Showing results by author "G.K Chesterton" in All Categories

Every story of Chesterton's unassuming little priest detective, from the first four published collections: The Innocence of Father Brown (1911), The Wisdom of Father Brown (1914), The Incredulity of Father Brown (1926), and The Secret of Father Brown (1927).

Effortlessly blending biography, philosophy and humour, Chesterton recounts with great imaginative depth the renowned Italian priest and theologist, Thomas Aquinas. Known as the ‘Angelic Doctor’, Aquinas was not just a scholar, but a passionate intellectual who was deeply in love with truth and natural theology.

Here are the six final stories from The Innocence of Father Brown relating the crime-solving adventures of a rather unconventional detective. Having accumulated wisdom and empathy from years of listening to the dark confessions of his parishioners, in a flash Father Brown is able to solve mysteries that confound all others.

G. K. Chesterton’s Father Brown is perhaps the most lovable amateur detective ever created. This short, shabby priest with his cherubic, round face attracts situations that baffle everyone - except Father Brown and his rather naïve wisdom. The twelve enthralling stories in this book take Father Brown from London to Cornwall, from Italy to France, as he gets involved with bandits, treason, murder, curses, and an American crime-detection machine.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of their poets and their musings on this remarkable age. Many are world renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

G. K. Chesterton joyously skewers modern philosophers, authors, and artists in Heretics. This is the companion volume to Orthodoxy. Visit www.chestertonbooks.com to see other books in our G. K. Chesterton series.

Poet Gabriel Syme believes in the beauty of order and, as such, is recruited by Scotland Yard to an anti-anarchist police corp. While undercover, Syme meets fellow poet Lucian Gregory, a verse writer devoted to disorder, who introduces him to London’s anarchist underworld. Just as Gregory is to be elected to the central council, Syme’s cover is revealed and he is forced to make a decision that sends the cabal into chaos. Is anyone in this underground faction who or what they seem? Syme suddenly realizes he doesn’t have all the answers.

"Heretics," a series of essays by Gilbert Keith Chesterton. First published in 1905. Read by David "Grizzly" Smith. Chesterton had a sense of humor, had a sense of drama, and had sense. He was a man of strong opinions, and quite willing to argue vehemently for his own opinions, even with his friends -- and they remained his friends -- like George Bernard Shaw and Rudyard Kipling. Seems to me that's hard to find anymore. He wrote prolifically. He wrote humor. He wrote mystery novels, the Father Brown mysteries in particular. But he also wrote his opinions, his religious opinions and his ...

In "The Invisible Man", a murderer manages to get in and out of a house, even though it is under constant observation. In some ways, the story parallels Poe's "The Purloined Letter" but adds its own unique touches, particularly in the character and methods of priest-sleuth Father Brown.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

El conjunto de los relatos del padre Brown, escrito a lo largo de más de veinte años, constituye quizá la obra más popular de Chesterton. El simpático cura-detective que los protagoniza resuelve en ellos, armado únicamente con su paraguas, su inocencia y su sabiduría, intrincados casos gracias a un conocimiento sencillo a la par que profundo de la naturaleza humana.

The stories revolve around the same character, Horne Fisher, who uncovers mysteries that he can't bring to the public eye. In the first story, The Face in the Target, Fisher and two other men come across a dead man at a park. The dead man is a political figure, and Fisher realizes that uncovering the truth could lead to political trouble for the city. Although Fisher usually finds out who has killed the victim, the different circumstances regarding the murders in each of the eight stories usually prevent him from taking further action.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" - "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

Diminutive, bespectacled, and endearing, Father Brown only appears unworldly. But the cherubic parish priest is privy to the inner workings of the most surprising of sinners. And as an amateur sleuth, he intuits motives for Essex's unsolvable crimes. One of the most beloved characters in 20th-century detective fiction, the kindly cleric leverages his unrivaled insights into human nature to decipher 12 ingenious mysteries from the witty and clever mind of G. K. Chesterton.

In this 1905 collection of essays, G. K. Chesterton contests the growing intolerance for religious thinking and theological debate. He calls out friends and contemporaries - George Bernard Shaw, Rudyard Kipling, and H. G. Wells, among others - who hold divided views on art, literature, and politics but universally dismiss orthodox opinions on God and the cosmos.

Dive into the captivating world of G. K. Chesterton’s fictional detective, Father Brown, in this second of five collections of short stories. Father Brown may appear to be an ordinary Catholic Priest with his loose clothing and ever-present umbrella, but his extraordinary insight into the depths of human wickedness sets him apart. His detective methods, though rooted in careful observation, lean more towards intuition than deduction. A devout and educated clergyman, Father Brown never lets his faith compromise his rationality. His deductions always lead to a logical, earthbound solution ...

DES MEURTRES IMPOSSIBLES ! 9 nouvelles ou courts romans célèbres, mettant en scène des meurtres commis dans des lieux hermétiquement fermés. 9 énigmes qui sont autant de défis aux capacités de déduction et d'imagination de l'audiolecteur.

In his signature style, G.K. Chesterton explores Christianity as the most profound solution to the complex riddles that reside within every human soul. Join him on a journey filled with insight and humor as he navigates the depths of faith and reason. - Summary by Pleonic

In New Jerusalem, Dale Ahlquist presents a captivating exploration of G.K. Chestertons philosophical journey through Europe to Palestine. He describes the landscapes and encounters that reflect the essence of the Holy Familys Flight into Egypt, noting the striking similarities with a modern twist The man is riding on the ass. Ahlquist delves into the complex dynamics of faith, suggesting that the real error of Muslims lies not in historical persecutions, but in their belief that a simpler form of Christianity could be universally appealing simply by stripping away its richness. He argues that ...

This book aims to clarify its historical perspective to avoid any misunderstandings. While I am deeply influenced by my Catholic faith, this exploration isnt primarily about the theological debates between Catholics and Protestants. Instead, it delves into a variety of pagan beliefs more than it does into Christianity itself. My central argument is that those who claim that Christ is merely another figure among myths and that his teachings align with other religions are repeating an outdated notion that is challenged by significant historical realities. I rely on commonly known facts without ...