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It would appear that, after two years of relative slacking, the Hero of Chaos is once again facing an ever-growing workload. Boxxy had been quite fortunate to obtain an exceptionally potent pawn with very little effort, but that was still effort it did not intend to expend. Sensing it might get dragged into things it really doesn't want to bother with, the creature makes haste to depart Velos and its orcs so that it may continue its private preparations for the upcoming Dragon Festival.

With Charity's fate on the line, Devon and his pack must face the perils of the Realm in search of the elusive warrior fae. With no real experience and against some of the most powerful creatures in existence, they are fighting a losing battle. Thankfully, they don't have to do it alone. Knowing what's at stake, Penny and Emery, the magical powerhouses of the mage world, will lend their aid. Even though Emery is outlawed from stepping foot in the Realm, the pair will try to sneak Charity in the backdoor. If they are caught, they'll all be captured or worse. Much worse.

Martin Dean spent his entire life analyzing absolutely everything - from the benefits of suicide to the virtues of strip clubs - and passing on his self-taught knowledge to his son, Jasper. But now that his father's dead, Jasper can fully reflect on the man who raised him in intellectual captivity, and the irony is this: theirs was a great adventure. From his prison cell, Jasper Dean tells the unlikely story of his scheming father Martin, his crazy Uncle Terry and how the three of them upset - mostly unintentionally - an entire continent.

Described by Barry Took as "a kaleidoscope of funny voices, catch phrases, and innuendo, revolving at breakneck speed and with a complete disregard for logic", I'm Sorry, I'll Read That Again pre-dated I'm Sorry, I Haven't a Clue. It showcased the comic talents of Tim Brooke-Taylor, John Cleese, Graeme Garden, David Hatch, Jo Kendall, and Bill Oddie.

There's a new chat in town as the hit programme comes live from the BBC Television Centre, and Alan ushers on a variety of guests including horsewoman of few words Sue Lewis, powerful hypnotist Tony le Mesmer, fashion designer Yvonne Boyd, and husband and wife thespians Tania Barker and Gary Barker. There's also a whole edition of the programme broadcast from sexy Paris, city of French people.

Beneath the streets of London there is another London. A subterranean labyrinth of sewers and abandoned tube stations. A somewhere that is Neverwhere....

Penelope Wilton narrates BBC Radio 4’s epic dramatisation of the treasured family saga Elizabeth Jane Howard’s five book chronicle of the upper-middle class. Cazalet family begins in 1938, as siblings Hugh, Edward, Rupert and Rachel join together for another family holiday at Home Place, their house in the Sussex countryside. During the course of The Light Years, Marking Time, Confusion, Casting Off and All Change, the progress of their lives, and those of their children, will be charted.

Everything Poppy has ever believed in is a lie, including the man she was falling in love with. Thrust among those who see her as a symbol of a monstrous kingdom, she barely knows who she is without the veil of the Maiden. But what she does know is that nothing is as dangerous to her as him. The Dark One. The Prince of Atlantia. He wants her to fight him, and that's one order she's more than happy to obey. He may have taken her, but he will never have her.

A thousand years ago, Dianna gave up her life in the deserts of Eoria to save her dying sister. She called upon anyone who would listen, not expecting a monster far worse than any nightmare to answer. Now she does what Kaden asks, even if that means securing an ancient relic from the very creatures that hunt her.

It is 1864 when Lizzie Martin takes up the post of companion to a wealthy widow who is also a slum landlord. Lizzie is intrigued to learn that her predecessor disappeared, supposedly having run off with an unknown man. But when the girl's body is found in the rubble of one of the recently demolished slums around the prestigious new railway station at St Pancras, Lizzie begins to wonder exactly what has been going on.

Fitchner’s quest for revenge continues as he and the other Sons of Ares seek out the Golds who have wronged his family. But actions come with repercussions, and an elaborate game of cat and mouse is on. A battle of Gold versus Gold erupts further into more than acts of vengeance and becomes the seeds of a revolution.

The fourth series of the legendary BBC Radio comedy series starring Tony Hancock. Created by Ray Galton and Alan Simpson in 1954, Hancock's Half Hour was the radio vehicle that made Tony Hancock a household name. Each week listeners would be admitted to the sometimes fantastical, sometimes mundane life of "the lad 'imself". Aided and abetted by Sid James, Bill Kerr Kenneth Williams and Hattie Jacques, Hancock would enter into the spirit of each episode with characteristic dolefulness.

Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other, for no one but Saunders could conceive it. February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved 11-year-old son, Willie, dies and is laid to rest in a Georgetown cemetery.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

Bristlebrook is up in smoke, my brutes are dead, and Sam’s camp is a powder keg begging for a flame. Injured and furious over their losses, the surviving hunters are preoccupied with their own problems. Their factions and allegiances. Their internal wars and pissing contests. The new world they want to forge. They don’t look twice at their meek little captive.

Set in a lethal pro football league 700 years in the future, THE ROOKIE is a story that combines the intense gridiron action of "Any Given Sunday" with the space opera style of "Star Wars" and the criminal underworld of "The Godfather." Aliens and humans alike play positions based on physiology, creating receivers that jump 25 feet into the air, linemen that bench-press 1,200 pounds, and linebackers that literally want to eat you. Organized crime runs every franchise, games are fixed and rival players are assassinated.

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

Professor James Moriarty (Monaghan) is back for a gripping new adventure that finds him joining forces with his bitter rival, Sherlock Holmes (LaMarr). Moriarty tracks down the woman he loves but discovers that she is trapped in the web of a shadowy cabal of evil that’s growing stronger every day. To fight it, Moriarty must face Lady Milverton (Mirren), a ruthless mastermind whose blackmail poisons the highest levels of power. When he learns that his nemesis Sherlock Holmes is also in Milverton’s grip, the two must set their animosity aside to stop an escalating threat of world war.

Saddle up and join Wynonna Earp on an immersive new audio adventure in the gritty supernatural world of Purgatory. This Audible Original invites you deeper into the Weird West to follow Wynonna Earp (Melanie Scrofano), as she embarks on her craziest adventure yet: riding off into the sunset with her soulmate, Doc Holliday (Tim Rozon)—yes ... that Doc Holliday. Brace yourself for more wise-cracking demon hunters, earth-shattering revelations and all the genre-blending action you've come to expect from the cult hit TV series.

The British Classics Collection: Volume One is a century-spanning collection of 24 classic works of fiction and poetry by British authors, read by a cast of incredible narrators including Stephen Fry, Joanne Froggatt, Jason Isaacs, Adjoa Andoh, and many more. Included here are stories by some of the greatest writers of all time, including Charles Dickens; Emily Brontë; Jane Austen; Thomas Hardy; George Eliot; D.H. Lawrence; George Orwell; and Mary Shelley, amongst a host of others.