-in-Holderness, in the East Riding of Yorkshire on March 31st, 1621. He was educated at Hull Grammar School, and at the age of 13 he attended Trinity College, Cambridge, and eventually received his BA degree. It is thought that in 1642 Marvell travelled in Europe and, while England was embroiled in its civil war, remained there until 1647, mastering several languages including French, Italian and Spanish.

In this volume the English language reveals itself in a scale and depth that few others can compare with. It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all. Is there some bond between the English and writing poetry? Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In literature the ambition is much narrower. In order to be known, to be popular, you had to be published. And for that people had to know you existed and your ideas worth reading. Obviously for most of humanity's time people couldn't read and texts couldn't be published in any great number.

Do men need poems? Is the gender of brawn and ‘can-do’ really a candidate for honeyed verse? Obviously yes. Through the centuries men seem to dominate the writing of poetry. From books of epics to quatrains of love poetry it seemed to be a man’s world. His domain. A volume purely for men, to show other facets of their personalities and characters seems to be an obvious choice. One verse fits all is, in fact, far removed from the truth. Men needs words. They need support, understanding as well as goals, ambition and structure. They need purpose, desire; the need to love and be loved.

Have you heard of Glob the Mutant? Did you know that even though he looks exactly like an ordinary boy he actually comes from another planet? This story is about him. It's also about sweet little Lucasta Smirk and how she fearlessly faced the evil Mr Crushchild and the dangerous Miss Hatchet!

From the best-selling author of Salmon Fishing in the Yemen comes a story of inheritance, a great country house, and a way of life that is disappearing...Ed Hartlepool has been living in self-imposed exile for five years, but with a settlement regarding his inheritance looming, he must return to his ancestral seat, Hartlepool Hall.

The United States may be far younger than many nations on Earth, yet its tumultuous history has reaped a harvest of poets and poetry of very fine calibre. In this volume we explore the verse of Massachusetts.

When Taters sneaks into an unknown garden to search for a tennis ball, he meets Skipper, a handicapped boy who, like Taters, is mad about cricket. Skipper invites Taters to play a game of miniature Test cricket that has been set up on the lawn and Taters finds a whole new world is opened up to him as the two become fast friends. But things start to go wrong. What is the mysterious secret surrounding Skipper’s father? Will Sawbridge, the school bully, succeed in destroying the friendship between the two boys? And just how ill is Skipper?

The Mabinogion, the earliest literary jewel of Wales, is a collection of ancient tales and legends compiled around the 12th and 13th century deriving from storytelling and the songs of bards handed down over the ages. It is a remarkable document in many ways. From an historical perspective, it is the earliest prose literature of Britain. But it is in its drama that many surprises await, not least the central role of King Arthur, his wife, Gwenhwyvar, and his court at Caerlleon upon Usk.

The Man Who Would Be King. This rich wonderfully written classic features two opportunists who venture into remote Central Asia with the intention of acquiring a country to rule. Their adventures meet with surprising initial success but then.....

Benjamin 'Ben' Jonson was born in June 1572. A contemporary of William Shakespeare, he is best known for his satirical plays Volpone, The Alchemist, and Bartholomew Fair and his equally accomplished lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, including time in jail and a penchant for switching faiths, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.

Shelley is one of the most revered figures in the English poetical landscape. Born on the 4th August 1792 he has, over the years, become rightly regarded as a major Romantic poet. Yet during his own lifetime little of his work was published. Publishers feared his radical views and possible charges against themselves for blasphemy and sedition. In this collection Shelley’s words are alive with intent, meaning and emotion. A true poet for all our ages.

As Islam moved from its Arabian heartland to a wider geographic area, its core message remained albeit adapted to different lands, to different ears. Poets were ever eager to provide an alternate way of delivering the ‘message’ in beautiful verse. Their simplicity was embracing, their ornateness a humble offering to greater forces. The poems here are both profound and wide-ranging.

Some people have basic needs of foods and materials that only theft can provide an answer for, and some others just pursue the taking of what they want, whenever they want and from whoever they want. These are their stories.

In this volume we gather together those 17th Century poets and their poems which took poetry in a different but very revealing direction, with their artistry and verse.