Showing results by author "Simon Brett" in All Categories

Bill Nighy returns as the loveably louche actor-cum-amateur detective Charles Paris Charles Paris is in Oxford, appearing in a re-imagining of Hamlet by a high-concept drama company. No fan of immersive theatre, he's unimpressed with the director's vision and less than thrilled to be rehearsing...

A BBC Radio 4 full-cast adaptation of Simon Brett's comic murder mystery, starring Bill Nighy as the irrepressible Charles Paris. Charles Paris (unsuccessful actor, bad husband, dipsomaniac) is currently appearing as a fork lift operator in a corporate video. It's not prime-time television or a major film, but it seems like easy money - until the fork lift is used to commit a murder. When Charles himself comes under suspicion, he decides to find out for himself who the murderer is.

A BBC Radio 4 full-cast dramatisation of Simon Brett's entertaining crime novel, starring Bill Nighy. Charles Paris has been resting for quite a while, so he's relieved when he is cast as Ghost of Hamlet's Father and First Gravedigger in a touring production of Hamlet. But rehearsals are a little tense - the lead roles of Hamlet and Ophelia are played by a reality TV contestant and TV talent show winner respectively, and their opinions on celebrity and the theatre differ somewhat from those of the more experienced members of the cast.

Having landed a small part in a new West End play, The Habit of Faith, Charles Paris is dismayed to discover that his good fortune has been orchestrated by his bête noire, the now-famous screen actor Justin Grover. But why has Grover become involved in this relatively obscure production - and why has he roped in Charles to star? From the outset the production is fraught with difficulties - and matters become even more complicated when a body is discovered at the foot of the dressing room stairs.

Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation – especially in the form of women and alcohol. He’s been out of work so long now he feels he may never get a job and he’s driving Frances, his semi-ex-wife, mad. So when he’s offered a small...

Chaired by Simon Brett (author of the hugely popular Charles Paris series), this intriguing, interactive panel show challenges professional crime novelists to put their experience and expertise to the test as they try to unravel various mind-bending mysteries. Each episode features a death and a denouement - with various red herrings and misdirections along the way. As the murder scenario is described and the clues laid out, our writer-detectives take turns cross-examining the suspects.

It isn't the rain that upsets Carole Seddon during her walk on the West Sussex Downs. It isn't the dilapidated barn in which she is forced to seek shelter. No, what upsets her is the human skeleton she discovers there, neatly packed into two blue fertilizer bags.

A job in pantomime seems the perfect way to spend the Christmas season for Charles, but the cast of Cinderella are a motley crew from reality TV and Charles finds himself having to explain the traditions of panto to their baffled American star whose career is on a downward trajectory. When the star is shot dead, and Charles finds the body, he finds himself under suspicion.

Inspector Rudge does not encounter many cases of murder in the sleepy seaside town of Whynmouth. But when an old sailor lands a rowing boat containing a fresh corpse with a stab wound to the chest, the Inspector's investigation immediately comes up against several obstacles. The vicar, whose boat the body was found in, is clearly withholding information, and the victim's niece has disappeared. There is clearly more to this case than meets the eye - even the identity of the victim is called into doubt.

When the owner of Polly's Cake Shop announces her retirement, the Fethering residents start to worry about the loss of this popular amenity. Alarmed by rumours that the café might become a Starbucks, a group clubs together to form an action committee. The plan is that Polly's should become a community venture managed and run by volunteers from the village. Roped in to help, Jude finds the committee meetings fraught with petty power struggles, clashing personalities and monstrous egos.

When Jude agrees to lend her vintage chaise longue for the local Amateur Dramatic Society’s production of George Bernard Shaw’s The Devil’s Disciple, little does she realise she’ll end up in a starring role. It’s an ambitious play, culminating in a dramatic execution scene: a scene that’s played for real when one of the leading actors is found hanging from the specially constructed stage gallows during rehearsals. A tragic accident - or something more sinister?

Having been booked to give a talk at Fethering Library, successful author Burton St Clair invites his old friend Jude to come along. Although they haven't met for 20 years, Jude is not surprised to find that St Clair hasn't changed, with his towering ego and somewhat shaky relationship with the truth. What Jude hadn't been suspecting, however, was that the evening would end in sudden, violent death. More worrying, from Jude's point of view, is the fact that the investigating police officers seem to be convinced that she herself was responsible for the crime. With the evidence stacking up against her, Jude enlists the help of her neighbour Carole.

Life is good for Charles Paris. He's moved back in with his estranged wife, and has landed a plum stage role as Sir Toby Belch in Twelfth Night. But it can't last. First his attempts to woo Frances fall flat, then the play's director is taken ill with gastric trouble. His replacement, Romanian wunderkind Alex Radelescu, is determined to take the play in a radical new direction—with or without Charles.

The Dowager Duchess has decided to sell off the less important family possessions. Blotto and Twinks are dispatched to help the valuer. He spies some Egyptian artifacts and in some excitement rushes back to London, leaving Blotto and Twinks alone in the attic, where they are drawn to a sarchophagus decorated with hieroglyphs. Twinks starts to translate: "Anyone who desecrates this shrine will be visited by the Pharoah's curse..." - just as Blotto prises the lid off.

Landing a minor part in the Empire Theatre Eastbourne’s Christmas production of Cinderella, Charles Paris soon discovers that his main role is to gently introduce the show’s baffled American star, Kenny Polizzi, to the bizarre customs of English pantomime. During their sessions in the local pub, Charles finds himself increasingly caught up in Polizzi’s tangled affairs. But Charles is about to be far more involved than he might wish when he stumbles across a body beneath Eastbourne Pier.

A three-month run of a new farce is not to be sniffed at by a jobbing actor. Especially when there's the distinct possibility of a West End run. Which is why Charles Paris is standing on stage. However, by the time the troupe reaches Bath a darker mood has set in and Charles' old friend Mark has a drink problem that amounts to a death wish. But it's not the drink that kills Mark - it's somebody in the cast who has a secret that Mark must not be allowed to reveal....

Charles Paris' old friend Mark, who runs a recording studio in Bath where Charles is making a talking book, has a drinking problem that amounts to a death wish. But it's not the drink that kills Mark, it's somebody in the cast of Charles' play who has a dirty little secret that Mark must not be allowed to reveal...

Bill Nighy returns as Charles Paris: unsuccessful actor, bad husband and dipsomaniac. Desperately in need of work, having been kicked out of the marital home, Charles jumps at playing a missing property developer in a crime reconstruction programme. But the missing person case soon turns to...

Simon Brett's oldest and most beloved character, Charles Paris, is back. Paris, the often out-of-work actor, has a good part for a change, playing Sir Toby Belch in a summer festival production of "Twelfth Night." But when the director takes ill and then Paris' friend in the production is the apparent victim of intentional food poisoning meant for Paris, it's not long until the bodies start to turn up. Paris is forced to deal with a wild young director whose idea of Shakespeare the bard himself would hate.

Sisters Anna, Victoria and Charlotte are back for four more series, in which relationships are forged, hearts are broken and family ties are strained - but not severed. Older sister Anna continues to live her life on her own terms, despite her sisters' insistence on being there for her. But when she suffers a couple of knocks to her confidence and needs a shoulder to cry on, they are too self-absorbed to be any use. Fortunately, niece Emily provides moral support and Anna reciprocates with some down-to-earth advice about Emily's love life.