Showing results by author "Charlotte Gilman" in All Categories

First published serially in Gilman's magazine The Forerunner from 1909-1910, What Diantha Did is the story of Diantha Bell, a young woman who leaves her home and her fiancé to start a housecleaning business. A resourceful heroine, Diantha quickly expands her business into an enterprise that includes a maid service, cooked food delivery service, a restaurant, and a hotel.

Charlotte Perkins Gilman (1860-1935) was an influential feminist author. This short story, "If I Were a Man" reveals the subconscious thoughts of Mollie Mathewson, a young woman who yearns to become a man. Then suddenly she becomes her husband, Gerald, and experiences various strange and different perspectives. 

One of the earliest creative approaches to feminist literature, this sinister horror story tells of a woman's mental anguish and unconscious struggle with conformity in a society that generally viewed women as weak and hysterical creatures unable to think for themselves. The author, Charlotte Perkins Gilman (1860-1935), a prominent American feminist, paved the way for other authors like Sylvia Plath and Alice Walker. She suffered mental illness during her life and ultimately committed suicide.

A new mother is brought by her doctor husband to a summer house to relax. He has determined that she suffers from a nervous condition. She is told to rest and she must have no intellectual or social stimulation. Her child and the house are taken care of by trusted others. She surreptitiously writes when no one is around. At first she is disturbed by the yellow wallpaper in the room she is staying in. when she requests another room, she is told that it is not good for her to have her whims attended to.

“The Yellow Wallpaper” whispers secrets from its peeling edges, a silent witness to a woman’s descent into madness. In the dim light of her secluded room, she grapples with more than just faded wallpaper; it’s her sanity that unravels thread by thread. As the moon casts eerie shadows, the yellow hue takes on a life of its own, revealing cryptic patterns—a dance of confinement and rebellion.

Charlotte Perkins Gilman's powerful and unsettling story of a young woman descending into psychosis. Confined to her attic bedroom by her husband to ensure rest and recuperation after having her baby, and with nothing else to occupy her mind, the woman slowly becomes obsessed with the old yellow wallpaper covering the walls until she loses her grip on reality, imagining herself and others imprisoned behind the wallpaper.

"The Yellow Wallpaper and Why I Wrote It" is a thought-provoking exploration of the classic short story "The Yellow Wallpaper" by Charlotte Perkins Gilman. The book delves into the psychological and societal themes embedded in the original work while providing an intimate glimpse into the author's motivations and personal experiences that led to the creation of this groundbreaking piece.

Charlotte Perkins Gilman is known for her themes of female entrapment and patriarchal control, and she gives this a Gothic twist in "The Giant Wistaria". A wealthy young couple and their friends rent a manor house, excited by the prospect that it’s haunted, and they are not disappointed when they all experience the same vivid dream.

Representing the dark underbelly of Romanticism and beyond, these stories reach the shadowy corners of the human soul as seen through the writings of some of the most prominent authors of the 19th and early 20th centuries.

Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. It was first published in monthly installments as a serial in 1915 in The Forerunner, a magazine edited and written by Gilman between 1909 and 1916, with its sequel, With Her in Ourland beginning immediately thereafter in the January 1916 issue.

This whirlwind murder-mystery of intrigue, betrayal, and stolen treasure is a whodunit of epic proportions.

The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. It is an important early feminist work that brings forward complicated issues of gender, citizenship, eugenics, and frontier nationalism. 

In her best-known work, The Yellow Wallpaper, Gilman writes about different kinds of oppression that women were exposed to at the time. Herland is a utopian novel from 1915, in which an isolated society composed entirely of women exists. The result is an ideal social order: free of war, conflict, and domination. The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. It is an important early feminist work that brings forward complicated issues of gender, citizenship, eugenics, and frontier nationalism. 

Unique to this title is a study of the themes present in Herland. Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman, in which exists an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. Enjoy this timeless classic!

Charlotte Perkins Gilman (1860-1935) was a prominent sociologist, novelist, and writer of short stories, poetry, and nonfiction. In the short story "If I Were a Man", a married woman named Mollie Mathewson yearns with all her heart to be a man and is suddenly transported into the body and mind of her husband, Gerald. Through the character of Mollie, Gilman illustrates the roles and attitudes of women in early 19th-century society. The utopian novel Herland describes an isolated society composed entirely of women, with an ideal social order free of war, conflict, and domination.

Cloîtrée dans une maison de campagne isolée et tenue à l'écart de toute activité par son mari médecin, une jeune mère dépressive après la naissance de leur enfant brave en secret l'interdiction qu'il lui pose d'écrire. Désœuvrée, elle sombre dans la fascination pour l'affreux papier peint de la chambre à coucher. Elle finit par y voir, en miroir, une femme séquestrée derrière les arabesques.

"The Yellow Wallpaper" is a short story by American writer Charlotte Perkins Gilman. In her best-known work, "The Yellow Wallpaper", Gilman writes about different kinds of oppression that women were exposed to at the time. Women were patronized and treated as mentally weak and fragile. They were believed to be prone to many "nervous conditions" and particularly hysteria. Enjoy this timeless classic!

Eine junge Frau braucht nach der Geburt ihres Kindes Erholung, meint ihr Ehemann und mietet ein Sommerhaus, damit sie zur nötigen Ruhe kommt. Die junge Mutter fühlt sich wohl in dem schönen Haus, einzig der Raum mit der gelben Tapete bereitet ihr Unbehagen. Die in sich verschlungenen Muster scheinen von Tag zu Tag bedrohlicher und flößen ihr Angst ein. Was nur verbirgt sich hinter der Tapete? Unheimlich und beklemmend liest sich diese Geschichte in der Tradition von Edgar Allan Poe. Ein Schlüsseltext der amerikanischen Literatur in der Neuübersetzung von Christian Detoux.

Few horror stories are as chilling as the ones written by Victorian writers. This collection of eight enduring stories, some well-known, others less familiar, carry you to all corners of the world where terrors lurk. Featuring work by H.P. Lovecraft, Charlotte Perkins Gilman, Edgar Allan Poe and Vernon Lee, experience the skin-crawling undead, a pestilence that leaves no one unaffected, imagined horrors that emerge from disturbed minds and others that require no imagination at all....

The story is a double play: is it the story of a woman going mad, or a woman possessed by something evil? We begin to suspect that the narrator’s apparently caring husband John may not be as caring as she thinks. Is he trying to control her? We know that Charlotte was much concerned with the emancipation of women and them achieving financial independence, so is the character of John an echo of this?