Showing results by narrator "Denis Daly" in All Categories

The story of the adventures of the mythical hero Gilgamesh is the most considerable literary production that has come down to us from ancient Babylonia. Unfortunately, it was not preserved in complete form. This recording is of the fullest translation which had yet been issued in English when it was first published in 1917.

While he is most famous for his didactic fable, The Prophet, the works of Kahlil Gibran (1883-1931) address a wide range of philosophical and social issues. The overriding theme of his narratives is not the religious universalism that he is supposed to represent, but rather the inevitable conflict between human aspirations and the remorseless machinations of fate.

Spring Awakening (German: Frühlings Erwachen) was the first major play by Frank Wedekind. It was written in the early 1890s but, due to opposition from censorship authorities, was not presented on stage until 1906. The play explores two contentious themes: the development of adolescent sexuality and the repressive nature of the German education system.

The Waste Land by T. S Eliot is narrated by Danielle Cohen and Denis Daly. Eliot's cross-cultural epic poem, first published in 1922, remains one of the most challenging poems in the English language. It is dedicated to Eliot's mentor, Ezra Pound. Like Pound, Eliot reveled in drawing allusions and quotations from a vast body of world literature.

This is a collection of short stories by well-known Australian author, Mary Grant Bruce (1878-1958). It combines the stories previously published as “Australian Christmas Yarns Volumes I & II”, with the addition of three previously unreleased stories.

A group of highly opinionated individuals gather at a remote country estate in Hampshire and indulge in lengthy conversations about issues of the day over extravagant dinners. The young and idealistic Algernon Falconer resides in the opulent country house with seven young "handmaidens', whom he calls "Vestals." A learned and garrulous local clergyman, Dr. Opimian, becomes a friend and confidant of Mr. Falconer and decides that the young man would make a suitable husband for Morgana Gryll, a niece of one of his friends.

In Rhonda Byrne's self-help book, The Secret, published in 2006, the theory of the Law of Attraction is presented as a re-discovery of an ancient metaphysical principle, buried in ages of historical neglect. However, nothing could be further from the truth. Exactly a century earlier, prolific New Thought author William Walker Atkinson published Thought Vibration, a succinct but thorough examination of the power of thought and its function in the creation and control of personal circumstances.

Few of Emily Dickinson’s poems were published in her lifetime. Her posthumous fame is largely due to the efforts of her editors and supporters Thomas W. Higginson and Mabel Loomis Todd.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

The novel opens with Mr. and Mrs. Parker’s visit to Sanditon, a village on the coast of Sussex. Sanditon is being developed into a bathing-place under the patronage of the two principal proprietors of the parish, Mr. Parker and Lady Denham. Mr. Parker suffers an injury and receives assistance from a local farmer, Mr. Heywood. The latter’s daughter, Charlotte, is of marriageable age and has three eligible suitors: Lady Denham’s foppish son, Sir Edward; Mr. Parker’s devil-may care brother, Sydney; and Arthur, who is an unemployed hypochondriac.

Young Cedric lives with his widowed mother in New York. His late father was a British earl who had been disowned by his father for marrying an American. As all of the earl of Dorincourt's sons have now died, he begrudgingly looks to Cedric as his sole heir. While the earl soon comes to love the endearing little Cedric, conflict arises when a strange woman appears on the scene and insists that her son is the true heir.

Northanger Abbey is one of Jane Austen’s first novels, though it was not published until after her death, and contains some of her most biting satire. Catherine Morland, the novel’s naive and provincial heroine, has formed her idea of the world from Gothic novels, full of gloomy Italian castles, long-kept secrets, and dastardly villains. However, when she travels to the city of Bath and encounters a wider society, she will discover that all her reading has ill-prepared her for the real world.

Socrates, perhaps the most famous philosopher of the ancient world, left no writings. The method of philosophical investigation for which he is celebrated has come down to us in the form of dialogues, composed by his student, Plato. The four dialogues in this collection are known by the names of the chief characters in each: Lysis, Charmides, Laches, and Euthyphro. As they fall into a more or less natural group due to the fact that each one deals with a single ethical abstract—friendship, temperance, courage, and piety, respectively—they have been renamed based on their subjects.

This collection was published in 1901 and contains some of Lawson's best known stories. Most of the stories are set in the Australian bush, and feature many of Lawson's iconic characters, like squatters, swagmen, and struggling selector farmers. A persistent theme is the harshness of rural life and the inevitability of personal tragedy.

This collection, first published in 1914, contains 28 short pieces in prose and verse, which present themes frequently explored in Gibran's other works. These include love, death, creation myths and spiritual realization.

During his lifetime, Hopkins, who was ordained as a Jesuit priest, was best known as a scholar and a teacher of languages. In his youth, he composed poetry prolifically, but destroyed all his juvenile work in 1867. In 1874, he commenced writing poetry again, but little of his verse was published in his lifetime. His work was rescued from obscurity by his friend and supporter, Robert Bridges, who later became poet laureate.

Asoka, who reigned from 268 to 232 BC, was the most famous emperor of the Maurya Dynasty, which was the ruling clan of the Indian subcontinent from 321 BC to 185 BC. He was one of the most famous early converts to Buddhism and became one of its greatest evangelists. Today Asoka has a twofold interest for us: political and religious. The illustrious member of the great dynasty, of which he was the most celebrated representative, has left indelible traces of its achievements in Indian history. Moreover, he was the leader of a spiritual movement that spread rapidly throughout the East.

Andrew Barton 'Banjo" Paterson (1864 - 1941) may be considered the unofficial poet laureate of Australia. After training as a solicitor he began contributing verse to the Sydney "Bulletin" under the pseudonym of "The Banjo", taken from the name of a horse. His first collection, "The Man from Snowy River", was published in 1895. Two further collections followed: Rio Grande's Last Race and Other Verses in 1902 and Saltbush Bill, JP. and Other Verses in 1917.

This collection arguably contains some of the most charming lyrics ever written in English. Blake’s poems can be enjoyed, not only for their historical importance in an age which was fiercely proud of its genius and its traditions, but also for their simple and beautiful expression of “two contrary states of the human soul.” Songs of Innocence was originally a complete collection of twenty-three poems, first printed in 1789. In 1794, a composite collection entitled Songs of Innocence and of Experience, containing forty-seven poems, was published.

In the early twentieth century, it was often said that “Australia rides on the sheep’s back”—a reflection of the nation’s dependence on the wool trade. Accordingly, a vast itinerant army of labourers was required to shear the sheep and prepare fleeces for market. In this essay, Rolf Boldrewood provides a vivid picture of the shearing season on a large property.