Showing results by narrator "Ragland Ragland" in All Categories

In the American Civil War that began in 1861 the War was seemingly fought to end Slavery. A War for Good. The result a win for the good guys but a society that still bears fractures from this seminal period. The stories in this volume show the true scars that are endured as a riven Nations authors try to explain and reconcile.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.

Six people find a thick cream envelope on their doorstep. Inside is an invitation to spend 24 hours in a crumbling manor house and be in with the chance to win a portion of one million dollars. The catch: Beechwood Castle was the site of one of the most horrific murders in modern history. The smell of blood, decay and death still hangs heavy in the air. Six people walk into the house. One of them is an imposter, all of them are traitors, which of them will survive the night?

In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of the American male author whose time has now come again.

The American West. A landscape hewn in vastness as its rips from Plains, to deserts, to mountain, to ocean overlaid by waves of emigration of peoples either dispossessed or searching for a new life and the American dream. These are their stories. Short stories have always been a sort of instant access into an author’s brain, their soul and heart. A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.

Francis Scott Key Fitzgerald was born on 24th September 1896 in Saint Paul, Minnesota into an upper-middle class family. Whilst his mother was pregnant with him, his two young sisters tragically died. Fitzgerald once said this was when his destiny as a writer was ordained. In 1913 he enrolled at Princeton but his devotion to his own literary pursuits resulted in him leaving and, rather bizarrely, joining the Army. He continued to write with great mastery and the titles of his novels and many of his 164 short stories are household names.

Nathaniel Hawthorne was born on 4th July 1804 in Salem, Massachusetts, a town synonymous with the earlier Salem Witch Trials. It was instrumental in Hawthorne’s later use of American Gothic and dark romanticism in his writing. He was a mere four years old when his father died and his mother took him and his two sisters to live with her family and then on to their own home in Raymond, Maine. The young Hawthorne had a passion for fiction and poetry and voraciously read the works of Ann Radcliffe, Henry Fielding and Lord Byron.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Jack London is widely regarded as one of America’s pre-eminent writers of the great outdoors. His stories are raw and, at times, harrowing, but always dependable fare. His work also includes stories on pandemics and bizarre scientific experiments. An author so much more than the usual wrapper proclaims.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A new century dawns, one in which America would become pre-eminent as its industrial might and military power rose above all others. In literature too its authors tackled new forms and new ideas, they shied away from little, immersing themselves and their readers in the promise of a new Century.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. For America, as the century closes, she is becoming less isolated. Her industrial might, her rising military power are pulling her ever closer into the entangled globe of nations. Her authors flex ideas and lexicons with riveting tales of this astonishing society.

His name is a byword for unspeakable horror and dread. Across ten stories this dark master holds a fascinating lure for all of us. Word by word, line by line we are drip-fed stomach-churning terror of a mesmerizing kind…

Talent bursts from this decade with astonishing ease. From America across Europe to Russia each and every story is an indelible mark of story-telling flecked with genius that enthralls us all. Whatever their chosen genre their stories break new ground, cover new topics and carry a legacy that cannot be disputed.

Many authors have been cited as inventing the detective genre. Perhaps the strongest claimant is the American Edgar Allan Poe. His creation of the Parisian sleuth C. Auguste Dupin with his quite astounding analysis and deductive powers allied to Poe’s great imagination and wit create a literary tour de force.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 40. These authors are not run-of-the-mill or ten a penny; many are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

William Austin was born on 2nd March 1778 in Lunenburg, Massachusetts. Although he was a frequent contributor to local periodicals on various subjects from Unitarian theology to chemistry to legal history, nothing quite approached the popularity of ‘Peter Rugg: The Missing Man’. This story and its sequels, constructed as long letters, were originally published in the New England Galaxy periodical between 1824 and 1827. So credible was his writing premise that they were accepted as a factual recounting of local legends rather than Austin’s fiction.

Henry Fleming, a young soldier in the American Civil War, grapples with fear, courage, and the realities of battle. He joins the Union army with grandiose ideas of heroism, but when he faces the brutal truth of war, he is overcome by fear and runs from the battlefield in his first encounter with the enemy. After fleeing, Henry is consumed with shame and guilt. He struggles internally, questioning his own courage and trying to come to terms with his actions.