Showing results by narrator "Jon Brattin" in All Categories

These adaptations of Shakespeare's classics Macbeth and Romeo & Juliet are told in plain English as full-cast audio productions. Additional materials and context are included. The set also includes a detailed introduction, adaptation notes, analysis of original Shakespearean speeches and study questions. This offers a fine introduction of perhaps the two most famous Shakespeare works and detailed study materials for those seeking to understand the plays in greater depth.

William Shakespeare, the "Bard of Avon", is the most famous of all English writers. Though he lived and died over 400 years ago, his works remain loved and treasured to this day. Even after all this time, they have lost none of their power nor their beauty: His stories still excite, his words still move, and his characters still seem real and deep and true.

This is a plain English and abridged adaptation of Shakespeare's Troilus and Cressida. The play is set towards the end of the Trojan War, and loosely follows sections of the Iliad. The play combines two key plotlines: the romance between Troilus and Cressida, and the ongoing Trojan war. This adaptation simplifies Shakespeare's language, but retains the key elements of his play. This is theatrical production by a full cast.

This is a plain English production of the Shakespeare's classic play Much Ado About Nothing. Set in Italy, it tells the story of a romance between Claudio and Hero that is interrupted by a devious plot. This is a full-cast production of the work adapted by Charlie Creed to plain English and condensed to a 25 minute theatrical production with music and sound effects. This makes it suitable for a younger audience, though the themes of love, trickery and heartbreak, though softened and made age-appropriate are more suitable for older children aged eight years and over.

This is an adapted version of William Shakespeare's Cymbeline. It is abridged and in plain English rather than full Shakespearean language. Most position Cymbeline as a tragedy, though others consider it a romance or possibly a comedy. It is believed to have been written in the early 1600s. The romance features the king's daughter, while the Queen plots, and the king's sons were believed lost decades ago as infants. This version is adapted by Hazel Jeffs, offering an engaging retelling of this classic tale.

Edward III, sometimes called The Raigne of King Edward the Third, was published anonymously (as were several other Shakespeare plays) and is believed to have been written, at least in part, by William Shakespeare. The play focuses on a dispute between England and France that escalates to war. This edition is abridged and adapted into plain English and includes opening and closing commentary on the play itself.

An adaptation of William Shakespeare's 1603-1604 play Measure for Measure adapted and in plain English to a 20-minute production by Charlie Creed. The original was first published in the First Folio in 1623. It was originally classified as a comedy, though is now considered more of a problem play. The play is set in Vienna and focuses on the themes of relationships, integrity, and legal complications. This is a full cast, abridged production of the play in plain English.

An audiobook adaptation of Iben's classic, When We Dead Awaken. First published in 1899 it is a despairing and dream-like play rich in symbolism. This was also Ibsen's final play written at the time of his return to Norway after an extended absence a theme which is also reflected in the plot and it is interesting to speculate how much of Ibsen is contained in the lead character, the sculptor, Rubek, including Ibsen's own relationship with his masterpiece, A Doll's House.

This play has been adapted into plain English and is performed as a theatrical full-cast production. At just over 20 minutes long, it is an abridged and adapted version of one of the relatively underperformed works in Shakespeare's canon. The plan opens with a threat from the French. Negotiations, conflict, and palace intrigue follow, as King John works his way through many issues of war and diplomacy in classic Shakespearean fashion.

Allie has sworn off dating. Which is unfortunate, because the cute guy at the grocery store has finally struck up a conversation, and shy and sweet Ben is even more adorable than he looks. When an ex shows up trying to rekindle the flame at the same time her mother tries to set her up with a neighbor, Allie ropes Ben into being her fake boyfriend to get everyone off her back. Ben has been in love with the stranger at the grocery store for months despite never speaking to her.

After getting a divorce, losing her job, and her parents moving across the world in the same week, Amelia Blake has hit rock bottom. With nowhere else to go, she journeys across the country to seek the help of a half-sister she's never met, hoping she can pick up the pieces of her life and move forward. When a hitchhiking musician named Jack helps her fix a flat tire, she is drawn to his undying optimism and mesmerizing music, so much so that she offers to be his manager and help him share his music with the world so she can spend more time with him.

When coffee shop owner Josie Sparks spots her ex boyfriend picking out a Christmas tree with a new girl, she does the unexpected. She grabs his roommate, Noah, and lays a kiss on him right in front of her ex. The new girlfriend assumes they’re dating, and Josie and Noah decide to go with it.

Raised among the secrets and shadows of Crete, Icarus finds escape soaring through the sky with her finest invention, a pair of wings. But when she flies too close to the sun, Apollo finally sees the woman who has haunted his visions for a year. The woman he is certain is meant for him.

Kit Morgan has always hated change—he’s as steady as they come. At least, that’s what his friends think. Feeling trapped by a routine he never wanted but everyone expects, Kit is almost glad when his life suddenly falls apart—especially when it leads to him running into his middle school girlfriend, Skyler, who happens to need a fake fiancé for a family reunion. The two pick up where they left off seventeen years prior, and Kit reverts back to the friendly and fun-loving person she knew for the semester they were together.

When his pseudo-family, the Davenports, are in trouble, Brennon reluctantly teams up with Molly to find the truth and prays she isn’t lying when she says she won’t hurt him again. Because he’s as much in love with her as ever, and he’s not sure he can survive another heartbreak.

I’m the wolf she hit with her car and nursed back to health. I’m also the gruff biker who saved her from her creepy boss. She has no idea man and beast are one and the same. We’re from different worlds, but fate’s thread ties us together. She thinks we’re just dating, but she’s meant for me. And as I get to know her, I can’t get enough. The more time we spend together, the more my wolf howls to claim her. Soon, I won’t be able to hold back the animal within me.

NEARLY TWENTY YEARS HAVE PASSED since the end of the devastating war between dragons and man. Following this conflict, the country of Armea has stabilized. However, when the city of Sorranon falls to flame and fury, panic begins to grow anew. In the West, on a quiet farm, Anastasia Daren faces a decision. Torn between home and vengeance, she forges a new path, unfamiliar and exciting. In the eastern capital, Edrik Greywine, guard to the king, is confronted by strangers claiming to hail from an apocalyptic future. Differing ideals brew trouble for both king and country as other threats rise.

Arion is thrust into a brand new world of magic on his 13th birthday with the arrival of a book of spells from an unlikely source: his supposedly dead mother. When a spell goes awry, he unleashes a wisecracking demon that latches itself onto Arion, and gets trapped inside his head.

Arion is gone, and Theresa has finally come out of hiding after sixteen years. Cyllorian doesn't know what to think any more, but there's one thing he knows for sure...Arion's not dead. Cy is determined to do whatever it takes to bring Arion back. Even if the means relying on the elusive Theresa, and she seems to have her own agenda.

Elspeth has performed her greatest heist yet: stealing the Sacred Prince from the capital just as a release of dark magic turned its citizens against him. That was the easy part. Now she has to safely deliver the reluctant refugee across the province to her camp where he believes the Bandit King will bargain with his army to help Otello reclaim his stolen throne. Except, she is the Bandit King, and that bargain is a marriage arrangement.